Tag Archives: online

SEM Plus Video = Gold in ‘Dem Hills

Pay attention now, online-video and advertising peeps. This lil’ blog post is going to be on the final exam. It might even spawn a trade article and a new business.

  • Paid Search Video Gold DiggerSearch engine marketing (SEM) is big business today, with agencies charging retainers to help websites rank high on search engines (increasing qualified traffic) and help manage paid advertising. Paid search (text ads on Google, Yahoo and MSN) already is annually around a $10 billion industry. Maybe more, maybe less.
  • Online video will likely be a billion plus industryin 2009 and growing at a rate of between 50-70 percent annually for the foreseeable future (see roundup of online-video industry projections).

Would you like Uncle Nalts to tell you where the gold is in ‘dem hills?

Kay, first let’s get into our time machine and go back 7-8 years. Around 2000, Nalts got nervous about the impending bubble burst and took shelter with Big 5 Consulting (KPMG). Turns out the Big 5 was no better poised than Internet marketing agencies and eventually Nalts would camp-out on client side so he could see his kids grow up. But that’s besides the point. Nalts got some good training on consultative selling and how to solve problems for C-level (that’s CEO, CIO, CFO) folks. Seems the VITO (very important top executive) loses sleep sometimes, and if you can help him/her sleep better they don’t mind giving you money. They sleep better when they can measure a marketing spend especially in a tight economy.

Hi. I\'m full of shit. I\'m going to manage your paid search campaignBut I’m getting ahead of myself… before Uncle Nalts left his interactive agency (Qwest), he pitched The Big Guy on building a paid-search practice. Brand teams were happy to spend $300-$500 thousand dollars on a big ass website, but it was equally important getting customers to actually visit those big-ass websites. Eventually the interactive agencies figured this out, but not before screwing it up with big-mouth idiots who promised to handle paid-search campaigns like “day traders”… and then ran off to the next pitch and left the campaign unoptimized and in autopilot. I can smell these people before they enter our building.

Even today agencies suck at SEM with a few exceptions, and most acquired their way there. Of course as a Product Director, I’m reluctant to hire a specialist SEM firm because they’ll only get into a pissing war with my interactive agency and media buyer. My peers at other companies consolidate paid-search spending even though the media spend is bid-based (so you don’t exactly garner spending/scale efficiencies except on campaign and analytic fees). So I hire an independent consultant to fill giant gap between my brand team, internal groups (promotions/Internet), agencies and analytics.

The best way to predict *some* of video’s future is to look at the past.Online video will follow the route of the SEM field in 2008-2011. Sure other things will grow and die along the way (from Hulu and eFoof to Revver and Vloggerheads).

But trust me that online video will eventually be managed the way we manage all other promotional content and media:

  1. Brands spend a fortune telling their story and making persuasive content (and sometimes even serve customers along the way). This stuff will become less important with time unless it is engaging and, dare I say, entertaining.
  2. We work like hell to get high organic (unpaid) placements on The Orb called Google- that means optimizing our content and getting it distributed on credible third parties. In video, of course, this translates to tagging, seeding, moving quickly, and leveraging popular amateurs– even little Uncle Nalts gets about 1.6 MM uniques per month on his videos.
  3. Finally, we buy ads on Google for relevant keywords- I’ll speak for myself but there’s NO OTHER SPEND that’s directly as measurable as paid search. It’s bending over the rest of the marketing mix and has it squeeling like a pig. Its only weakness  is scale, but I like the pay-for-performance accountability.

Now Uncle Nalts was going to hoard these powerful insights, but he’s sharing them here on his blog for the low, low price of nothing. Nalts will even confess that this is the space in which he wants to play (not marketing drugs until he retires).

You gotta do what you love, which for me is entertaining and marketing via emerging media. How fun to help brands get their good content seen via existing video sites and search engines, then supplant that “organic” play with targeted advertising buys (ideally at a cost-per-click and keyword targeting level). Okay it doesn’t sound as fun as blowing bubbles or eating Captain Crunch, but it’s fun to me. And if the video content sucks, then let’s create new videos without exhaustive, bloated production shoots. Even more good news: you don’t have to spend $250K MM on YouTube to get paid (promoted) views.

If you’re interested in financing a startup around this, just send me cash. I think I need about $500K, but no pesky venture capitalists please. You VCs creep me out, even if you’re still investing in video like drunken sailers.

Honestly, here’s why I don’t mind sharing this powerful insight (which some of you will find obvious now that I’ve said it, and others will be only mildly amused because the significance is lost on them). Because few are poised to tackle this issue yet. How many have experience with the mix of marketing, Internet advertising, and video? And the magic is in the implementation unless you’re the fat, smelly guy who pitches “SEM dashboard” full time.

