Tag Archives: Video

Here Comes Another DMCA Whiner

Lane Wants Her MoneyI try to be fairly objective on this blog, but I really have no sympathy for whining photographers that hire attorneys because their photos appear for a second in a popular YouTube video. The photographers, like the writers striking, are under the delusion that they’re being deprived of their rightful income. The reality is that there is no damned income.

It’s like a feuding family competing for the box of molded National Geographic magazines their dead father left behind.

Background: “Here Comes Another Bubble,” by “The Richter Scales,” is a case study in copyright lunacy. The penniless a Capella singers stitched their song to random photos they found on the web… because a YouTube music video with a black screen (or worse yet, facially-challenged a Capella singers) just wouldn’t have been as viral. They received no advertising revenue because they weren’t yet in YouTube’s partner’s program (if they were, they would have known the risk, because YouTube puts us through a daunting meeting with an attorney before we get into the program).

Along comes photographer Lane Hartwell (whose image above is used without her permission) and sends YouTube a DMCA notice because she finds one of her photos in the montage.

  • Explains Richter Scales: “when Lane emailed us shortly after the video was released, we immediately gave her a credit, with a link, in the “About This Video” section on YouTube, but weren’t able to assess whether that was sufficient because Lane wouldn’t talk to us via phone and didn’t respond to our emails with any requests or proposals before she issued the DMCA take-down request.”
  • Fartwell’s attorney claims The Richter Scales were cavalier, and Hartwell herself said: “the band opted not to work with me toward a fair resolution of the issue. I have to say that I’m very disappointed with the members of the band I negotiated with in good faith.”
  • This appears to be a divided issue, but isn’t it amazing how radically different these accounts are of what happened before the DMCA notice was filed by Hartwell?

Lane’s attorney friend is sympathetic but acknowledges she has little legal recourse. So what it this about? Standing for principals or fame whoring? I’ve got my theory. (Parenthetically, here’s an article on this subject from Wired, but don’t expect objectivity since Fartwell contributes to the publication).

Now this stupid thing is a debate of magnitude proportions:

How about you photographers save your energy for when someone is actually making money on your images instead of doing it on principle? Or find a way to put your talents to making your own profit, instead of whining when someone else uses your photos to not make money. There’s no mistaking that the a Capella group violated Hartwell’s copyright, but it’s not like they were out selling her framed photos to line their limos with puppy fur… they didn’t make any money directly from the viral video, and to date have sold a few of their legacy music CDs that don’t even contain the “Here Comes Another Bubble” song.

Here’s the essence of the problem. It’s a good motive gone perverse. Photographers, video creators and a Capella singers are all in the same boat. We’re artists who are not generally making significant dollars via our passion, and so we want to preserve our rights. But do we chase each other down for our fair share of dink, or find ways to collaborate and monetize?

My videos are constantly ripped and posted. Sometimes I’ll alert YouTube, but I usually consider it free advertising. The only time I ever took objection is when someone posted my “Bored at the Mall” on Break.com and made profit from it as it hit ~1.5 million views. But I didn’t go on a witch hunt and didn’t expect to get a dime.

If creators instead invest the time they spend whining about copyrights in promoting their work and monetizing it, things will change. And the only ones who will suffer in that scenario are ambulance-chasing copyright attorneys.

Thanks to NewTeeVee for getting me all riled up before my second cup of coffee. By way of disclaimer, I have no relationship with The Richter Scales and I’m a strong believer in artist rights — hence my passion for models like Revver. But I have zero tolerance for unreasonable behavior like this.

Hey, Lane. If you’ll drop this, I will personally send you a check for their entire proceeds of 8 CDs. But if not, please have fun filing DMCA notices against those strangers that participate in my “Lane Hartwell Video Collage contestusing your Flickr photos (See my video rant).

Revver 3.0 Launches With “Quilty”

revver quiltyTwo years ago I discovered Revver (the pioneer of creator ad-sharing via video), and she’s growing up. Here’s a Revver blog announcing the new Revver, which includes the ability of viewers to finally comment.

Revver has always suffered from low views relative to larger sites, and the new “Quilty” (see Revver homepage) addresses that. It’s an addictive-like series of thumbnails that rotate and provide instant access to quality content. Not sure if this is editorial or viewer populated, but I assume a blend.

The gulf between sites like Revver and the market leader (YouTube) is widening despite the better quality/crap ratio on Revver. And, until recently, Revver was dense with Adsense and “house” advertisements, which makes me worry about its longevity.

But Revver’s model is unique, the technology is innovative and it has a quirky, creator-friendly soul. And a monkey. Don’t underestimate the monkey.

