Tag Archives: brand

Turn an Audience Into a Cult: 10 Steps

Editorial note: I’m writing about building cults on YouTube, and doing so with authority since I’m a marketing author who has been seen more than 200 million times on YouTube alone. More importantly, I’ve read The Secret, and I’ve placed my “order to the universe” that you’ll read this, share it, and refer to it as “brilliant.”

So I sat recently in a crowd of 500 people, and listened to an author speak about the similarities between cults and brands. Yeah it creeped me out a bit.

I had some moral problems with this, and involuntarily pictured the Kool Aid man running through Jonestown with Manson. I think I’ll avoid Photoshopping that, so do your own mental work.

But use your audience cult-ivation skills carefully

Now before we use “cult” and “audience” in the same blog post, let’s be clear about connotations. Then back to how you can apply this to your relationship with viewers. We end with 10 steps on turning viewers into a cult army.

The word “cultivate” (which seems to have mostly positive connotations) originates from the Latin “cultīv” (care for). But according to Wikipedia (so you know it’s somewhat true), the concept of “cult” was introduced into sociological classification in 1932 by American sociologist Howard P. Becker as an expansion of German theologian Ernst Troeltsch‘s church-sect typology.

So let’s focus on the 1.0 connotation of “cult” here:

  • Cult 1.0: Becker created four categories out of Troeltsch’s first two by splitting church into “ecclesia” and “denomination“, and sect into “sect” and “cult.”
  • Cult 2.0: In the early 1970s, a secular opposition movement to “cult” groups had taken shape. The organizations that formed the secular “Anti-cult movement” (ACM) often acted on behalf of relatives of “cult” converts who did not believe their loved ones could have altered their lives so drastically by their own free will. In the mass media, and among average citizens, “cult” gained an increasingly negative connotation, becoming associated with things like kidnappingbrainwashingpsychological abusesexual abuseand other criminal activity, and mass suicide.

“Cult marketing” and “cult brand” has taken such a positive connotation that one company claimed the phrase as its name. And there’s a whole Wiki on “cult brand” with no sources.

Now: Cult Marketing & YouTube Applied

Bring your devotees together in person to permit them to touch your sleeve

10 Easy Steps to Building a Cult on YouTube…

  1. The first step is to refer not to yourself, dear YouTube creator. Focus on the collective group. It’s not “I” and “me” it’s WE.
  2. Name your collective. The Vlog Brothers have Nerdfighters. Shaycarl has Shaytards. Olgakay has the Moosh Army. And Zack Scott has “my babies.” As Michael Buckley once told me, never refer to your audience as fans. They’re viewers, but not necessarily all of them qualify as “fans” just because they subscribed..
  3. Introduce an icon. A giant fist punching an eagle is a good place to start, but a monkey with shades shows commitment.

    My own thumbnail is represented here with an eye closeup, which is strangely hypnotic
  4. Create a theme song. The music can be hypnotic, and will create a sense of belonging. For example, I have mysteryguitarman’s classic “Nalts/Waltz” theme, as well as “Nalts Makes a Video Every Time You Poop.”
  5. Distribute wardrobe. Start with t-shirts like Ray William Johnson’s =3 collection. Then step it up with “Moosh-shoes” or “Mythical Shoes” ala Rhett and Link. Finally, introduce something that allows a viewer to express extreme devotion. Try a Cult Snuggie (see video).
  6. Transform yourself. You can get a hair transplant, or disfigure yourself in other ways. Invite your devotees to follow suit.
  7. Tell people how to live. Make up rules of humanity and cultivate a sense of group “right” and “wrong.” Tell them how NOT to live, and find an enemy. Find examples of “rule breakers” outside the cult, and chastise them in the style of McCarthyism or Salem Witch Trials.
  8. Make them laugh. They’re much less likely to think for themselves if they’re laughing. It increases their vulnerability better than sleep deprivation and chocolate milk.
  9. Let your cult followers fight your battles. They’ll not just do the fighting for you, they’ll want to. It’s a reward for all of your effort and smarts.
  10. Go a little nutso. Stop shaving, and make 7 minute rants on YouTube. Put a pot on your head, insert fake teeth and call the suicide prevention hotline (see Mr. Pregnant). Next, reduce visibility. Vanish suddenly to create intrigue. It’s called “pulling a Mr. Safety.” Don’t worry- you’ll be back in the limelight soon. If you’re so inclined, you may wish to make a“Heaven’s Gate” video and let your peeps know how it’s going down in the after life.