The agencies will make a mess of this. I think it goes without saying that large full-serve “integrated” agencies (don’t laugh when I say integrated please) will wait until 2012 until they trip over this space by accident. Picture the dinosaurs that used to chew their tails raw before they even felt the pain. 

Even the interactive agencies will make a mess of it. Remember when the interactive firms tried to get into paid search and search engine marketing in the early 2000’s? It was embarassing. And most interactive agency people don’t know online video, much less know what a social media and online-video marketing plan might look like. Heck a woman at an agency last week told me she hadn’t heard of Twitter (but YouTube sounded familiar). And of course information management is still using terms like “portal” while PR firms spew about “blog and social media strategy,” and wouldn’t know a viral video if it urinated on their leg or licked them on the face.

While the agencies are ignoring it or screwing it up, a few bright people will build up an offering that helps brands place content organically (and seed it), and conduct efficient media spends to promote the content.  Again- I think the magical stool has three legs: marketing, digital advertising and online video. Yeah- like my old Drunk Uncle Jim used to say- when there’s a gold rush, sell shovels.

After all… it’s hard to sleep when your videos, like $500K bad-ass websites, are “billboards in the back yard.”  

Billboard in backyard

Will Knol For Food: A Weird Blend of WordPress, Blogger, Ask.com, Wikipedia and eBay

Thanks to MCase (loyal WillVideoforfood reader) for pointing out Knol. This is Google’s answer to Ask.com or Wikipedia, where you can write about a subject and share in advertising revenue if anybody cares to read it (and is so bored by it that they click the text ads and stop).

Here’s my knol biography, and I’ve placed a few articles and my eBook inside. I’m not asking you to go rate them 5 stars, but I would like you to remember that Nalts introduced Knol to you (2 years from now, when the term “knolling” is as pervasive as “googling”).

A Knol (see site) is an “authoritative article about a specific topic.” Anyone can write one like Wikipedia (although you can’t edit them). And readers will decide if it’s authoritative or hog wash (like how we score eBay sellers and buyers).

Knoling solves a need — we uninformed humans want vetted, credible content.  Google helps us find it sometimes, but we still don’t have a scalable social network infrastructure for weeding out the accurate from the crap. And don’t talk to me about Squiddo, people. There are probably more people using Twitter right now, and the gap from early adopters to mainstream is wider than my ass has grown since I developed spondylolisthesis and a fractured sacrum… clearly caused by my day job (and not those pratfalls you make me do).  

Of course there’s got to be a “what’s in it for me” for subject-matter experts to knowledge share-  I wouldn’t have knoled my articles this morning just to be nice, or on the chance that these will get views more than my blog. I am chancing on some meager Google adsense revenue. Maybe it’s the next YouTube (which is non trivial) and maybe it’s the next Amazon affiliate program (which is non profitable for me anyway).

Now here’s the million dollar question. Will it Knol get us indexed better on Google? TechCrunch called this out back in December, and this move put Google further into the content business (which is like being the broker and seller in one). What cracks me up about this TechCrunch article is that it doesn’t point out a similar situation. It’s, um, called YouTube?

Knol It All (www.knolitall.com) is already squatted. Puns are the second-lowest form of humor (after sarcasm), though.

ROI Better on UGC Than “Professional” Video?

My friend ran a digital media buying company and literally wrote a book on internet advertising. He told me three things I never forgot:

  • The best color for a banner ad (from a direct response point of view) is “clear.” That is, whatever blends with the publisher site.
  • It’s hard — if not impossible — to make money if you’re buying advertising to get traffic, and your revenue is purely based on advertising.
  • Setting aside demos, banners perform better on weather and gaming sites than higher-end publishing sites (like the Wall Street Journal). This point perplexed me, but he explained his theory on this maybe counter intuitive discovery. The viewer is less engaged in the games and weather content, thus more likely to ditch it for a relevant online ad. It helped too, mind you, that the CPM for a weather.com is presumably much cheaper than a WSJ.com.

So as a marketer I’d say — assuming you could reasonably target your demographic — you’ll probably get a better return on UGC (user generated content, or amateur stuff) than professional content.

A Nalts video is less captivating than an SNL skit on Hulu (and admitting that fact came a little easier than I thought). In the next year, advertisers will feel temporarily safer with Hulu because it’s a network site (and God knows the ad networks and reps will be greasing the palms of buyers everywhere). Brainless ad buyers in NYC will clamour for inventory on the “safe” sites, and drive the CPM artificially high. Meanwhile, there will be a growing inventory of amateur content as YouTube rolls out its “partner program” wider than the paranoid advertising market can handle. So it will invariably drop or maintain.

