Category Archives: metacafe

Time-Lapse Photographer Reviews Video Sites

Mike Posehn is a time-lapse photographer and creator of the GBTimeLapse software that helps turn digital photos into time-lapse videos. In his post on GraniteBaySoftware’s blog, he compares various video sites.

His goals are similar to many of ours:

1) Good video quality, easy and fast uploading and an attractive and flexible video player.
2) To drive traffic to my site I need a site with a big audience.
3) For extra revenue I need a site with an ad revenue sharing business model.

He reviews Brightcove, YouTube, Metacafe, Revver, Google Video and VideoEgg… as well as two I didn’t know. Zudeo and Stage6.

Making Money on Metacafe

zack1.jpgI’ve been trying for months to crack the Metacafe code. I’ve earned almost $4,000 but mostly from one or two of my videos. Meanwhile, Viral Video Czar Zack Scott has claimed more than $11,000 with his collection — about 10 of his videos have made it to the Producer Awards program. Yesterday he offered this advice in the WillVideoForFood comments section, and it’s postworthy:

Zack Scott:

Okay, here’s how to make a video work on MetaCafe. This method still leaves a lot of guesswork to the video creator, but this is how it is done:

1. Create and upload video.
2. Make sure your video has an accurate, yet attention-grabbing title and description.
3. It must then get a rating above 3.0 to be released to the viewers on the “front page” area.
4. If the videos on the very front page have above a 3.2, your video needs to be above a 3.2 to make it on that page. Likewise, if the videos on the very front page have above a 3.8, your video needs to be above a 3.8 to make it on that page. If your video makes it to the very front page and stays there for one or two days, it is very likely to break the 20,000 mark.
5. If you video is released but does not make it to the very front page, you still have a decent chance if #2 is followed properly and a lot of people are interested in it or comment on it.

That’s all I can say. Out of all of the videos I upload, I have several misses

Top 10 Online-Video Predictions for 2007

sit.jpgI pulled out my crystal ball this morning, and I’m predicting the most significant online-video highlights of 2007.

I’ll be citing these selectively at the end of 2007 (only those in which I was right).

Okay I didn’t use a crystal ball. This video tells a better story about the process I used to arrive at these today.

  1. Online video and television collide then converge. We’ve seen small steps toward this, but they’re trivial relative to what will happen in 2007. We’re first going to see some territorializing between online-video players and larger networks and media distributors. Then we’ll start to see great partnerships between major networks and online video sites, as well as deals with Verizon, Comcast and TiVo that give online video creators much broader exposure.
  2. Consolidation of online video sites will increase exponentially. Eventually there will be only a small hand-full of sites (GooTube, AOL, Yahoo) where people upload videos, because those sites will gain critical mass and cut exclusive deals upstream. Almost every industry starts with hundreds of players, consolidates to a dozen, and finally matures with 2-3 major entities. Small sites will get acquired or fade. There will still be niche sites like Break.com and special-interest sites.
  3. amanda.jpgViral video creators will “cross over” to television. We saw Amandon Congdon make the leap from Rocketboom to ABC recently. People with talent, like ZeFrank, will land a short segment on The Daily Show or some other television show. Ultimately this will make ZeFrank’s bloated ego explode — something we hope occurs live on Good Morning America. A few name-brand stars will decide they can move online without the hassle of networks. I don’t see any of these succeeding initially, but as the audience for “online video” surpasses (in some areas) television viewers, it will be hard for them to resist.
  4. Many television shows will develop online manifestations. This will include “behind the scenes” shots, extended storylines, and interactions with the show. Some shows will invite submissions by amateurs and even cast amateurs to participate.
  5. Consortiums will form for economies of scale. Viacom/Fox/NBC/CBS are already toying with an anti-YouTube play. This is as impossible to resist as it is to achieve airlift. Other consortiums will succeed. I see groups of independent online video amateurs forming copperatives to market their content to networks, or networks organizing the coops. Shows like RabbitBites will have higher odds of moving to mainstream when connected with similar content.
  6. Select amateur video creators will begin to make a full-time living without “crossing over” to television. Metacafe‘s CEO Arik Czerniak recently told me he anticipates his top amatuer creators will make six-figure incomes in 2007. I think he’s right. I’d also watch for people earning high revenue via Revver if the company rapidly expands its viewer base through affiliate/syndicate partnerships.
  7. crystal_ball_juggling.jpgA major news story will break via live (or close to live) footage by “citizen journalists” holding cameras. Remember the impact of the Rodney King footage? Consider how more of these we’ll see now that so many of us are equipped with cell phones that record video. And eventually we’ll see live footage from a cell phone in a major news story — a robbery, hostage situation or natural disaster. If the reporters can address the nation live via satellite, why can’t the amateur videographer via a video-enabled cell phone? It will look like garbage, but it will be horrifically real.
  8. Marketers will get smarter about how they gain consumer mindshare through online video. The self-created viral videos will give way to more creative partnerships between brands and top video creators. These deals will be efficient for marketers, and highly profitable for video creators with low budgets. We’ll see increasingly fewer $250K viral video series created by agencies, and more low-budget, fun videos that were inspired by amateurs but get the media support of advertising budgets.
  9. lonelygirl15.jpgReal vs. fake will be a major 2007 theme. People don’t understand that some videos are designed to be “story telling,” and others are real footage. LonelyGirl15 was an example of a deliberate ruse, but many other “are they real or not” videos are endlessly dissected by comments. This will catch media’s attention, since they’ll enjoy raising viewer concerns about the integrity and validity of this threatening medium.
  10. The “big boy” sites are going to start sharing advertising revenue with select creators like some smaller sites (Revver, Metacafe, Blip, Brightcove, Lulu). That means Google, YouTube, Yahoo and AOL will finally realize that good content means eyeballs. And eyeballs means more revenue.