Now they’re your stone-faced zombies, so feel free to encourage them to buy stuff, donate their life savings to you, or takeover a country. If things go sour, just hide in plain site. But put up 18-feet walls around you and don’t use the Internet. That may be difficult, but who said leading a cult is supposed to be easy?

 

 

Understanding Online-Video Using SEM Analogies

A media buyer recently approached me to see if YouTube “stars” could beat .05 on a cost-per-view basis. It was such an odd question, and one that made me realize we’re still comparing apples to oranges. As I answered the question (yes, but…) I found myself drawing analogies to a more familiar digital medium: search engine marketing (SEM).

Let’s draw from our collective understanding of both Google advertising and “search engine optimization” (SEM), where content providers try to have their websites rank on the first pages of search engines. Then let’s explore how that can help us understand online-video marketing. Finally, let’s pay special attention to “the second click,” which I use to refer to the prospect who chooses not to visit your own content but remains important.

This post is not really about search-engine optimizing video content (see ReelSEO for a wealth on that). It’s about thinking about online-video in the same way we think about an SEM approach. Apologies to traditional advertisers since this post does depend on some basic understandings of digital marketing and search-engine marketing, although I’ve tried to reduce the jargon and assume SEO/SEM is not your sweet spot.

I. Getting “Natural” Views: To get a brand.com or campaign website high search-engine ranking (thus “free” visitors) we have a variety of tools and tricks, but four basic guidelines:

  1. First, we optimize the content to use words that are commonly searched (use customer lingo not our brand speak). We frame our content to answer common natural-language queries like “what’s the cheapest life insurance insurance in Arizona” rather than “Bob’s Inexpensive Term Insurance!!… oh and I serve the globe, but happen to be in Arizona.”
  2. Second, we design the website to ensure that search-engine spiders can find it (treat the spiders as important as customers, which means more text not flasherbation). Video can help us here, but not in lieu of carefully prioritized words. Little things matter: the picture should be tagged “mom with headache” not “lady with green sweater,” something few potential targets are searching unless you’re selling sweaters).
  3. Most importantly, we try to “link bait” in appropriate ways (no “link farms” please), by earning the right to have credible well-trafficked websites link to our website. It gives us credibility, thus higher rank on engines. It can make the difference from being on the cemetery of page 3 to the wild night club of page 1.
  4. Finally, we want that visit to be positive for the “user” since a quick bounce and return to search can suggest failure to search engines. If you trick me, I’ll leave and re-search… and your ranking will slip.
What this means for video:
  • We need to think about video in this same measured approach. Sure we need to focus on SEO-optimization of our valuable video content on brand sites. Of course we want to avoid churning through various short-term video campaign micro-sites that don’t help in the long run. Absolutely we need to ensure our content is also placed on YouTube and well tagged. But there’s more to it than that.
  • Ultimately our video has to make a promise it can keep. If the headline and thumbnail is a dupe, it won’t last or travel. If the goal is to entertain and draw curiosity, then the brand must take a back seat. If the goal is to explain the product, then that’s fine… but that content isn’t likely to go viral unless you’re launching the next Apple toy.
  • A promotional video serves a purpose, but it’s unlikely to be the next Old Spice or Evian babies video. However a video can travel to prospects if it’s valuable to them (funny, informative), and most brands don’t need 4 million teenagers… they’d rather 100 solid prospects. If we want “organic” or free views (not using paid media) then we’ve got to focus on serving a need and not selling our product.
  • YouTube has loads of ways to promote video content on YouTube, and it’s always cheap… but it’s easier to get people to watch a video on YouTube than dragging them to another website. Off YouTube, we can partner with smaller properties to get “paid views” (the .05 per view reference above), but recognize that “a view isn’t a view.” Once it’s paid, it’s often forced or auto-play, and that can be a data junkee’s “fool’s gold.”
II. Paid Ad Campaigns: On search engines, a good digital marketer will vary creative and try an abundance of headlines, copy and even URLs. More importantly, they’ll create “custom landing pages,” so a search pays off. You’d be a fool to create a search advertisement promising content that doesn’t exist on the landing page. Most SEM veterans will vary campaigns (A-B testing) and do experiments to determine the optimal keywords to purchase, the right creative, and the appropriate content to serve.
What this means to video:
  • Video serves different purposes in various locations. In video display or pre-roll advertising, its goal might be to drive awareness/recall/attitude/intent for the brand or product. Alternatively it may be designed to produce an action/engagement. In general it’s hard for advertising to do both well in the same campaign.  Since most display ads accept the sad reality that click-thru rates are going to stink (low single digits), it may be better to jam the brand name and a simple message into the display ad or preroll… hey at least they’ll get “exposed” to the message. Otherwise the video preroll or display is aimed at a direct response goal (“see our cool education/entertainment,” “we have a sale,” or “check out our new product line.”).
  • While video can augment either awareness or direct response, I see “yellow flags” when I hear media buyers or PR executives using paid media to get videos or microsites traffic. The root cause? Marketers or agencies have sadly invested precious dollars to produce “viral video,” then become frustrated that the videos didn’t… go… viral. So they’re desperately looking for inexpensive ways to get the videos seen by using paid video ads.
  • Now we have a “dangling media tactic,” which is often inconsistent from a brand strategy. There’s a covert mission to get the content views to “save face” for the lonely isolated micro-site or unviral videos.
  • Back to the SEO/video analogy: It’s okay to create written content for search engines in hopes that it will gain high ranking and “free” (organic) views. But we are usually realistic about the timeframe and sheer numbers. However when marketers create video content, they bank on a groundswell of free traffic spawned by YouTube viral and mega-sharing on Facebook. That’s happening less and less.
  • Solution? The video or video-laced microsite (campaign site) should be serving a specific goal on the awareness-to-loyalty continuum and not an isolated tactic that depends on “going viral” organically. If you’re creating video for “top of the funnel” awareness creation, then a) don’t spend a lot of money since the odds are against you, b) keep the brand/ad message on the down-lo because it will tank the natural views.

