Tag Archives: how

The First YouTube Video Ever

The New York Times wrote recently about the first video ever posted on YouTube. Here’s Jawed Karim telling us that he’s standing in front of the elephants. Further, he explains that the “cool” thing about elephants is that they have really long trunks. Karim would later update his video to show an annotation that points out the goat sounds on his  “meet at the zoo” video.

Jawed posted this on April 23, 2005, and would later receive $64 million in Google stock for his contribution to YouTube. He was last seen two years ago in Hawaii. (actually to be fair, Jawed signed in as recently as four days ago).

Says NYTimes Writer Virginia Heffernon:

When this technique of redundancy was used in the films of Godard, it was considered the height of sophistication, a comment on the way movies pile on information: they show, they narrate and they describe. The elephants are unmistakable to viewers, and yet Karim identifies them. Then he names the iconic shape right in front of us — “long trunks” — lest anyone miss that long trunks equal elephants equal long trunks.

If we didn’t believe Heffernon was disguising disdain with subtle sarcasm, we would have thrown up in the back of our throats.

You know, I’m not sure why Jawed picked that username when he presumably had any other option available. It sounds like a b-grade beach movie. I’d have chosen the username Fred or Smosh or Nigahiga or something.

P.S. Here’s my first video (Scary Santa), posted 9 months later than Jawed’s. It has not earned me $64 million dollars yet.

Why Agencies Are Killing Social Media & What You Can Do About It

Rapport-building anecdote to engage you: Around 1999, I worked as an account manager at a website-development company called Frontier Media Group. It was a company that specialized in production of online-properties and kiosks. My biggest client (which became the company’s second largest) began treating us like its “Internet Agency of Record,” and that took us far beyond project work. It was a vote of trust, and suddenly we were being asked to evaluate media buys and pilots. “What should the ratio of my Internet budget be in terms of web build versus online advertising?” they’d ask. I rushed back to the shop and pleaded my agency’s senior leadership to develop online media-buying services to handle display advertising and paid search… they resisted for more than a year, finally compelled less by duty and more by the incremental revenue it could snatch. “Hmmmm. A chance to snatch five percent of digital spending that was increasingly going online.” They hired a media guy whose job it was to battle offline media agencies who, of course, saw this internet-advertising fad as a horrific waste of money (which only coincidentally cannibalized their billings, but I digress).

we put the no in innovation

Now, a decade later, social media is facing a similar fate. As a marketer and independent consultant I see great opportunities that brands may not realize for years. As a former Internet agency guy, I understand why. It’s simply not yet profitable for an agency to engage in social media. Some account managers recommend social media, either because they know it’s in the brand’s best interest or they want to show they’re innovative. If the marketer appreciates the value, they’ll be heroes to the brand… even if they’re likely to be perceived as “going native” on their own agency. Why? Most savvy internet agencies haven’t figured out how to capitalize on emerging forms of social media, and urge clients to do things in their self interest. agency martini

Interactive agencies — and their big ol’ parental full-service agencies, to which I shall refer as Big Agency — are typically made up of account teams, production people, planners, media buyers and creative. They shout “teamwork and synergy” when they pitch, and they despise each other secretly. Each of these silos has its hands full managing such mundane tasks as updating a website or doing insertion orders for a fat & juicy digital media spend. These tasks are profitable. The account team, often the only one who may directly benefit from a social-media pilot because they’ll look progressive to their client, have precious few resources to actually manage even a simple social-media campaign. Who at the agency has done a video contest, a YouTube promotion, a Facebook or Twitter campaign? Who can help substantiate much less manage something new? Oh- there’s someone who did it… but he’s busy with new-business pitch.

Siloes

Meanwhile, Big Agency has very little incentive to partner with firms that specialize in social media (instead deferring to a full utilization of all agency personal before considering “outsourcing”). That’s consulting or agency-management 101… keep people “off the beach” even if their skills aren’t a good fit this particular decade. The specialist firms are, therefore, unable to get a seat at the table. “We don’t need them for that,” says the Big Agency chief creative officer or senior media buying executive. “We can do that ourselves!”

The result is that the “social media” campaigns are often a failure. And so, it seems, the medium is too. But to paraphrase British Author G.K. Chesterton (and Bruce Grant, who paraphrased him in his own way):

Social media has not been tried and found wanting. It has been found difficult, and left untried.