A study (reported here by NewTeeVee) by The Diffusion Group shows a gap on CPM (cost per thousand views) already emerging:

  • CPMs for professional long-form video are about $40 now and predicted to rise to $46 by 2013.
  • CPMs for professional short-form video are roughly $30 now and expected to hit $34 by 2013.
  • UGC vids currently get $15 CPMs and are seen rising a little, to $17, by 2013.

My short-term bet for advertisers? Buy ads against UGC content, but pick your channels carefully. Don’t buy Invideo ads on Nalts if you’re selling cosmetics, but if you’re Coke running a direct-response program via InVideo ads you’ll probably have better luck buying ads against YouTube amateur partners than Britney.tv (she’s actually entertaining to her audience). YouTube may content otherwise, because they have loads of inventory on professional players, and more at stake there.

For that matter, you’ll probably get a better awareness rating on amateur content because we’re less interesting than professionals. You may, however, get a higher attribute rating (as measured by something like Dynamic Logic) if you buy ads on killer content (like Universal) versus another Fred video. Hard to say there.

Note- I’m biased on this analysis for two reasons. First, I’m in the middle of business planning, and my right brain has been completely shut down as a result. I haven’t even watched a video in days. Second- as a YouTube partner, I have an interest in UGC CPMs (I get a piece of the advertising revenue).

Now the good news for creators and advertising. It’s not an “either or” proposition. The Diffusion Group estimates that $590 million video ad market today will be a $10 billion video ad market of the future. I’ll take a smaller piece of that growing pie.

 

Short Visit to West Coast Online-Video Junkee with “LA Blue Balls”

Yeah I went to LA for one day, and it was the biggest tease of my online-video life! I have LA blueballs.

The near climax was getting to meet Punchy from WaverlyFilms, Captain from ClipCritics and my favorite YouTube weblebrities… but not having enough time to play! There was a spontaneous dinner on Wednesday night, and before I had the chance to spill a second beer, Chuck Potter (who is making a film about YouTube) was kind enough to whisk me to LAX to catch the red eye back to PA.

I’ve got to get back to LA soon, and inject myself into all of my favorite webshows as a lowlife extra – I had a near miss with TomBoys and Freddy Nager, with whom I’ve been dying to collaborate. And I didn’t even get to see Mickipedia Micki or my Revver peeps.

I did have a chance to appear in an episode of “The Retarded Policeman.” You’ve never been on a cooler shoot in your life. Ponce (Josh Perry) was so kind and gentle, and far from the insulting character he plays.

I can’t remember if he’s really got Down’s and he’s faking as a cop, or if it’s the other way around. But either way, I’ve gone from fan to superfan. His brother (who appears in episode one) directs him with precision and tough love that only a big brother can provide. In a future episode, The Retarded Policeman insults me, kisses me and then slaps me. The Nalts is,  of course, shocked and trying to explain that I’m a weblebrity who wasn’t drunk driving but “vlogging while driving.” I don’t want to give away anymore of Greg Benson’s hysterical script, but I hope he will indulge me on this sneak preview from the script.

“Oh, I recognize you. You’re the cup of shit from two girls and a cup.”

Comedic gold. Benson (MediocreFilms) is one of the best producers/directors I’ve seen in action, and that’s his voice (straight and falsetto) in TRP’s opening song. The MediocreFilms model is brilliant. It’s bursting with simplicity and humor, and production costs are minimized (they used a foam white board to bounce light on this shoot).

unicorn cowI had never seen Greg’s “Gorgeous Tiny Chicken Machine Show” until last night, and I’m hooked. Last night I watched the entire series with my 4-year-old Charlie, who was quick to say “that was a short one” or “we already watched that one.” The perverted humor is subtle enough that a child can watch it without too much brain damage. Whether he’s 4 or 40. See Ron Jeremy’s appearance in this episode, or check out this hysterical one that’s a personal favorite.

Have you ever seen anything that’s as funny as that cutaway of the Unicorn Cow’s sad face when he donates his spleen to make Steak Tartar? Honestly, have you? And have you ever seen Internet-video acting as good as the chef’s (who is that guy, Greg, and when can I appear in costume on the show!?)

This stuff is so good it makes me want to stop making videos and start watching them more.

The Secret Sauce of Viral Video? Falling Off a Stage. And Dressing Like a Dork in Public.