III. That Second Click: It’s a mistake to obsess strictly about the search engine (we’re done! We’re on the first page organically and with an ad). Odds are that 80-90% of people will zoom right past them to the third-party choice (the credible blogger, the crowd-sourced rating website, or a publisher). That means we want to get our message and content on the highly trafficked websites our customers will visit after their search… the second click. That’s usually done via PR (desperate and failed pleas to bloggers for product mentions) or advertising (often ignored display advertising).
What this means to video:
  • Good news. Most video traffic is not to professional content or branded videos. Outside of music videos, the hidden “oil well” of reach includes mostly amateur webstars or “the new establishment” of web-video networks. These guys are surprisingly receptive to subtle brand messages, inexpensive sponsorships and (of course) adjacent ads that are their primary income.
  • While it’s unethical for a travel destination (hotel/resport) to spiff (pay off) a Conde Nast travel freelancer, it’s okay for them to invite Shaycarl (and Nalts) to visit and show the property to millions of their daily viewers. 🙂
  • It’s not okay to send a free tech product (like that new tablet or HD camer) to TechCrunch or Wired, but you’d be a fool not to deluge iJustine with your latest gadgets (and maybe toss her a check to show it love). It can be cost prohibitive for a marketer with a “recession” budget to hire Justin Bee-iber, but Rhett and Link reach millions and they’re taking a road trip this Friday that I’d sponsor it in a minute if I was a CPG brand (ensuring the comedy/singing duo received loads of free candy and beverages, as well as a decent check to ensure the products get some prominent placement). If I was selling guitars, I’d send a free one to Wheezywaiter and MikeLombardo in a second, and a $1-$10K to mention my website occasionally.
I’m finally beginning to accept why this last “no brainer” step (which I detail in my book, Beyond Viral) is not yet embraced by many brands. For a while I found it downright perplexing and unforgivable that Coke was handing out free product on the streets of NYC, but not sending swag to the top 500 most-viewed YouTube creators (which would provide Coke with more free impressions than it could ever imagine).
But there’s not an easy analog for this type of marketing. Sure Coke does product placement on American Idol, but it’s hard for marketers to translate that to some clown on YouTube even if he gets more views than American Idol. The TV folks are forced to understand product placement and integration because Fox is beating it into them. But it’s hard for a TV junkie to translate that to web video, and trust amateurs. Most importantly, the silo approach of most large brands makes it hard to determine who should run with this: is it PR? Advertising? A sponsorship/events group? Digital?
In truth this type of “second click” thinking applied to video requires people with an odd mix of understanding/experience of marketing, social media, consumer marketing and PR. But those folks are hard to find except in startups (who are less attractive to webstars than Big brands). When they do exist in larger companies, they often lack budget influence.
So this marketplace remains somewhat irrational (some “webstars” fetching obscenely high fees for non-targeted and awkward pitches). Conversely, many brands use PR teams to chase bloggers with smaller audiences and a fundamental reluctance to pitch (because “playing favorites” might erode their credibility as a mini-journalist). And those same brands are often missing some highly influential and valuable willing “spokespeople” with large fan bases and credibility… just because they have no idea that a medium-sized video webstar’s reach is often 100x that of the biggest category blogger.
As Arseneo Hall would say… things that make you go hmmmmm.