Examples:

  • Bloated destinations on Facebook or Twitter that lack any relevant consumer engagement.
  • Little appreciation for “earned” engagements (not paid) because media buyers aren’t media engagers. They’re buyers.
  • Dismissive reactions to leveraging popular social-media “stars” because the agency sees that as a creative threat. The turtleneck-wearing, cigarette-holding creative director is insulted by letting their brand near an amateur YouTube star even if that chump has a bigger and more vibrant audience than will any professionally produced ad.

If an Internet firm or Big Agency can’t profit from social media (and sees it as a risk), how hard will they push it? Does an account guy want to take a risk for his client, only to be slapped around by 5 departments at his own employer? Will that Big Agency junior social-media advocate with skill and experience ever have an opportunity to help the agency, much less a client, tap the medium?

Meanwhile, the PR firms (who are instinctively appreciative of “earned” media that is so valuable in social media) are often not invited to contribute. These guys can’t spell HTML and didn’t have a Twitter account until it was all over the Wall Street Journal and NBC. If they do employ a social-media expert, the poor sap has the same fate that “web monkeys” held in PR and traditional agencies in 1999. They lack access to the clients, are not participating at a strategic level, and don’t even play nice in the agency sandbox.

This is a sad post, so let’s cheer it up and make it actionable. What can Big Agency (and even the nimbler ones) do to avoid these legitimate traps?

7-Steps-Cover

  1. 101 course for every department. Just like everyone at a traditional agency should have a basic understanding of the Internet, so too should they appreciate new forms of media. Not everyone needs to “tweet,” but they should be able to describe a successful case study related to each major media form (Twitter, Facebook, YouTube, Digg, and whatever else comes along). They may discover that “social media” can help their department instead of threaten its existence.
  2. Senior champion required. Every agency needs a senior advocate for these innovative new solutions that might otherwise die. His or her job should be to champion these and determine how the agency handles them. Should the media department handle social media, or does it fit better in the strategic, research, or planning group? I’ll give you a hint- this decision is the most vital.
  3. Take small innovation team off billable clock. Someone or a small group should be relieved of billable-hour pressure to identify emerging models — some that may not yet have a profit model, but can help a client’s business. This person or team should share best practices, and know what firms, vendors, consultants solve various problems. In some cases, they can simply educate account teams and connect them with these experts. But if it’s a first-attempt at what may be a high-maintenance project, this team might “run point” to manage the initiative from setting goals to collecting metrics. In many cases, it should educate account teams (and not just those pitching a new assignment), hand the project over, and return to collect the performance… ensuring it’s not redundant to other departments. Some of this work may have already been done on billable time, but if it’s buried in an account team it’s not going to help the new pitch or other client.
  4. Mutual profitability. Niche social-media players (startups and specialty firms) and the large agencies need to figure out how to partner in a mutually beneficial way, and that takes more than driving great results for a client. The “vendor” and the agency both need to have a clear role and profitability. For instance, if Buzzmetrics is better than the agency’s homegrown “web monitoring” solution, than outsource and mark it up (by adding value on the output). If some weird Twitter guru freelance consulting can offer some guidance, give them a seat early and define their boundaries. The freak’s input may help optimize a program, kill it justifiably, or save it from becoming an embarrassing headline.
  5. Pick wisely. Social-media startups (and especially consultants) are sometimes brilliant solo players, but don’t know how to do the jazz ensemble. Others have decided to pursue a niche passion, and have no interest in doing things outside that realm. If Big Agency senses a specialist firm or company wants to be a full-service agency, then one can understand why Big Agency wants them far from their clients.
  6. Make a black & white list. In emerging forms of advertising, there will be winners and losers related to both the medium and the people that executed a program. An agency needs to keep tabs on vendors and programs that succeed and fail. That means tracking both the performance of the medium (YouTube) AND the partner (an online-video specialist) that managed the assignment. A success is probably indicative that both are solid. But a failure could mean one or the other, and knowing the right answer will be important to determine if another attempt is made.
  7. Timing is everything. On one hand, few want to be the first to pilot something new, where it’s hard to predict outcomes much less scope time it will take. When an agency has trouble and a simple project gets bloated, it either needs to reevaluate how it did it… or determine that it’s a cost-prohibitive tactic because of the manpower it consumes. On the other hand, by the time it’s 100% clear that a social-media tactic will work, it’s probably an antiquated one. There’s an old African proverb: “if you wait for the whole beast to appear before throwing the spear, you’re already too late”).

Now I invite you, dear agency and brand readers, to provide your own thoughts (anonymously if you choose, as WordPress can’t track your ISP). You’re so very quiet on this blog that I sometimes worry you’re not reading. Please share! Otherwise I’m only writing for the fun regular commenters I call the WVFF back row.”

