Tag Archives: technical

Amateur YouTuber Does Integrated Promotion for Take180. Too Bad Site Flounders Technically.

Another popular YouTube artist has been tapped for a comprehensive promotion that involves a sponsored video, significant promotion on the client’s website, and even online-media ads promoting the YouTuber. Kelly, the shoe-loving persona of Liam Kyle Sullivan, posted a recent video interviewing her Aunt Sarah (another Sullivan persona). The video mentions Take180, a website where viewers interact with serial web shows and compete in challenges to develop plots.

As a raving fan of Kelly, I was stopped right in my tracks. When I later saw a display ad for Take180 (featuring Kelly), I was quick to visit, register and even TRY entering a contest (more on that in a minute).

This is a great use of a known Internet icon to promote an unknown website. The promotion wasn’t just a YouTube video promoting a sponsor, but a full partnership that’s the web’s equivalent of William Shatner and Priceline. Kelly fit the persona of Take180, and they’ve embraced her on their site and in digital promotions. This is a win-win since many of us wouldn’t have looked at Take180 without her endorsement, and Kelly’s getting some exposure to people that may not know her yet.

I would expect Liam took a modest stock grant as well as a decent paycheck for his participation. We can’t have Kelly pimping any old website and becoming the Internet’s version of Ed McMahon, can we?

Now the bad news (see clarification post 24 hours later). The site is a technical disaster. It didn’t know I had confirmed my e-mail address until I logged out and in again. It logged me off without explanation. The interface was graphic heavy and non-intuitive. Worse of all, when I tried to upload a video (I had shot, edited, titled and scored… it rejected each format). Will I be back again? Not likely.

It’s usually the other way around. Great technology with lousy marketing. In this case, it may be time Kelly took those technical Betches outside and showed their ass the back of her heel.

Battered User Syndrome: YouTube and Online Monopolies

Want your Gmail to replace your YouTube messaging? Sorry- but
here are some pretty thumb icons you can use to rate comments!

Who would have thought the market would be so beholden to YouTube’s inside-out design… half way through 2008? By now, I would have predicted that Web 2.0 would offer us endless options for customizing a video experience using someone else’s player. They can pay for the bandwidth and make ad revenue, but please allow us to customize, widgitize, and private-labelize.  You know- the open source, altruistic dream that borne Revver, and its open source API (whatever the hell that is).

Nope. Maybe that’s in the Web 3.0 upgrade. Not now. No soup for you.

Alas, market dominance means you innovate on your own terms. YouTube and Google were designed to solve a problem its founders felt, but the market didn’t quite know it needed. That works well when you’re in start-up mode or innovating, but can inadvertently spawn arrogance that hardcore users begin to resent. I’ve been an informal adviser to several smaller video-sharing sites, and found it very rewarding when those sites responded to our needs (or at least convinced us they were). Note: I disclose these relationships and they’re not paid — otherwise I’d lose my objectivity on them. And risk hating one less than another.

Now lately I’ve been confronted with some needs that are on the edge of YouTube’s functionality. So I did what any YouTube Partner would do: I went to both my dedicated YouTube technical liaison, Eric, and community representative, Brenda, to solve these issues. 
No I’m just kidding. They don’t take my calls either.

No, friends, we’ve got battered user syndrome.We don’t expect YouTube to fix itself. It’s tired after a long day of work, and we did spill its beer on the counter. So we’ll search for our own tools we can use on top of YouTube… despite it. The bad news is that we’re limited to offering this to people via channels we can control. The good news is that they solve problems that YouTube doesn’t see, doesn’t care about, or views as off strategy. The more bad news is that we don’t know what tools are safe or effective.

Suppose you had a cheese playlist and wanted to randomize it (like the Oreo contest entries) so each video gets a fair shot at being first. Or maybe you’re using the playlists as a free, copyright-violating jute box. Well you can’t do that. You’d want the Randomize YouTube Playlist script (mind you I’m not vouching for these things- I wouldn’t know what to do with them even if I could get past the porn ads and download them).

Then there’s the YouTube Search Script. I suppose that one allows you to customize search and embed videos based on parameters? Then there’s the “YouTube Script” which represents itself as a poor man’s custom YouTube (with that impossible promise, I’m guessing it’s a virus that turns your monitor into a camera and broadcasts your life 24/7 in Stickam). I am having fun playing with Overlay.tv (which is kinda like YouTube’s overlay tools on steroids). But I may do a promotion video for Overlay.tv… so more on that later. And don’t give me crap about promoting them because it’s like a skateboarder endorsing a skateboard brand. It’s cool. It’s why I pimp TubeMogul for free.