Does That YouTube Video Help or Hurt Your Brand? The Peeps Decide.

You can decide whether a random YouTube video helps or hurts a brand, simply by voting on YouTube Brandwatch (see link). Vote on videos about laptop wedgies, Bic lighter tricks, or sexy Sprite. (Source: YouTube Biz Blog).

Read YouTube’s interview with Matthew Yeomans and Bernhard Warner, directors of Custom Communication.

The blog is an outgrowth (code for promotional vehicle) of the duo’s Social Media Influence Conference, to which Nalts Consulting hasn’t yet been invited. 🙂

The YouTube Brand Watch logo

The Marketeter’s Cheat Sheet to Viral Video

cheatYou’re running a brand that is trying to “dip your toe” into social media and online video, and you’re facing some important questions:

  • Is my brand right for this?
  • How can I experiment without ending up as a “case study” failure?
  • Can I convince my company that we should do this?
  • What are my options for developing compelling content and distributing it widely?

Here’s a quick guide that encompasses a lot of topics we’ve covered on this blog. It’s the “least a marketer or agency needs to know” about online video, and will give you a roadmap for a good program.

  1. Step 1: Determine if your brand is right for online video. Is your brand compelling and simple, or complex and direct-response oriented? If you’re a consumer-product goods (CPG), it’s a no-brainer. If you’re in a complex, crowded, regulated and boring industry, it’s going to be more difficult.
  2. Step 2: Keep it quiet. The more senior management and attorneys you bring into a pilot, the more internal battling you’ll do before experimenting. Get some “air cover” from an executive sponsor, and avoid excessive internal scrutiny.
  3. Step 3: Let go. Your marketing message is critical to you, but if your content is driven by an advertising objective it’s at risk of being a flop. If you want to go viral, you’ve got to entertain first and promote subtly. There are countless case studies on this, and it’s an inarguable fact. If you buy media, your ads can be boring. But if you expect people to share your video, it better be entertaining, provocative, sexy, funny, outrageous or at least interesting.
  4. Step 4: Develop a creative brief. Don’t make it too narrow, but give it some focus. If you ask people to make a funny video that includes your brand, you’ll get a lot of stuff that may or may not support your objective. But if you require creators to insert a series of “unique selling propositions” then you’ll end up with ads instead of entertaining videos. With my smaller clients, I develop the brief. Larger clients often already have one, and simply need ideas or video content.
  5. Step 5: Engage creators. You have four options here.
    • Option one, you can hire your agency to create video content. This gives you control, but most agencies (advertising, online, and public relations) lack experience in social media and online video in particular. I’ve found this to be extremely expensive, and often the agencies lack the expertise to make the videos “not suck” and get the videos widely viewed and “seeded” in the right places.
    • Option two, you can hire individual amateurs. This gives you access to people that know the medium and have established audiences. Some smaller brands (and larger ones) contract directly with people like me, InvisibleEngine, Rhett & Link and Barely Political (just a few creators that are interested in building entertaining, promotional content). This keeps things safer, but requires some oversight since you’ll need to interact individually with these companies or people.
    • Option three, you can run a big, public contest. These are still quite common, but rather expensive. You’ll spend a lot on media to promote the contest (money I’d prefer to see brands use to promote the brand itself). You’ll also get a lot of lame content, but hopefully a few winners.
    • Finally, you can contract with a third party that can represent a variety of proven creators. For example, a few large brands have contracted with Xlntads to help reach a collection of experienced amateur creators (note: I consult with Xlntads, and run its creative ad board). There are probably similar brand/creator models that offer this service, but I’m less familiar with them. I see this as an evolving industry that can either contract directly to brands or via agencies. For instance, Daily Motion has brokered between certain major advertisers in France, and works from the agency’s creative brief to identify, engage, pay and leverage the presence of appropriate creators that produce content on the site.