Secrets and Scams to Save Money in College (and beyond)

A special video for you WillVideoforFood subscribers, and the secret members of the UncleNalts family. How to scam your way to saving money in college (and beyond). Some of my tips to help you waltz along life without playing by the rules of everyone else (okay that was a joke).

How to save money, sneak into events, avoid parking tickets, hide stuff in dorms, fake IDs, use bathrooms, get discounts on cars and hotels, get into a restaurant without a reservation, get liquids on a plane, get out of some speeding tickets, save cash at a movie, and more…

Please DIGG THIS PAGE if you like it. I want to see if Digg still works.

It may be almost 8 minutes long, but I guarantee you’ll learn something new that pays. Or you can have your 8 minutes back… no questions asked. Well at least it’s add free. Because UncleNalts don’t run no ads, and he’s no big-headed “partner.” No sir. He’s just your crazy Uncle, and you may be glad he’s not your dad… but he always makes reunions a bit more interesting.

Top 5 Secrets to Profit Via Online Video

Yesterday I outlined the 5 magical secrets to making money via online video. I made it up while driving to NYC from my rural PA home, and used a forced “NALTS” acronym. It was the only way I’d remember it on stage at the Digital Content NewFront, and I still had to check my hat lid, where I had written them down as an emergency.

Hopefully the audience remembers these tips more than my pratfall, fart machine, and spinning beer caps.

You can also check out my free eBook (“How to Become Popular on YouTube Without Any Talent“).

  • Nickle: Keep it cheap. The “one man band” will always do better than a crew. I couldn’t have quit my day job if I had to share my YouTube revenue with a writer, editor, producer, agent and actors. Just me, a camera, and unpaid “actors.”
  • Amplify: There’s no online-video “prime time.” A homepage video on YouTube won’t guarantee an audience. You need to promote, collaborate, get involved with the community (the eBook gives you tips).
  • Listen: It’s not distribution it’s dialogue. Listen, react, talk back. Don’t “Oprahize” YouTube and use online-video for trailers. Get on camera and interact with the audience. Do collaborations with other famous peeps.
  • Theater: Go where the crowds are: Be in Regal not a tiny cinema. Fish where the fish are. YouTube. Use TubeMogul to post more broadly, but no f’ing microsites. As a marketer, I want my ad on the highway, not on some rest stop.
  • Sponsor: Bring your own sponsor. The money on CPM buys isn’t as interesting. Build content that’s entertaining but targeted to a niche that advertisers want to reach (moms, cooks, fisherman, financial, whatever). You can’t get a sponsor easily unless you have an audience, and if you’d rather let someone else hunt for the sponsor than check out Hitviews (disclaimer: I am its chief strategical officer).

There. Now go get rich. But as a reminder, if you’re focused on making money I would advise writing blogs about mortgage or investing. It’s very hard still to profit via online video, whether you’re talented or not.

I’m clearly motivated by sources other than money. I’ll have to ask a therapist what those motivations are.

How to Stop Kids from Using Electronics (Phone, PDAs) to Cheat in School

My 8-year-old son asked for help putting on his calculator watch this morning. He joked that he might use it during tests, and I quietly told him it might be a big mistake. His eyes perked up. “Why, dad?”

“The alarm goes off… it’s really embarrassing  when the ‘cheating alarm’ goes off.” He smiled, realizing I was quite likely joking. It didn’t help my credibility when I described the alarm’s sound as “beeep weeepp… CHEATER IN THE CLASSROOM!!!… beeeep weeeep.”

Then I realized the fish was nibbling at the bait, and decided to grab for anything that might substantiate my fib. “It happened to a friend of mine named Mason once,” I explained with a sincere and sad face. “Really?” he said, forgetting that when I was 10 we were lucky to have a watch with lenticular lense that made Tony the Tiger smile, or smile even more creepily.

My 10-year-old daughter challenged my story by asking, “how would it know if you’re cheating?”

Here, my dear WVFF reader, is why modern advances like Wii controllers and facial-recognition software can make a parent’s ‘white lie’ pass the mustard.

“It’s not always accurate, guys,” I conceeded. “It first computes how many other kids are around you and if they’re clustered or in even rows,” I explained. They were biting. “Then it searches for level planes- like the top of desks.” As far-fetched as this sounds, they’ve seen smarter technology in their lifetime.

My four-year old grabbed a rock and tossed it at a tree. He wasn’t listening.

“There are ways to beat the watch’s logic, but it’s not easy,” I confided. “For instance, if you’re taking a make-up test alone it may think you’re just playing around since there aren’t other kids near by in rows.”

