Category Archives: Video

Top 12 Most Influential Online Videos of All Time

To create buzz as it nears submission deadlines, The Webby Awards announced recently the “Top 12 Most Influential Online Videos of All Times.” Our guess is that they were shooting for 12, but got into a heated debate and decided to toss two more in there.

Here are the other 6, er, 8…

Even My Boss Knew About This Video

It’s not often my boss mentions YouTube, and I usually try to avoid eye contact when he does. But at today’s staff meeting he mentioned that a friend from a former employer had a YouTube video called “Here Comes Another Bubble” by The Richter Scales. It’s a wonderful satire on the absurdity of web 2.0 which, indeed, begs for another bubble burst. It’s done to the music of Billy Joel’s “We Didn’t Start the Fire.”

No sooner had I forgotten about his Bubble video did I discover that it trumped me on the “highest rated video of the day on YouTube. And I had actually done a storyboard for my “iPod Angel & Devil” video, which involved makeup, script, and a wicked amount of editing time (parenthetically this iPod video was born out of my frustration about overlooking the free AT&T phone by signing up directly with AT&T instead of Mac, and a quote that popped out of my mouth in a meeting this week: “I just paid $400 to eliminate jealousy.”).

Kudos to the Bubble video, which will be one of the seminal viral creations. If I’m going to be beat I’m delighted to see something this entertaining (versus musical montages of funny cat photos). This was cleverly written, jampacked imagery, and self depricating (it depicts a blog post with “another lame web 2.0 music video”)

[youtube]http://www.youtube.com/watch?v=fi4fzvQ6I-o[/youtube]

Creating HyperVideo: Hyperlinks Over Your Video With Asterpix

Remember when hypertext was all the rage? Then hypervideo was going to allow Seinfeld viewers to click on the phone and buy one?

Asterpix has a somewhat new service that allows you to rip a video from YouTube or other sites, and then drag hyperlinks over the images. Your video, which would now be served via Asterpix (but can be embedded on your own site) can have small dotted-line squares that appear temporarily over a particular image. If your viewer “mouses over” the square, they can read a short description, see tags, and follow a hyper link.

This has been discussed for years, but I haven’t, until now, seen it deployed as a free and easy-to-use tool. I learned about this from Scobleizer, a braniac that called it the “coolest thing I’ve seen in a while.” The Asterpix’s CEO writes about hypervideo in this 3-post blog.

Why would you want to do this? It gives the viewer the ability to interact or learn more about specific objects or people in the video. Now the marketer can promote the product that is otherwise resigned to a preroll or subtle product placement. Your viewer can also learn more about a video’s actor/actress or object (or actress that is an object).

asterpix spencerIn my own experimental demonstration, I brought my YouTube video (Poor Man’s GPS) into Asterpix and dropped a few links over parts of the image (only in the first minute). This video is one of my sponsored videos for GPSManiac, so I wanted to see how I could introduce the client more visibly. It took about 15 minutes for me to figure it out, but that’s probably because Patrick was talking to me the whole time.

What I Liked:

  • Asterprix is simple and doesn’t require me to upload a video to Asterpix because it rips it from YouTube.
  • Putting in the hyperlinks is fairly easy.
  • It’s free, and the name is cool (based off “asterix”)

What Needs Work

  • It was hard for me to understand how to turn the dotted-line squares OFF. I suppose they’re duration based, but maybe they’re based on image recognition. In any event, the user absolutely has to control the duration because even the subtle dotted-line square is obstrusive if it sticks around too long. And in some cases, my image has changed, and the boxes are looming over something else.
  • The dotted-line square is subtle, but I’d probably want to tone it down further. I know some of my viewers are irritated by even the subtle YouTube InVideo ads that only occupy 20% of the screen for around 15 seconds. So I can imagine they’d be really annoyed if white boxes are appearing all over the video.
  • There’s a potential copyright problem with the business model. I don’t prove I own the clip, so I can do this to anyone’s video. Maybe in my sign-up I promised not to do that (but who reads those things?).