Anyway- share your own YouTube hacks below (not the zillion YouTube rippers, thank you). And don’t expect Eric or Brenda to call you back. Nope. Leave it to Web 2.0 to foster a monopoly where we love a website even when it beats us. We deserve the beating, though. We didn’t behave, and the website is under a lot of stress lately.

P.S. I dare someone to turn this post into a video blog and make it look like they’re not scripted. I’ll add a link here if you do. You gotta do it like Pat Condell… with articulation and enough emotion that you don’t look like you’re reading.

P.P.S. Domestic violence is not funny. Go get help, please, if you experience it. I am just using the analogy to exaggerate the learned helplessness we face with some technologies.

YouTube Now Advertising Free!

youtube advertising cancelled

 Well it’s been a week or so since I’ve seen an Invideo ad on YouTube. I’m not aware of a public statement regarding what is allegedly a technical issue.

My new banner is “Nalts: Now With No Advertising.” And I’m still posting away…

At least the subliminal ads are still running (see YouTube Picks).

YouTube Technical Problems Create Pissed Unpaid “Partner”

sxephilHe’s one of the most prolific YouTubers with more than 123,000 subscribers, daily comedic and topical rants, and he makes his primary income from YouTube’s “Partner Program.”

But Sxephil was so frustrated by YouTube’s technical problems — which he said deprived him of ad revenue — that he turned his daily rant toward the Google-owned video site, YouTube. YouTube provides him with shared advertising revenue that some estimate could amount to a 6-figure annual salary.

Last night (May 17), the YouTube Comedian noticed his recent videos lacked advertisements, and likened the glitch to someone arriving at work and finding their paycheck wasn’t processing. He has since removed that video, but his blog post “Bastards” shows a screen shot of his YouTube midget/prostitute video without ads.

It’s not yet clear if SxePhil removed his YouTube rant video because the site has resolved the issue, or whether it was a reaction to his viewers (some the YouTube’s community took issue with his perceived entitlement). He also might have had second thoughts about “biting the hand,” but his blog isn’t commenting about why the video was removed by him, or even if he removed it.

SxePhil, or “Phil DeFranco” (see PhillyD.tv) also was not available at press time for his comments. But to be fair… I didn’t try to reach him (one of the joys of being a blogger instead of a journalist). I’ve had the pleasure of meeting him at a Washington, D.C. gathering, and his true personality is miles from his on-screen persona. I’ve heard the same observation from dozens of people, including a documentary film maker that agreed he’s the YouTuber whose real self is most unlike his on-screen persona.

Last night’s video not only blurred the lines between DeFranco (if indeed that’s his real name) and SxePhil (pronounced “es-exy-phil”). It also created an interesting bifurcation of opinion, which took place on the YouTube video’s comments, in private e-mails among the community, and in live Stickam discussions last night.

  • On one hand, Phil devotes most of his day to creating a short, daily video show. He’s paid only if people view his videos, and in direct proportion to those views. If Google fails to run the ads due to technical errors, both Google and Phil aren’t paid. Counter this to a television network that buys rights to a show and doesn’t sell or run advertising. My guess is the show’s producer is still paid. Another analogy would be a wholesaler that buys pottery from a local artist, and damages them all in a truck accident. Naturally the wholesaler would take the loss, while the artist would still be paid.
  • On the other hand, Phil reminded his audience that he’s paid by YouTube while many of them aren’t, which leads to inevitable (and often deep) resentment. Most YouTubers are hobbiests or at best part-time YouTubers (even the increasingly popular Michael Buckley “What the Buck” has a day job). Members of the community don’t like the idea of one YouTuber not needing a job, while they go to work each day. This resentment is not as true for audiences of television or movie stars, who are often paid for one film what many of us won’t make in a lifetime. But since YouTube has a grassroots community origin, the audience sees itself in an equal peer group with the creators — even when fellow creators are propelled to top rankings. When I first campaigned to be in YouTube’s partner program (with a NAPPY video I haven’t since watched), I felt that community ire and resentment. YouTube viewers begin to expect more from videos of paid creators (an odd entitlement since they’re not paying to watch), yet Phil’s rant was viewed as a pompous entitlement of its own. Interesting?

I’ll be interested in the comments on this post since the video’s gone and so are many of the public reactions. I imagine the common denominator would be that Phil has a right to his earnings, but it might have been more diplomatic to work “behind the scenes” to resolve the issue. That said, YouTube is a company, and companies run on company time. So sometimes the squeaky wheel gets oiled. Thoughts?