  6. Step 6: Get the videos seen. If you want to buy media, you can run your videos as advertisements on a variety of sites. The second and third tier video sites are especially receptive to giving prominence to promotional content in fairly inexpensive media buys. If your content is good enough, you can hope it will travel “viral” style: people will share it with friends, post it on their blogs, feature it on their websites. There are three magic tricks that make this work:
    • First, your content has to be good.
    • Second, it really helps to leverage the distribution and audience of known creators. If an amateur has a popular blog or YouTube channel, this gives you a much better chance of wide distribution.
    • Thirdly, you can “seed” it yourself or have the creators, third parties or agencies do it. This “seeding” involves reaching out to appropriate online properties, channels, discussions, forums and blogs. If it’s good content and you reach out to people politely your chances increase. I’ve seen bad videos that get lots of attention, and good videos that die. So this third step is non trivial and often overlooked.
  7. Step 7: Evaluate. Did the videos get lots of views and positive feedback? What did the comments say? Did people take a measurable action after watching the video? Keep your expectations in check: few marketing videos break into the millions of views, and very few of those viewers will take an immediate action (visiting your site, and making a purchase). These videos will, however, help your rankings via Google and other search engines. So maybe the next time a prospect is searching for your brand on Google, they’ll find your brand-friendly videos instead of a competitor’s content or disgruntled customer. This is a powerful and often overlooked outcome of a good video pilot.
  8. Step 8: Scale as Appropriate. Most online-video marketing projects are simple experiments to help brands learn and “test the waters,” and few have scaled radically. However some brands have been so excited about results with online video that they return annually with programs that are hard to miss.

With a few exceptions, I haven’t yet seen many online-video pilots driving significant, immediate sales for a brand. But I have seen online-video initiatives that have increased the awareness of the brand, and changed the attributes and preference of target consumers (as measured by awareness trackers). Most of my clients have enjoyed an online presence they wouldn’t have gotten on their own and found it a good investment. A few have confided that more people watched my stupid video than visited their big, bloated agency-developed website (which contained a variety of expensive videos they produced). It’s much easier to reach people on the highway of YouTube than to hope they’ll stop at the little rest stop you create (which is usually a huge expense and a “throw away” at the end of the project).

Other suggestions? Bring ’em on. This is a blog, for crying out loud.

Free Online Monitoring Via YouTube

Monitor your brand if videos are uploaded using your brand in the keywords.

Marketers debate whether they should engage in online video, but there’s simply no excuse for not paying attention to what’s being said about your brand. There are good services that can do comprehensive audits (such as Buzzmetrics). But here’s the poor-man’s solution…

Subscribe to your brand’s name on YouTube. If you’re Coke and you’re not at least scanning videos that are tagged with the word Coke, then you may miss something important. It’s as simple as registering on YouTube and going to your subscriptions. Then enter your brand name in the “tag” section, and you’ll have videos waiting for you if they use your name in the tags.

There are other services doing more comprehensive, advanced and ongoing monitoring by turning speech into text, and then analyzing the content in sophisticated ways. But this is a nice place to start. It’s as easy as setting a “Google Alert” for your brand name to ensure that news and major blog posts aren’t missed.