Where It Will Work & Won’tasterpix screen shot

  • It’s not a tool people can use on major online-video sites (like YouTube) because, like any dynamic ad, it gets stripped away. I remember trying desperately to upload my Revver-tagged ads to YouTube. Kinda cute in retrospect.
  • This does have some nice application for the video “long tail” (although a few sites dominate in online video, the bulk of viewing occurs in fragmented areas all over the web). There will be a lot of content that would benefit from a way for viewers to dig more deeply into a video.
  • It has a lot of potential creative applications. An instructional video could have a way a viewer can follow a side-bar for more information. I’m surprised Asterpix doesn’t use its own technology to demonstrate how to use it. There are some fairly weak demos, and the “how to use” section is pure text and images.

I am curious to see how the company monetizes this tool. Does it charge a flat or recurring fee for advanced functionality? Does it try to squeeze yet another ad into the video and feed itself via ads (which may repel people)?

Using Online Video to Promote Business: BS in WSJ

viral video image magnifying glassToday’s Wall Street Journal has an article by Raymund Flandez called “Lights, Camera, Sales: How to Use Video to Expand Your Business in a YouTube World.” It’s positioned on the front page as “Small Business: How to Use Video to Grow.”

I’ve got some issues with the piece, and not just because Flandez didn’t interview The Viral Video Genius. The article lists some nice case studies — from Blendec’s popular “Will it Blend” series (which drove sales up 500% to $40 million) to a clever “Free Range Root Beer” campaign by All Natural Main Root. I hadn’t heard of this series, yet the late-night breakin by root-beer activists is clever and only mildly over acted. But…

But there are a few things in the WSJ article that make my BS alarmgo off. Buckle up, readers, this is an must-read WillVideoForFood post.

  • moes logoThe WSJ reports that Moe’s Southwest Grill did a video contest where it received 40 submissions and got 211K visitors. That’s not bad vital signs for a video contest, although I’d guess the cost per lead was exponentially  more than it would cost to run a decent paid-search campaign– given the fixed costs of promoting and running the contest. Hopefully the video entries were viewed in other places beyond the contest site (a vital element to the performance of a campaign unless it’s a strict “lead generation” or transactional direct-response play).
  • When I read that Moe’s “email marketing database also grew to 200,000,” I can’t help but wonder if it was 195,000 before the contest. Something tells me just a few thousand of the 211K visitors signed up for e-mails (maybe 5 percent) from Moe’s Grill. I can’t recall if providing your e-mail was a prerequisite to voting, but that’s the only way the conversion was higher (and are those good email leads or sock accounts for someone who wanted to jack up votes for their friends’ video?). The contest site, like many of its kind, appears RIP right now (this is why we outsource contests, marketers): http://www.moes.com/burritosforlife. Here’s a link to a rap entry to the Moe’s contest.
  • The Kelsey Group surveyed 501 adults in February and reports that 59% had viewed a video ad on the Internet. Technical foul! That question leaves way too much room for interpretation— was it a preroll ad or an entertaining promotional video like those highlighted in the WSJ article?

There’s a big difference between vaguely recalling a Toyota video preroll ad that tortured me as I an anticipated an SNL clip, versus buying a painting on eBay because the artist posted videos of herself creating the piece (Valentina Trevino).

visit our lame site instead of youtube (mock highway sign)

  • Finally, the WSJ reports that the Kelsey Group claims 59% of adults answered “yes” to viewing a “video ad,” 43 percent “checked out a website.” A professor once told me that statistics are like hookers — you can get them to do or say anything you want. That number simply means that almost half of folks who once saw an ad once checked out a website… at some point in their lonely life. People- rest assured that this is the most misleading statistic of online video, and sets brands up for horrific disappointment. Your online video “ads” will not get many people to check out your website. Sorry. If you get more than a few percent you should be delighted. If your campaign hinges on a view-to-visit ratio (especially if you’re selling something with small margins), then your ROI will simply depend on keeping your production costs down to barely nothing or getting the video miraculously viewed 10 million times.
  • Yes, there’s “lights, camera, sales.” But there’s a lotsitting between “the lights and camera” and “sales.” For every Blendtec there are countless failed online-video campaigns that were over-baked and lost in the shuffle.