12 Days of Web 2.0 Christmas

12days.jpgHere’s my new holiday song. I think it’s going to be a life-long classic. The 12 Days of Web 2.0 Christmas. Feel free to sing along. I’ve provided the lyrics. I spared you from the full, repetitive version.

Metacafe Scores “Commander-in-Chief” Producer

Variety reports of a new “strategic alliance” between Metacafe and Steven Bochco, whose credits range from “L.A. Law” and “NYPD Blue” to last season’s “Commander in Chief.”

bochco_steven.jpgVariety reports that this is “one of the first “old-guard” scripted TV producers to enter into a production alliance with a video-sharing service.” Under the deal, Bochco will create a variety of content for Metacafe, including a Bochco-branded online channel. Just look at that headshot and try to imagine negotiating that “strategic alliance.” Gotta give Metacafe CEO Arik Czerniak some credit. 

We’ve seen the TV/Internet video convergence through various technologies and partnerships. Now we’re seeing mainstream content providers distribute via relatively new online video sites who have captured audiences.

Independent producers will jump into online video with a much higher ease than networks… who will insist on “doing it themselves.”  

What does this mean for amateurs? Probably good things and bad things. More eyeballs but more competition. And better competition. Now you’ve got to be better than NYPD not Numa.

Brightcove Splits Ad Revenue With Creators

brightcove.jpgIf you haven’t heard the name Brightcove in the past weeks you’d better check to see if your computer is plugged in. Given all of the buzz about Brightcove’s new offering, I spoke recently with Eric Elia, Brightcove’s VP of Content and Online Services. (Click his name to see one of the creepiest head shots ever). One of my favorite “new media” guys, David Adelman has been long telling me to watch Brightcove.

Now Brightcove has my attention. Why? The company announced that, like Revver and Metacafe, it will share advertising dollars with content creators. Although the site will appeal especially to larger scale creators, it’s a nice model for amateurs as well. Unlike Google Video, you don’t need 1,000 hours of footage to play.

The ad revenue is split 50/50 between Brightcove and the creator, and is based on impressions. Unlike Metacafe (which pays $5 per 1,000 views) Brightcove doesn’t fix its price. If they sell CPM at lower than $10, you’ll do worse than Metacafe’s “per view” rate (which amounts to half a penny). However if Brightcove commands a higher CPM (say $15-$20) you’ll benefit from a “per view” that’s closer or higher than Revver’s penny per view.

It’s a good gamble because advertisers will eventually pay higher CPMs to target ads, and Brightcove will help make that possible. Now it’s time to think about making your content valuable to advertisers — is it clean, targeted toward desired demographics, consistent, short and smart? Brightcove also allows site owners to syndicate video content, but they don’t make money via an affiliate fee.

eric_elia_101×116.jpgElia described Brightcove as going beyond web hosting and delivery. In fact it partners for that piece. Its core is in the monitization, content management, syndication and user interface. Yes- you heard it right. A video site that cares about UI. Will the major media properties embrace this? Elia has found them receptive to outsourcing this, which is encouraging. Spend two minutes on ABCNews.com and you’ll know what I mean. It’s like iFilm on steroids.

Brightcove’s sweet spot, says Elia, is “giving producers of all sizes control and flexibility to build businesses.” The company has had two rounds of funding, which includes investment from AOL and Interactive Corp (who backed ask.com).

Elia’s vision of the convergence between Internet video and television is that “TV will look a lot more like the Internet, with consumers able to find and discover” video content. How long before your remote control has a keyboard?

I’ve long claimed that the Comcasts and Verizon’s will have an important role in content distribution, but Elia raises an interesting point. Using the music evolution as an example, Elia believes that there will be “lots of tools and mechanisms to build the bridge from the Internet,” including devices, media centers, portable units, cell phones. “The traditional gatekeepers that we have come to know and love will be less important,” he says.

Revver Update… Newness Ahead

rev.jpgYesterday I joined a small group of online video creators to speak with Revver via conference call. We shared some of our technical concerns, and Revver provided some updates about what’s ahead. As the market grows more competitive, Revver has become cautious about sharing specifics. But Micki (Director of Revver Community and editor of The Revver Blog) agreed to update us on milestones since it’s hard to get the scoop via the Revver Forum.

My takeaway, however, was that good things are coming in late November and better things are coming early in the first quarter. Revver recognizes that we need better technical reliability, more detail in the dashboards, and better ways to share. They are also recognizing that the market wants a better experience at Revver.com. The hologram viewer will launch in late July (okay- that last one was just to throw off the competitors).

Meanwhile, they’re no longer the best kept secret of online video. Mainstream press is mentioning them in the same breath as YouTube, Google Video and Metacafe. Here’s a story about Revver’s distribution deal with the U.K.’s “Fame TV.” Viewers can vote on favorite clips via cell phone messaging, and the video creators get a quarter for each vote!

mcrevver.jpgIn other recent news: They have formalized a relationship with CAA. Digital Media Wire said Revver may be more valuable than YouTube. And MediaPost predicts that some of the creators will be migrating to Revver away from other sites.

Revver’s technological advancements have moved slower than some amateurs would like. This is partially because it is trying to satisfy advanced needs of creators and distributors. Still- the Revver team captured our feedback and assured us that the next generations will placate concerns and provide us the functionality we want (and stuff we didn’t know we wanted).

For nostalgia purposes, I give you my first video about Revver… McRevver meal.