By the time the bus arrived, I’d coined “cheating detection algorythms” and encouraged my still-skeptical son to try cheating today so he could hear the alarm himself… but warned him that Mason was so frightened of the watch’s alert warning that he peed at his desk. “Have fun at school guys,” I said before kissing them each.

Close Captioning Experiment (Sea Monkey War)

This is one of few scripted videos I’ve done, and it’s kinda a social commentary on war… with a twist.

We were actually reading our lines, which were taped behind the Sea Monkey container. The observant viewer will notice that the Sea Monkey container was devoid of brine shrimp. I had to shoot some b-roll of brine shrimp from a friend’s ecological glass dome (which unfortunately looked nothing like the inside of the Sea Monkey container.

‘ve been interested in close-captioning as a way to make my video accessible to those who can’t hear or those that don’t speak English. It will also be a major driver of search engines in the future.

Here’s my attempt of using Overstream to generate close-captioning, and now I’ll see if I can export them to YouTube –which supports a simple subtitle format that is compatible with the formats known as SubViewer (*.SUB) and SubRip (*.SRT).

It took about 20 minutes to generate these, and I would highly recommend viewing the brief tutorial on Overstream before you try it.

Thanks to Bill Creswell’s blog, I’ve also found TubeCaption.

Wow- I exported the .sub file from Overstream and uploaded the file to YouTube (in the “edit video” section). Instantly I have close captioning on YouTube! That was incredibly easy. Here’s the final result, but you have to activate CC on the bottom right corner. Keep in mind that only the video publisher can do this at YouTube (so you generous close caption volunteers will have to send the creator a .sub file… but I’m sure most YouTubers would be delighted to receive and post them).

YouTube Captions Underwhelms

In one of its most underwhelming functionality changes in the past decade, YouTube now offers captions.

Qui donne une merde?

You’ll need to look for it by clicking the arrow button and selecting “captions” but it probably won’t exist in your language. That’s because the creator has to use special software and can only translate one language per video. I suppose a summer intern had a little too much free time.

Let’s vote on some additional unecessary YouTube functionality improvements that can join this and the “thumb-up-a-comment” tool:

  1. B&W converter: The ability to turn a video black and white by altering the URL slightly.
  2. Auto inverse technology: flip your video horizontally and make KevJumba say Abmujvek.
  3. Fred shuttle: make your video play 25% faster so everyone sounds like Fred.
  4. Jiggle the JPEG: for those partner banners that don’t rotate as an annoying GIF file, this tool can take an ordinary flat banner and make it wiggle.
  5. Auto off: The video will automatically stop playing when it reaches the creator’s average viewed duration point. All MrSafety videos will stop after 11 seconds.
  6. Unrelated videos: selects videos that are not related to the one you’re viewing.
  7. What’s your vote?

 

YouTube Partner Income Sporadic

While we’re precluded from revealing specifics about YouTube revenue, it’s now becoming more common for YouTube “partners” to know what others are making. While the CPM (cost per thousand views) once seemed to have settled, the creator income fluctuates wildly. As noted in this chart, the month of May took a nose dive for me– June was up slightly. July’s amount (due in days) will tell give us a sense of trends, and whether we’ll return to the peak of the first quarter when InVideo ads were flowing like wine at a wedding.

What’s interesting is that views/subscribers don’t appear to correlate with income very well. See TubeMogul stats (chart 2) for monthly views, but recognize that YouTube’s Partner revenue (paid via AdSense) lags by a month. Any statisticians in the houuuse?

It would appear to me that there are two variables a creator can’t control, and significantly alter  YouTube Partner earnings:

  1. Inventory. If YouTube isn’t selling InVideo ads (ads that surface on bottom of video after 20 seconds) in my videos, there will be almost no income. The income from text ads and banners is paltry even in volume. If that yellow line is in the video player I’m a happy camper. Otherwise I fear retiring a corporate mule. I am aware that this isn’t healthy, thank you. Keep in mind that my revenue is not necessarily suggestive of YouTube revenue or inventory — it could simply be that my specific videos weren’t targeted by advertisers in a certain period. I do see a day where the creator can help sell his/her own advertising revenue, but that’s a logistical challenge.
  2. Location of view. YouTube currently doesn’t flight InVideo ads except for videos viewed on YouTube.com. That means a sweet lil’ old blogger embedding my video and getting me hundreds and thousands of views is of no consequence yet to her or me. Yet. Yet!