Ahh. I feel better now that I’ve done the standard “arrogant blogger throws mud at WSJ writer who didn’t interview him” drill. Now it’s time for some basic reminders, and this should be required reading for anyone that got googly eyed from reading the WSJ article:

KEY VIRAL VIDEO REMINDERS

  1. your online video lives hereYou gotta throw a lot of spaghetti on the wall and watch what sticks. It’s still hard to say what people like about online videos (although funny, short, visceral and “big finish” are important ingredients). I’ve done more than 500 online videos and still can’t predict what will sail or sink. For every “Vals Art Diary” there are thousands of overproduced (and sometimes even clever) marketing videos that are buried in the bowls of YouTube. For every “Farting in Public” (which just cracked 4 million views) there’s a “Prisoner of Best Buy” (a video I shot this morning, but is doomed to never be seen beyond 20K times because I actually like it). So what’s that mean? Experiment.
  2. To get a decent ROI, you need to keep your costs down. Otherwise you’re going to have a tough time capturing measurable value that offsets a $50-$500K pilot. You can dip your toe in the water for just thousands simply by partnering with known “weblebrities” who often promote products and services for a small fee, and already have an established audience. A few grand with a weblebrity gets you a video, their halo effect, and nearly guaranteed views of 10-100K. That same amount will get you an afternoon of a large agency fees.
  3. If you decide you want to produce your own content, be prepared to market the heck out of it. The viral video is just the germ- you still need to help spread the virus on airplanes, door knobs and at Chuck-E-Cheese. And don’t trust that “interactive guy” at the ad agency or PR firm to promote your baby. Find someone that has driven lots of views, and put that experience to work.
  4. When you measure return, consider the total video views beyond your site. Only a few percent will veer off the YouTube highway to visit your promotional rest stop unless there’s food and bathrooms. To bridge the gap, lure viewers with additional entertainment or value, or at least a unique URL. Those viewing MrComplicated (see background on CNN Money) were obviously far more likely to visit MrComplicated.com than Clear-Point.com (the sponsor’s site).
  5. eefoof is deadBe sure to decide the objective of the campaign and remember that objective when it’s time to assess performance. I’ve seen too many companies begin with a goal to get e-mail addresses, for instance, and then get giddy about total views and the homepage feature on Eefoof (yes, Marquis, it’s finally dead- I checked). Similarly, some brands plunge into online video simply for the public relations value, and then lament low views. Who cares about visits to your stupid brochureware site if you got the views and press (even if it’s consumer-generated media) you were after? People don’t need to lick a Coke billboard to be compelled to buy colored sugar water with red wrappers instead of blue. Dang I’m full of metaphors today. Is anyone writing this stuff down?

For those of you with short attention span, I’ve summarized this post in this visual of a video virus magnified 2 billion times:

viral video image magnifying glass

Sidebar: Flandez interviews David Meerman Scott, author of “The New Rules of Marketing and PR” in this interesting video that features an obnoxious preroll. I hadn’t heard of Scott, but was pleased to discover his books and blog.

YouTube Community Receives “Foundation Award” from IRTS

The YouTube Community received a “Foundation Award” from the International Radio and Television Society Foundation. This is a prestigious award that has been given to such accomplished broadcasters as David Letterman, Donald Trump and Katie Couric (who attended the Nov. 16 awards breakfast in NYC to present an award to CBS Correspondent Kimberly Dozier).

I’m honored to have received this award on behalf of the YouTube Community. Here’s a video announcing the award, and showing some of the highlights of the event. I’m humbled, and grateful that YouTube passed the award to us. I’ll be sending the glass trophy (once I super glue it back together) to other YouTubers, and hopefully it will circulate the globe in videos.

