Tag Archives: network

YouTube 5.0 Begins

Netflix is watching “GOOG” and its potential use YouTube to stream longer form content. See WSJ blog. And read about YouTube’s move to live streaming ala Ustream and Blogtv.

I’d say the concern is significant, and this marks the fifth phase of YouTube…

Phase 1: Pirate Sharing (2004-2006)
Phase 2: Amateurs & Community (2005-2009)
Phase 3: Video Search Platform (2009-2011)
Phase 4: Mainstream and Semipro Content Aggregator and producer (2010-2012)
Phase 5: Live Programming and Video Anywhere (2010-2013)

These phases aren’t precise in their beginning and end, and each builds on another. So technically there’s still plenty of pirated content, but far less and harder to find. And amateur hour isn’t quite over, but YouTube’s emphasis is on music, web series and professional content.

YouTube has not touched long-form content significantly (check the latest comScore data to see that Hulu and Netflix dominates when you rank websites and platforms based on view duration). Also find some important comparison graphics to see what’s at stake for the ustreams and others.

But since YouTube, like Google, is the “first stop” for most people searching for video content, it has a natural advantage to be the default 3-4 screen streaming media player.

This 5th stage, of course, takes GOOG and YouTube into unchartered territory that requires:
-Device dominance: plus for Android, but Apple still leads and Google TV is far from the new OS for televisions or web devices.
-Equity on search: can you be both a neutral video search engine and a content owner? Given difficulties licensing pro content, YouTube appears to be stepping up original content: example Next New Network purchase, and more recent news about investments in custom content).
-Better deals with production studios and networks (to overcome the barriers that cable and telcom are forging). But in the meanwhile it appears that YouTube’s focus is on broadening distribution as a platform and as a network for smaller producers.

What do you think? Is YouTube the MySpace of our time, or will it be the dominant platform and search engine for any/all video? Off the latter, what’s it need to do to maintain relevance?

WTF is “Transmedia Storytelling”

Just like OTT is the new viral, transmedia storytelling is the new online video.

“Transmedia storytelling” is not new vernacular, but we predict it will be the buzzword of 2011… pushing the term “currating” into the archives. I became familiar with the term at a 2010 television/web events in NYC, where large media companies defended their crappy dabbling in online video as “transmedia storytelling.” Some online-video content (Office webisodes) are quite clever.

But only about .05 percent of the audience for a television show will ever see the webisodes buried on some archaic network website… so at least the web “add ons” are not typically essential to the plot. Like the secret code on Fringe intro/outros, they’re additive to the experience… and for hardcore fans. In years to come, the interactive content may be more of a main dish than an optional appetizer.

Now you can learn via AdHack what “transmedia storytelling” is all about. The definition, what makes it work (communal, personal, tangible, discoverable, character development). Anyone doing this stuff particularly well?

As on-demand web video becomes mainstream, large television shows will increasingly win audiences to “online video” “lagniappes”  that rise above the allotted 23-minutes of a 30-minute show. More importantly, they’ll be vehicles to provide engagement with fanatic fans (oh, and provide additive direct ad revenue to a medium that could use some vitamins).

Content producers should be thinking of this content the way retailers think about the high-end or high-volume offerings that are less about incremental revenue… and more about growing the baseline. For instance if you’re Starbucks, you add the TRENTA not to sell a load of them. If you’re a white goods manufacture, you add a pricey “top of the line” product not to sell more of them. The introduction of these items grow your “baseline” or “middle of the road” offerings in indirect ways that are difficult for our executive brain to understand. It’s the dino-brain, folks. It’s all about the limbic brain. It drives most of our behaviors, and is the reason an emotional appeal works in marketing and entertainment… more on that later.

The tricky balance here? The producers of network television can’t well justify investing in this content until an audience exists (and thus a financial marketplace develops). But viewers won’t be attracted to this storytelling extension until it’s more interesting than a silly “Black Ops” boat-racing game for Burn Notice. So it’s a catch 22 that will take years to escape. But we’ll get there.

AppleTV & iTunes Dissintermediates Cable? Bigger Than Balloonboy Story.

Wowzer. Your’e going to want to read this post, because it’s hot news. And because I put some effort into some seriously solid metaphors that damned well better be scraped by some bigger bloggers.

For years I’ve been bitching and moaning about Apple not putting its little heart into AppleTV (instead of screwing with these ridiculous iPhone toys and their petulant little “apps”).

stevejobsfeces

And all the while, the little Steve Jobs may have his eye on dissintermediating cable television. Fast Company provides some saucy news, and sources “All Things Digital.”

But this isn’t about the AppleTV, idiot. No it’s not about software or hardware. Apple is basically envisioning a $30-per-month iTunes television offering, which would give networks new reach via 100 million iTunes users. And that means you, like the 100 million iTunes users, would start watching shows via Apple both on your computer and (via some box) that big-ass monitor you call a Plasma or HDTV.

Do I need to repeat that? Television shows when you want, and on whatever damned screen you want. Oh, and a gentle reminder that technology companies will control your fate more than telephone, cable, publishers and networks (never mind that whole AOL/Times Warner hickup).