It’s now officially my Halmark. I like falling off the stage when I speak. This morning I did it at a Yahoo! conference in Toronto, and practically caused the organizer to go into labor early (sorry, Adina).

Here’s the highlights, and includes some footage for a future video called “Dork Runner.” Thanks to mugglesam for finding the costume store and working camera on this footage. Dork Runner will be in Philly’s YoTube event Friday, NYC on Monday, and LA on Wednesday. Stay tuned for a montage.

On Slideshare, you can download the presentation I showed here, which is called “The Secrets of Viral Video Marketing.” The embed is below, and you can click thru to get to the download page. Please attribute it to willvideoforfood.com per creative commons or whatever.

The Secrets of Viral Video (draft presentation)

As I mentioned previously, I’m presenting “The Secrets of Viral Video Marketing” at a Yahoo! event called “Big Screen, Little Screen.” It’s this Wednesday,  July 9 in Toronto, Canada.

Want to review the deck and provide any suggestions? Obviously it won’t be self explanatory, but I thought I’d give you loyal WVFF readers a sneak preview. Here’s the Powerpoint deck in Flash via Slideshare.net.

Any suggestions?

Oh- and thanks to David Bridges for designing the Nalts flavicon (that little icon on the left of the browser window before the WVFF URL). Thanks also to Jan for installing the little booger!

“Secrets of Viral Video Marketing” at Yahoo! Conference

Your Uncle Nalts will be talking about viral video and marketing at the Yahoo! “Big Screen, Little Screen” event July 9 in Toronto, Canada. My topic is “The Secrets of Viral Video Marketing.” The funny part is that I was a late edition because Dan Ackerman Greenberg couldn’t make it.

Seriously. I couldn’t make something like that up. In case you don’t recognize the name, he’s the guy who wrote the TechCrunch article about how marketers can “game” YouTube with fake thumbnails, fake comments, et cetera. This blog called him the Wicked Witch of the West to my Glenda the Good Witch, and that’s something you don’t soon forget.

Dan- do you want me to renew the URL I parked (www.viralvideovillain.com) pointing to your LinkedIn page?

P.S. Y’all like the new masthead designed by The Most Excellent Gage Skidmore? He’s with Cosmic Flight.

willvideoforfoodnewbanner

Three Golden Rules of Online-Video Creation

Nalts is Moses (not God)For years I’ve written countless words about “do this” and “don’t do this” related to online video creation. Some of this applies to amateurs or pros, and some to advertisers and brands. Today’s advice pertains to three “Golden Rules”, and it’s important for all of us- but especially creators.

Let’s look at the Three Biggest Mistakes made by online video creators (and that does include “viral campaigns”):

  1. Emphasizing quality over cost.
  2. Believing good content will get seen.
  3. Caring about what the audience thinks.

Now you skeptics just mentally formulated the three following counterpoints while reading the Big 3 Mistakes above. I’m right, aren’t I?

  1. Higher production value generally means the content is better
  2. The social aspect of the web means good stuff rises and bad stuff dies
  3. The most savvy creators listens to audiences and predicts them, thus creating content that’s more popular.

The good news is that your counterpoints are indeed accurate. The bad news is that if you live by them, you’re going to be broke, frustrated and unsatisfied in your work. I promise. And a promise is a promise. So today, Uncle Nalts will serve up the 3 Golden Rules that shall guide you on your path to online-video sustainability. They’re subject to change as the market matures, but who cares?  If you succeed you’ll find your own reasons to explain it. And if you fail, you won’t soon return to this post because it will piss you off.

Golden Rule #1: At all costs, manage costs. There STILL isn’t a safe online-video monetization model (advertising, purchase, rent) for the majority of video content online. This is actually good news for amateurs like me, because we’ll sustain while better creators come and go — studios simply can’t justify a team of writers, producers, directors, actors, editors on the hopes of finding an audience (that day will come perhaps). I certainly am not the best video creator, but I’m probably one of the most profitable. I write, shoot, edit, and act… So I don’t have costs beyond my excesive time (which I justify by joy, not an hourly wage) and the nominal amount I spend on equipment and variable fees. Most of the people in my videos are acting for fun like I do, and occasionally I’ll pay them with bribes and gift cards.