[youtube]http://www.youtube.com/watch?v=FvIz2k_eTSI[/youtube]

The Advertising Agency’s Five Stages of “Online Video” Grief

grief.jpgRemember how major advertising agencies handled the Internet? Let’s recap their 5 stages of grief:

  1. Denial: The web is not a big deal. It’s a fad. Let the little Internet agencies form. We’re not losing much in fees.
  2. Anger: Who’s coming to our monthly all agency day? The Internet agency? First the Public Relations agency, and now this? Well this much is true: they’re not sitting near the client at lunch.
  3. Bargaining: We have an Internet division too. It’s one guy, but he knows what RSS stands for.
  4. Depression: We need to reinvent ourselves. Fire someone. Anyone.
  5. Acceptance: Let’s buy an Internet agency.

But the Internet agencies did the same thing when it came to paid search. So it’s bad all over.

Now, dear Madison Avenue, I will predict your five stages of dealing with online video. Fortunately, you have some progressive chap that’s smart enough to read WillVideoForFood, so you might have the forethought to skip a stage or two.

  1. Denial: Online video is a fad. Big TV is still the key to awareness.
  2. Anger: What the heck happened to general awareness? Why is some of our work going to small online-video agencies and amateur producers? We must kill them.
  3. Bargaining: We have an online video guy. He has a MySpace and a YouTube account. We don’t let him out much.
  4. Depression: We need to change our model. Fire someone. Anyone.
  5. Acceptance: Let’s buy a small production house or partner with one.

I could see the look of disdain and fear in the eyes of the agency attendees when I spoke at AdTech last week about doing Mentos ads for $2-$5,000. Then I reminded them (partially to avoid getting booed off the stage) of some good news for agencies.

We consumers aren’t consuming less. We’re just breaking into content-consumption niches and online communities that shape our thinking and purchase decisions. That actually creates a need for more content, and that can make an agency fees actually grow.

popular youtubersI also cautioned that the model I used for Mentos isn’t scalable. As an amateur videographer I dealt directly with the product director. That’s not scalable. For a brand to develop creative content for a variety of different online audiences and channels, the product team needs to hire a variety of lower cost creators. Twelve amateurs instead of a giant “one size fits all” television ad with exotic models and expensive shoots in Hawaii? That creates more — not less — of a need for an agency.

So how can your big agency stay ahead of this and avoid the pain you felt when the Internet and paid search became important? It’s as simple as five different kinda steps:

  1. Pay attention to social media, industry changes and viral videos that help market. There’s a lot you can learn from positive and negative example. If you catch your agency staff watching online videos at work, don’t stop them (unless it’s porn). Find out what they’re watching and why.
  2. Hire someone who understands this medium. At first it might not feel like headcount you can justify, and you may want to find a subcontractor or consultant. But as a product director myself (yeah I’ve got a day job) I’m going to look elsewhere if I don’t believe your agency has a clue about the impact of online video. Nothing makes me giggle like an agency that boasts that they are pioneers because they made a brand page on MySpace or Friendster, or had a viral video that got viewed ten thousand times.
  3. Begin to experiment with lower cost and adaptive forms of video content. The next time you do that “big shoot,” get some footage you can use in other forms. It could be as simple as footage from a decent high definition camera, but be sure to arrange the rights with your models and the shoot’s director (who will probably grow quite irate at this prospect).
  4. Pitch your client on doing something experimental online — before they find someone else with a more robust and compelling story. Don’t stop with online-video ads — try creating entertaining content that subtly markets. There is no shortage of inventory for paid promotion, but that’s just one arrow in your online-video quiver.
  5. Partner with amateurs who have existing audiences and online “street cred,” and they’ll keep you from doing anything that will be repulsive to skeptical online viewers who have ADHD and love the power of stopping ads and lambasting blatant promotion. If you’re brave, approach some online-video “weblebrities,” (like top YouTubers or amateurs that have had success on other sites). This is a lot of work, so if you want a more turnkey approach hire a specialist to manage it (xlntads, for example, is brokering relationships between big brands and promising amateurs).