Alas, it’s hard for me to envision a scenario where cable companies don’t start tossing fecal matter like angry apes. But it’s a game of chess, not the beloved “toss-the-feces” we’d play at birthday parties. If Disney, as an example, slept with Apple… what could the angry ex (cable companies) do? They can’t very well drop Disney. And since Disney’s move would be the “tipping point” this all needs, Disney gets to set the terms. Girl, you know those Mickey Mice could nibble up an Apple like Piranha to a cow.

Fundamentally the broadcast networks have to decide whose bitch they want to be. Cable television or Apple’s.

If the music industry feels that iTunes was a good thing (additive revenue that didn’t exactly kill radio or CD sales entirely), then maybe the television networks go the same route. And to keep Apple “in check” they can replicate the terms via Hulu, YouTube or even some genius that manages to build a television-manufacturer standard.

The bottom line, however, is the train already left the station. I’m an example of a fast-follower (not early adopter), and I’m spending more each month on $1.99 television episodes than I am on a cable bill! I loath Verizon’s interface and on-demand library, and persist only because my wife likes depressing news and Nancy Grace, and my kids need their Nick Jr.

To be fair, I’m discovering I liked the control of “lean forward,” but I want to lay down on the couch and bed too. Love my TiVo, but it didn’t catch any fresh fish (like during this damned Fox Fringe hiatus), I dive into AppleTV and try out a new show… maybe buy a few episodes or a season pilot because $1.99 ain’t a bad price for 45 minutes of some boob-tube love making. I’m less often surfing YouTube’s most-popular list because it’s just a sad reminder remind of how much better Sxephil, Shaycarl, CharlesTrippy and ShaneDawson are than me. Last night me, Charlie and Grant and me did start a YouTube binge that began with Edbassmaster, then progress on a downward spiral that culminated in farts and babies. But then we jumped back to paid episodes of Angry Beavers. Damn that intro is hip.

Speaking of YouTube, those trained monkeys better get their own poop in palm. They’ve cornered the market on searchable video, but this is a bidneth model that can move faster than ad-supported web video. I think this crap (you know the kids are saying that now like it means nothing anymore) is bigger than the Balloonboy story. Except the Falcon hiding in the attic and puking on CNN might just be… Comcast, Verizon and other cable providers. I predict Hulu maintains its relevance if this shakes out, unless Apple iTunes makes itself incredibly easy to purchase and view via both web and those BIG ASS televisiony-like monitors. Hell in a few years, maybe we don’t even know or care where our video content comes from.

Yeah- I even think this story might be bigger news even than last night’s AppleTV upgrade:

“WTF? A vertical menu?” he says, tossing his mini white remote that has been chewed to near obsolescence. Fade to black.

Verizon Wireless Botches “Candid” Viral Video Attempt

Time to test out your “is it real or fake” instincts. Watch this video where a random Verizon caller is surprised when that Verizon Wireless “Can You Hear Me Now” guy shows up with an army of Verizon people personifying the Verizon network.

Is it truly candid, or is our “victim” an actor?

  • Shaky camera
  • Genuine surprise and laughter from victim
  • Natural crowd reactions

Mercy, this looks like an amateur prank. This guy’s been punked by a big corporation with the world’s worst logo. Yey.

  • So, um, how’d they get a lavaliere microphone on the victim?
  • Isn’t Verizon lucky that one of the first things out of the victim’s mouth is, “it’s the network”? Yeah- That’s probably what I’d say to a friend, if a bunch of people in construction hats started following me. “It’s the network,” I’d say. I’d probably then work up a gag about reduced call drops and virtual tributaries that allow for ad/drop multiplexing of subrate traffic.

Lesson learned? This would have been a clever bit, but don’t dupe the viewer. Either the joke’s on the victim (the call recipient) or the joke’s on the bystanders (which would have been funny on its own). But this one makes me feel like the joke’s on me.

People are often trying to encourage me to mock a “candid” video, and even if you have a great actor like this guy (who laughs convincingly, which is extremely hard)… you can’t get away with the crunch because the crunch always gives you away.

Verizon Wireless Surprises Customer – Watch more free videos

Another Online Video Show About… Online Video

goggleburnNext New Networks is debuting an online-video show about online video. Googleburn, which appears each Wednesday is:

“the sting in your eyes when you’ve been ogling online videos all night and it’s 6 AM on Monday and oh dear lord you can’t see anything because the Internet blasted you with whiteout,” says host Nick Douglas in the show’s first blog.

Using vocabulary matched only by Entertainment Weekly’s Owen Gleiberman, NewTeeVee’s Jackson West says the show is “slightly warped yet smartly erudite sensibility and a disaffected delivery.”

melbourne sunglasses interview australian party guyThis week’s spoof is well timed, as it features an interview with the sunglasses of Australian party thrower Corey Delaney (Worthington), who was widely seen on YouTube, in this embarassing interview. Embarassing, I think, for the host who asked loaded questions, lacked objectivity, nagged, and became part of the story (must have missed that “Intro to Television News” course in college, honey). I thought this was a prank at first, but it might well be real.

My BubbleGumTree Show, of course, is going for a more retrotarded angle on online video, featuring the interesting people of the space. Watch for a debut with Mark Day Comedy next week.

This “online video shows about online video” arena is starting to remind me of the short-lived websites that featured the best websites back in the late 90s. But it will be fun while it lasts. Via Mike Abundo’s Inside Online Video).