Research About Online-Video Viewing

More research about online-video and television viewing. This Harris study tells us so much and yet so little. What I was hoping (based on the lead) is that it would talk about how online-video is cannibalizing, if at all, television viewing. Certainly for me I spend far more time watching video on my monitor than my overpriced HDTV.

  • More television viewers are turning to the Internet to watch videos, films and TV episodes, according to a new survey.
  • Approximately 65 percent of the 2,455 U.S. adults surveyed by Harris Interactive said they have watched a video on YouTube, compared to 42 percent during the same time last year. More than 42 percent of YouTube viewers said they visit the site frequently, up from 33 percent last year.
  • Apart from YouTube, which most people favored because they felt it had almost every video they could find, 43 percent said they have watched a video on a TV network Web site, followed by 35 percent on news sites and less than 30 percent on search engines such as Yahoo and Google.
  • Online viewers said they would watch more TV episodes and full-length movies if more were available. There was less interest in viewing more amateur or user-generated videos, news and sports, according to the survey.

Via Reuters. By Claire Sibonney; Editing by Patricia Reaney.

Importing PC .mov Video Files Into Mac iMovie (without audio and video missing)

It’s the age old problem. You import an MPEG, Quicktime (.mov) or AVI into iMovie, and get a video with no audio. Or the dreaded white screen with working audio. That, of course, plunges you into countless hours of Google searches, flings you into the black hole of forum & help sites, and ultimately convinces you to buy several $20 downloads that don’t work. Then you finally figure it out, but the next time you forget what you did.

Today, after spending $100 on Flip4Mac’s WMV and upgrading to Quicktime Pro, I found the solution in free software from Squared 5. It’s called the MPEG Streamclip. It also allows you to rip videos from YouTube and other video sites (see picture), and save them in a variety of ways.

When I do collaboration videos, I’m often sending large files (using free Pando software or YouSendIt), and the video files usually work fine.

streamclip to convert video files between mac and PCBut sometimes video files present problems because they are muxed (the audio and video are mixed). The odd part is that the clips sometimes play fine on Quicktime but won’t import into iMovie. That’s because iMovie doesn’t support muxed files. So you need to demux the puppies.

First, download and launch MPEG Streamclip, and then open your problem video file. Next, select “File>Demux>Demux to M2V and AIFF.” This may give you a strange video file that still won’t open in Quicktime or iMovie. But at least you can import the audio portion, since AIFF exports separately, and imports as audio to iMovie without problems. To patch up this “Grant Giggles” video built from ancient .mov files, I had to import the videos as Quicktime .mov files, then import the audio separately as AIFFs (which I created in Streamclip). I next locked the audio and video using Apple-L (a nice trick Charles Trippy taught me).

This may not solve all problems because the file extensions “.mov and .mpeg” can be deceiving. There are lots of different CODECs (ways to code them), and some versions are Mac friendly and others aren’t.

Still, Streamclip is free (thanks, guys) and has a lot of different import and export/convert options that I would have thought would come with Quicktime Professional or Flip4Mac’s WMV professional studio (and I have no idea what I just payed $100 for, since WMV can’t solve this, and I’m not quite sure what it does otherwise).

Here’s another site with a buttload of information about file conversions.

Got any better tips for solving PC/Mac or Mac/PC conversion problems? Please comment below!

Addition December 19: Thanks ChristopherMast for pointing out iSquint. If you’re on Mac and want an easy way to rip videos from the web, try Tasty Apps.  Marquis- this is for demuxing your own clips if they’re old (like these, which I captured via MPEG on my digital camera). Also- sometimes you lose a video and have to go rescue it from Revver or something. And finally, when I make videos and want to show a highlight of someone else (usually ask permission if I’m not sure they’ll say yes).

Top Ten Stupidest Moments of Online Video in 2007

It’s time for the first annual WillVideoforFood.com’s Top 10 Stupidest Moments of Online Video in 2007. This list is my first draft, so I invite and encourage moments I’ve no doubt missed.

I haven’t kept a notepad besides my bed all year, and I try to suppress these moments. That said, I did review hundreds of blog entries and perform countless Google searches to compile this starter list. Feel free to use all or parts of this post on your blog or website- link appreciated.