We’re approaching the tipping point for a fantastic time in the evolution of media consumption!

computer toiletConsumers are in control, but advertising is the currency because we consumers are too cheap to pay. Reality television and online video is exploding because we’re tired of perfection: scripted shows, polished ads, good looking models. We want to see people like us, and content that speaks to us individually. Advertisers can help pave the road, or wait until it’s built and buy billboards along the highway. What’s your agency going to do?

Revver 2.0: Now With Gomi Taro Monkey

revver monkey is so cuteIt’s taken me a week or so to decide what I like best about the Revver 2.0.

  • The homepage changes (less “creative use of white space,” more videos, and the addition of categories and featured sections?

  • A new video browse page with a most-watched section for browsing popular videos by date range, and a new categories page features videos broken down by category?

  • My improved dashboard for tracking videos by status through every step of the upload and review process?

  • One-click video editing?

Nope. The monkey.

The monkey.

Revver Monkey sleeping with asi’s cat

Post Script: After significant research, I have identified him as a Gomi Taro monkey. I have, of course, promptly purchased one from this site which may or may not be reputable. Rika Yang is apparently a big fan with the most entries to this Gomi Taro Flickr photo pool.

The Making of “Google Dream Phone Demo”

dig me google iphone dreamGuest Blogger: Brett Slater (SlatersGarage)

So… This is what the inner sanctum looks like? Kinda blah… He needs something on the walls in here.

Anyway, hi.

Nalts and I have been getting a ton of feedback on the collab video we did poking fun at Google’s brainchild, the “Dream Phone.” This is the one that’s getting all the tech world atwitter… the one that’s gonna be free, and SO easy to use, but it will also be used to help Google generate ad revenue — onscreen ads on your phone, etc.

So, as Allen Funt used to say on the old Candid Camera, “we thought it would be funny…” to tease Google a little about what it would sound like if cell phone service was paid for by advertising dollars, rather than customers.

[youtube]http://www.youtube.com/watch?v=naUnXplUtrQ[/youtube]

It was Nalts’ idea to do the video, and quite frankly, I’m flattered that he asked me to participate. Made me feel like Jonathan Papelbon getting the call to close game 4 for the Red Sox. I worked up a script based on a few ideas we bandied about, and then we shot, edited, and posted. (Well, I did, anyway. He’s in New York at the time of this writing, and couldn’t do it himself. Apparently there’s no internet in the Big Apple.)

I gotta say, as a relative newbie to online video (less than a year), I’m positively enthralled by how well it works as a buzz-generator. Broadcast media development is my career, and until recently, it’s been mostly radio advertising that’s been my bread-n-butter: radio ads, voiceover, song parodies, jingles, etc. However, I’ve recently found my focus shifting more toward video, and the marketing potential for brands online. I’ve been an active participant on sites like XLNTADS, and lately, I’ve seen my radio ad workload start to drop, and my video orders starting to pick up.

So, what WILL the Dream Phone look/sound like? Probably not as bad as having your phone calls interrupted by a sultry woman’s voice reading ads. But for free phone service that’s as good or better than the iPhone is purported to be, I might be willing to listen for a couple seconds before my call goes through…

What do you think?

Thanks to Nalts for inviting me in on this little project… And thanks to my wife Kelly for supplying the aforementioned sultry voice.

P.S. Nalts here with a post-script. Is it just me or did Kelly’s laughing make this video?

What Oprah Might Learn from YouTube This Week

Oprah did a show about YouTube yesterday. Ironically, I’m not sure many regular YouTube viewers and creators watched it. The show took the typical “mainstream media” angle of YouTube, and missed some of the more subtle but important aspects of online video:

  1. Community (there is an entire social fabric at the center of YouTube that has unwritten rules Oprah broke this week).
  2. Media’s reduced barriers to entry (Oprah spent a career becoming one of the most powerful people in entertainment, but now amateurs can find global audiences almost instantly with just a camera and computer).
  3. Changing patterns of media consumption (Oprah would have covered YouTube years ago if she was interested in the “new media” angle, so her timing suggests she’s starting to appreciate the widespread impact of online video).