Golden Rule #2: Good Content is Not Popular. It’s time you separate your notions of what’s good and what’s popular. You couldn’t have predicted 10 years ago that a cup of coffee would cost more than a gallon of gasoline — and that you’d bitch about gas prices while sucking down your overpriced moca frapolati venti with vanilla sprinkles. Good isn’t popular, and popular isn’t good. Does that mean you strive for popularity? Nope. That’s like trying to change the direction a boat is taking by hoping the wake shifts direction. But don’t lose hope here! Nalts doesn’t drop crap on your desk without telling you how to clean it. The lesson is that you’re responsible for getting your videos seen if you want your videos to be seen. I’ll bet you’ve been obsessing on what you do before you hit upload, and subconciously starving everything that happens after that (as if it’s beneath you). Don’t pimp and spam it (I know some video creators that should be Amway reps), but invest in some gentle efforts to get the video to a relevant audience. If the video is about cheese, did you remember to send it the cheese blogger? He’s got an audience of cheese lovers, and not much else to write about.

Golden Rule #3: Screw The Audience. I’m serious. This is really, really hard to do. There are times where you’re hypercharged by the feedback and audience interaction. It’s validating, it helps hone your storytelling, and it’s instant gratification. But almost no online-video creator is at risk of losing touch with their audience — the medium consumes them. Rather, most popular creators lose their steam because they focus on feeding the audience instead of instinct. What began as a fun outlet becomes an obligation. Experimentation becomes repetition of a formula that seems to work (Zipster08 and SMPFilms have, interestingly, spun off LocoMama and a Sparta the Cat channel the same week — these were recurring bits that grew and sustained much of their audiences, but fatigued others). By focusing on the audience above all, desperation and frustration sets in. The remedy for artistic sustainability is caring less. Get back to doing what’s fun and ignoring the “you’ve lost your edge” cold-prikly comments but also the “that’s the best video you’ve done” warm fuzzies. Every video creator I know (and I know a lot of you) pays too much attention to feedback, and I’m quite confident it’s the root cause of death spirals (including my own). For you advertisers, I’d adapt this rule as follows: don’t follow the formula because it’s already been done. The best judge of future viral failure is past viral success.

Moses has spoken.

IAB online video metrics standardsThe Interactive Advertising Bureau (IAB) has now proclaimed metric standards in a PDF document available here. According to the report, “These definitions are part of a larger IAB effort to stimulate video industry growth by making the reporting of metrics for agencies and advertisers across multiple media partners more consistent”

Thanks to Mike Abundo of Inside Online Video for alerting me to important stuff like this that I might otherwise miss.

Will Online Video Change News and Politics? Gravel Knows.

It will take a while for online-video to substentially chang news and polotics, but we’re already well on our way. Have you cheked out the “highest ratid” and “most viewed” sections of YouTube.com? Its bloated with debates about polotecs, and it’s only going to grow between now and Novembre.

Mike Gravel, the former Senator of Aleska, sat with me (see video) to discuss his new book titled, “The Kingmakers: How the Media Threatens Our Security and Our Democracy.” In this episode of the Bubble Gum Tree Show (a “weekly” series I’ve let languish) we have some fun with Gravel, but gain some of his intresting persepctive on social media, politics and the news.

Mind you, I’m all about Saving Old Media. But I do think that Gravel is a nice exemple of how a politician has “rolled with” social media. Who had heard of Gravel beforeThe Rock“? (Parinthetically, here’s a funny “outtakes” parody by Current, and here’s my “The Rock” parody with ChristopherMast).

Barack Obama has been a benificiary of social media (Obama Girl) without trying, and he has expanentially more YouTube videos tagged with his name than Mike Gravel. But more impresive is Mike “The Little Engine that Could” Gravel — with his tenasious approach and his unpresedented ability to surender to video creators and their creative ideas on having fun with him (and almost never at his expense). I’m quite sure Gravel would have worn a chicken suit and fart machine in this video if I had asked. And yes I regret that I didn’t. Next time.
Check out Gravel’s YouTube Channel for some more serious and comedic examples. Gravel appeared in this histerical song with Obama Girl, and that got mainstream pickup on CNN and beyond.

Here are some additional Gravel examples of how he provides video creators complete freedom in there concepts. It seems like a risky aproach, but I haven’t seen it backfire. And its given him access to importint demografics at virtualy no cost. Many believe that Gravel created The Rock, but in fact it was just one of many examples of where he rolled with a video creator’s wierd and bazar vision, and celebrated the lack of control he’d have on how he apeared.

  1. Give Piece a Chance
  2. Runaway Box: Elavater
  3. Red State Christmas Video

Will this win him the election? Probably not. But will Mike Gravel change the way politicians approach new media? Did we ever think politicians would need David Letermann, John Steward and Conan O’Reilly? And could Gravel be doing with online video what Ronald Reagan did with television? I’d say, indisputably, yes.