A few lessons for those hoping to make a living via online video:

  1. Be realistic. It takes a long while for views to translate to income. Think of it as a bonus not salary.
  2. Don’t count on it as a primary income unless you’re one of the top most-viewed creators and your audience is attractive to advertisers. In that regard, it feels more like TV/movies. Hopefully the predictions of radical increase in online-video advertising will equalize this effect… making it more democratic.
  3. If you expect to live on YouTube, become a hot rock star or lower your cost of living.
  4. Expect fluctuation. While in theory you control your views, thse too are dependent on a variety of factors. And unless you start selling for YouTube, the total advertising revenue and inventory is out of your control. People kinda have to be travelling on Maine highways for your Maine hotels to have high occupancy. You can make sure your hotel is more attractive than the very busy Motel 6 across the street.
  5. Find other ways to earn money via online video. Don’t bother selling crap to people (to date, the Nalts DVDs and merchandise has accumulated less than my worse month on YouTube). Rather find ways to appropriately sponsor brands or companies, and pursue those deals on your own. Until I start popping up in keynotes at Advertising conferences, it’s going to be a while before advertisers come hunting for you.

But I’m working on waking the sleeping giants.

YouTube Thumbnail Isn’t Center Frame Anymore

For the last few videos I’ve uploaded to YouTube, I’ve discovered a disturbing trend. The default thumbnail (image that represents the video) isn’t predictable. YouTube appeared to be departing from the model of using the center frame and the 1/3 and 2/3 frame.

At the risk of spreading potential Twitter rumors, a little birdie says the center frame as thumbnail is RIP.

This is a really big deal if it’s not another technical glitch. I’ve discovered that almost nothing makes a video like the thumbnail. Not the title, creator, or content.

Many sites allow you to select from as many as 12 images. Some sites let you keep selecting/refreshing until you find just the right one (and even crop it). And there are even sites that allow you to upload a jpeg to represent the video.

So why would YouTube make it more difficult? Because thumbnails are often manipulated and because… YouTube can do whatever it wants now. The switching costs for viewers/creators is huge, and so we have a virtual monopoly. 

Here’s hoping reason prevails. It would be a shame to subject a creator (and viewer) to a random thumbnail. Unless a different thumbnail appears each time someone refreshes the video (which is far too complex for servers) then there’s a simple solution…

Upload OVER AND OVER until you get the one you like.
Yeah! That’ll spin some bandwidth.

This is especially an issue a problem as Google provides a new way to search video thumbnails without ever going to YouTube. Did you notice that if you now search Google for the word YouTube, you can refine your video search without leaving Google’s homepage? Interesting move and one that would appear to be good for viewers but unclear as to whether that helps/harms revenue for Google. Fewer display ads (Google results don’t have them) but perhaps a higher CPC (cost per click) and more opportunities to serve the text ad.

youtube google search refined

How to Buy Advertisement on YouTube

It took me quite a bit of research via Adwords (advertisers buying ads) and Adsense (publisher tool to make money) to discover how to buy ads on YouTube. If you want to place an “Invideo” ad (one that sneaks up along the bottom) or other ads, you’ll need a lot of money.

According to Google’s Adwords help, Direct YouTube advertising contracts for US advertisers targeting the US require the following cost commitments. You’ll need to contact an advertising representative, and can learn more on this site on YouTube.

    • YouTube General: $50K or greater spend on YouTube within 90 days.
    • YouTube Brand Channels: $200K or greater spend on YouTube only.
    • YouTube Contests: $500K or greater spend on YouTube only.
    • YouTube Homepage Roadblock: $175K/day flat fee plus a $50K incremental spend on Google and YouTube over 90 days ($225K or greater total spend). Premium flight dates may require a higher initial flat fee.

But what if you ant to advertise on YouTube for less?
Fear not! (And select “more” below for details)

    1. Follow the sign-up wizard instructions to create your campaign until you reach the ‘Target ad’ section.
    2. Select List URLs from within the Target Ad Site Tool.
    3. Enter ‘youtube.com’ in the text box.
    4. Click Get Available Sites
  • If you’d like to advertise on YouTube for a lower cost commitment, you can sign up for Google AdWords for as little as $1 CPM (cost-per-thousand impressions) for targeting the entire YouTube site, or $2 for targeting specific YouTube content categories. To get started with AdWords, visit https://adwords.google.com and begin by creating a site-targeted campaign. You can then follow these steps to target your ads to YouTube pages.

    These “run of site” or “run of category” ads deliver impressions but are easy to ignore (hence the price).

    I think I might try some ads just for fun. I figure if I have to look at a Fred ad on my videos, I might as well try to see if I can get one of mine on his channel.

    Continue reading How to Buy Advertisement on YouTube