Candidly, her show and YouTube homepage takeover felt to most of us like rich Aunt Oprah squeezing the cheek of her cute but helpless nephew Online Video.

nalts youtube oprahWant proof? Her homepage video was punished with a 3 out of 5 rating, and the comments that were going to be “moderated” never appeared at all. My short critical vlog about her is now the second top-rated comedy of the day (after a condom commercial, but how do you top that). It isn’t that funny, but I think I tapped a nerve.

And when one of YouTube’s top partners, “What The Buck” (who I am convinced will go mainstream media imminently) appeared to “suck up” to Oprah, another popular YouTuber (Sxephil) did a bitingly funny video about it. Notice, Oprah, the difference between these two creators- setting, speech cadence, volume, packaging. Both of these are in the top 10 best-rated entertainment videos of the day. One wants to be a star and the other just wants to be hot with the chicks. Of course Mr. Pregnant loves Oprah. Just had to get that out there.

Let’s give Oprah an 7-part online-video makeover:

  1. Oprah- we wanted to see you in a more authentic atmosphere. Not talking loud and fast, and sitting before loads of television monitors. In your dressing room or house in a relaxed setting “being yourself.” Her debut video on YouTube was anything but that.
  2. Oh for goodness sakes, who puts this kind of language on their channel page? “Please note that, while we invite your comments, due to the number of comments received, only selected comments will be posted at the discretion of the channel manager.” Let’s try this, “Hi, and welcome to my channel. I hope you understand that I’ve been getting a lot of messages an comments this week, and will try to respond and approve as many as I can — good and bad!” It’s got to come in her voice, not the child of a PR person who married an attorney.
  3. oprah youtubeThe ten videos Oprah selected for her YouTube “editor’s picks” included four of her own. That’s like giving away toasters to her studio audience, then giving herself a toaster, a Weber grill, chocolate-dipped roses and a new jet. The rest (with an exception or two like this one) were videos that most of us have seen dozens of time. They’re literally online-video cliches.
  4. Oprah- you’ve learned a lot through your many controversies from the children to the ranchers. One thing tough about YouTube is that you’re a step closer to your fans and those that love to hate. It’s hard to moderate comments, but find an intern to do it for you. Let them through even when they’re negative- and respond to some of them. The camera talks back in this media, and it’s faster than the tabloids.
  5. Deglamorize your channel. You’ve got a commercial looking page with an airbrushed picture and a banner that looks like you paid someone $500 per hour to design (plus “out of pocket.”) Seriously- who are you trying to be? Renetto or WhattheBuck?
  6. Talk and listen to YouTube. I’m sure you spent time with the public relations people. Did you talk to any of YouTube’s community people? I’ll bet they were cringing when they saw this. Next time, ask them for some advice.
  7. We want to see Oprah with other YouTubers in non broadcast settings. Have a lunch with HappySlip and all will be forgiven.

Uploading Videos to Multiple Sites (TubeMogul)

Tubemogul video sites logosTubeMogul now facilitates simple uploading to multiple videos sites that include such recent additions as StupidVideo and Crackle. This image shows the collection of sites that now accept videos via TubeMogul.

There are other sites through which you can upload multiple videos, but TubeMogul saves your username and passwords, and tracks metrics. The site apparently is going to also track other performance metrics, which will allow creators to monitor performance and advertisers to provide simple reports for their clients.

I’m not getting kickbacks from TubeMogul to mention them, but I’ve covered the site several times because I can’t believe other creators aren’t using the free tool. It’s saved me time, and kept me uploading to sites that I otherwise might forget or skip because of the painful act of repetitive uploading. I wouldn’t be surprised if second-tier sites start paying TubeMogul just to gain access to its users video content. Certainly I’d prefer to see TubeMogul’s revenue come from the hosting sites instead of us video creators.