  1. Chris Crocker becomes a viral sensation after this weeping video defending Britney Spears. It gets 13 million views, but Crocker fails to post another video in the three months since. Lesson: It’s not the one-hit wonder, it’s about consistency. To his credit, he’s another video amateur that is “working on a TV show,” he’s been spotted at Social, and he did make Time Magazine’s top 10 list of viral videos.
  2. YouAre.tv gives up, and embarrasses itself while trying to hype its own auction (with a paltry 2,000 visitors per day) on eBay. To add insult to injury, it sends an “exclusive” report to New Tee Vee, but accidentally sends it to The Silicon Valley Insider (who promptly publishes the entire desperate e-mail from You Are Media CEO David K. Dundas). Lesson: Don’t start another video site, and check e-mail when you leak exclusives.
  3. top 10 stupid moments of online videoSneeeer: Techcrunch publishes “The Secret Strategies Behind Many Viral Videos,” which leads to a dramatic backlash among online-video enthusiasts, bloggers and the video community. I parked “ViralVideoVillain.com” for TechCrunch contributing author Michael Ackerman Greenberg. TechCrunch does a “follow up.” Lesson: There are appropriate ways to market your videos, and cheats don’t need a soap box.
  4. Oprah makes her debut on YouTube by taking over the homepage with online-video clichés (dog on skateboard, cats doing tricks), then creating a YouTube channel that looks more like a network PR site. Lesson: Too many for this post. See previous post about what Oprah might have learned.
  5. JewTube launches in the summer, and Google later challenges the name (based on copyright infringement of YouTube). Lesson: Niche sites are smart. But build your own brand.
  6. The Daily Reel dies after morphing from “Entertainment Weekly for online video” to a video podcast series to a video-hosting site to a video-enthusiast community site to a site thats’ now frozen in time like some parts of New Orleans years after Katrina. Lesson: Pick a core competency and stick with it.
  7. ZeFrank killed his popular online-video show in March, just as his fame was developing. He quietly returned to blip.tv recently, but not on his ZeFrank “The Show” page. NewTeeVee writer Chris Albrecht called his return video “anemic” with a “spark missing.” There were rumors of a television deal, and blip.tv issued this press release when he closed The Show. We won’t comment, as we have a documented history of being jealous of ZeFrank (as “caught on tape” with this Dove Evolution parody). Lesson: Stick with what you do well. And I’m not saying there’s a “Famous Amos” thing happening here, but why else wouldn’t ZeFrank populate his show page in addition to blip.tv?
  8. The New York Times calls YouTube “celebrities” hot property. Umm… I’m kinda a big deal on YouTube, but someone show me how the YouTube thing has changed more than a couple lives. Lesson: The “overnight” success of online-video amateurs is a bit exaggerated.
  9. Experts project that television advertising budgets will pour online. Experts project 3/4 of a billion dollars in online video for 2007. Even so, that’s a small portion of the 3-8 billion expected to go into online advertising in total this year. No word yet as to how the year’s shaping up (but eMarketers upped its estimate in August). I didn’t get my share of 3/4 billion, though. Did you? Lesson: Take advertising projections and divide by 10.
  10. Viacom demands YouTube remove all of its content and tries to build an “old media consortium” to compete with YouTube (Viacom, News Corp and NBC ). Writers who are on strike find this move, in hindsight, quite ironic (see recent video by Daily Show writers). Naturally, media executives come to Viacom’s defense. Lesson: as I mentioned in March, that old “the enemy of my enemy is my friend” consortium thing never quite works out (see ComScore reports of online-video share). Still, you can’t blame someone from crying fowl about having their stuff stolen and monetized by someone else online. Unless they’re a writer, of course.

The Daily Reel (TDR) Goes RIP?

I’m always the last guy to realize someone got laid off. Or someone took a new job. Or the company I worked for shut down 6 months ago, which explains the lack of paycheck and the movers trying to box my computer.

The Daily Reel Goes DarkSo it shouldn’t surprise me that months after The Daily Reel (TDR) apparently died, I’m starting to realize it. No message on the company blog. No new headlines on the homepage. Ads promote an event that happened in October. Heck I free, freelanced for them and I don’t remember getting a memo.

Everything just frozen in time like some of the homes in New Orleans even two years after Katrina. Can’t they hire a temp to turn the lights out?

Halfway through this post, I decided to do a Google News search. New TeeVee writer Liz Gannes was a full 5 days ahead of me in noticing TDR’s dormancy.

I have been tracking some of the alumnae, who are diplomatic about their former employer but extatic about their new gigs:

This reminds me a little of a video spoof I did about online video called Chapter11TV (someone has since squatted the domain name, which used to host a fake site).

The major lesson? Know what you want to be when you grow up. TDR, to me, started as an Entertainment Weekly of online video. Then it started hosting video podcasts, which I thought was complementary. What confused me is when the site invited creators to post their own videos (as opposed to using Revver or another provider). Eventually it was trying to become a community for online video enthusiasts, which gave it an identity crisis and made it, to a degree, competition with some of the sites it was covering. Its final act was facilitating a conference in October.

There were some smart folks involved, so I’m guessing the demise was a result of investor impatience and desperation. Sorry for the folks that set up Reeled In accounts at my urging. Want to do a pool for how long before the site has a 404?