Busted. I’ve got 50/50 odds that you’re one of those people that secretly videotapes others. So I don’t want ANY more shit about my prank antics, okay?
Harris Interactive polled more than 2,000 adults and found that 50% of Americans would use a Smart phone to make a secret video (note wording is “would” not “did”). So what would we videotape?
• 23% – people in embarrassing outfits
• 20% – athletes at a sporting event
• 15% – someone tripping/falling
• 10% – sexy waitress at a restaurant
• 9% – shirtless hunk mowing the neighbor’s lawn
• 7% – cheerleaders
• 7% – boss or coworker sneaking a second doughnut
• 6% – disgusting grooming habits
• 5% – couple kissing or making out
• 8%- other
So you’re a parent making an amateur video, and you don’t have a crew. You want to get the best out of the kids, but you know they’ve got the patience and attention of a fruit fly (a trait they inherited from someone). Here are some tips.
In the sample videos, both promotions, my children were generally not delivering their solo lines with their siblings. It’s too hard to keep them all together for more than 10 minutes, and they make each other laugh. So I shoot wide shots first, then take them one-one-one for individual lines. Then I edit longer lines — using “cutaway” shots so you don’t realize the entire line wasn’t read at once. The cutaways allow you to believe the kids are still gathered together.
Here are some other pointers…
• Have all props ready
• Get tripod and lighting together- best if daylight
• Incent kids (but best not to bribe); give them a time limit (15 min)
• Ask if they cam commit to that time (a verbal yes increases odds). I never like to impose or threaten them.
• Shoot all wide shots first (group ones)
• Stay off tripod for tight shots- allows spontaneity and motion shots
• Give them a cue (go!) and ask them to wait one second
• Feed them lines in tone you want delivered
• Break long lines us, and use cutaway
• If they mess up, encourage, keep rolling, do again
• When they get a line right, praise them (avoid fake praise)
• Allow for improv lines and moments
• When shooting individually, get cutaway shots of them looking in direction of other kids (even if they’ve wandered off)
Spontaneity. You can’t script lines like the horse/car and “old fashioned hot dog” lines in the video below. Most of the time my kids provide me better stuff than I could script. If you select “more” you’ll see the script of a video called “Couch Digging.” In this, the kids keep pulling out stranger things from the couch cushions. I’m too wacked on medicine to patiently shoot this right now, and I’m hoping Katie (age 13) will direct it and I can edit it. I know the best lines and shots will be spontaneous like Grant’s lines in Dr. Who below.
Storyboarding. Don’t know, don’t do it. I barely script.
It can be difficult to tell a real from a fake. So let’s empower you with some Consumerist-like tips to help on your next trip to the Apple store:
Look to see how Apple is spelled. If it’s “Apple Storey” or “Apul” it may not be a real store. If it’s spelled “Appple” and the slogan is “leave off the last P for price,” it may be inauthentic.
If the clerk introduces himself as Steve Jobs and he’s Indian, that could be a sign.
Is the store located in the back of a van? Does the seller have a receipt for the merchandise, and claim that Apple headquarters accidentally shipped him an extra? That’s a common sign the store may not be authorized.
Does the sales person claim to have secret insight on Apple’s pipeline? No company keeps more from its retail chain than Apple. If he says he knows about a new iCamera he may be lying.
Is the store using the rainbow Apple? It’s been out of fashion for a few years so that may indicate it’s not an authorized seller… much less an Apple owned store.
Is the store selling Windows software and Android phones? Believe it or not, Apple stores tend to avoid selling competitor software and hardware. That’s a clue.
Finally, is your laptop black like the one featured below? That’s an indicator you may have a counterfeit computer because they’re usually white or silver.
Sure most BlueRay disc players have the ability to stream YouTube and other content. But it’s 2011.
Walk away from anything that requires physical media and, gasp, has moving parts.
Here are 8 plus ways to stream videos from the Interweb to that big-ass monitor your mama calls an HDTV. CNet reviews the collection, and generally comes down with the Roku 2 as the winner above the AppleTV. I have both, and was an AppleTV raving fan who purchased horrific amounts of content I was too lazy to seek out for free. Then the AppleTV started giving me password and synching problems, and the new $99 TV-rental model felt unfair. So both have been paperweights for a few months, but the Roku is still an easy way to stream my all-you-can-eat Netflix movies.
Roku 2 XS 1080 for $99 is a pretty sweet deal (Amazon affiliate links). Easy startup, and there’s plenty of default content in addition to YouTube and Netflix. Seriously that little fabric tag is almost as cute as a Chumby octopus.
AppleTV’s $97 model is decent, but a step backward not forward. Had Jobs stuck around, this might have gotten interesting.
WD-TV Live Plus Western Digital thing. Doesn’t come with wifi built in, which is like sending it out without a friggin’ power cord. CNet liked it, but the readers didn’t.
VeeBeam: Some reviews say it’s easy to install, but it simply provides a wireless delayed stream from your laptop to a TV. Seems like a cheap connector would make more sense. Am I missing something?
A Friggin’ HDMI Cable (from laptop to TV): Finally, if you’re going to tie up your damned laptop, how about connecting a stinkin’ $5 HDMI cable directly from it? I’m not seeing the appeal of choices 6 and 7, when a simple cable does most of the work without lag. Depending on your laptop, you may need an adapter to have it HDMI ready, but remember that HDMI is an HD cord that carries audio and video.
So that’s my modification of the CNet article, but keep in mind that there are other options, ranging from TiVo and your stupid cable-TV box to various videogame players that will achieve much of this (and may be sitting idle in your home).
You can now use Google plus to watch a YouTube video live with friends who are remote. Thanks to SFGate and Business Insider for pointing out this new feature.
Now you and up to 9 viewers can watch a YouTube video spontaneously, and see each other via webcam. Hopefully Google Plus will boost that number, and allow for many more to join even if via text only. It’s kinda like Stickam or Blog.tv but there’s no need for anyone to be interesting. You just need to find a video that’s not boring. Good luck.
Here’s how:
Go to Google Plus (you need an account, and here’s my Nalts profile).
Click the “Share” button on any YouTube video (how about Airport Crawling?).
On the right, click link that says “Start a Google Hangout.”
When window launches, use commands to talk (push the green button) or just watch.
I’m not sure how to invite friends, but maybe they find you from your circle jerks.
Softweigh Multimedia has some detailed tutorials for building some clever video camera gear at nickles on the dollar. Note that what you’re purchasing is not the device, with supply estimates usually in the 10 or 20 dollars. You’re buying instructions.
DIY Lighting Hacks: You know lighting can turn an amateur video into something quasi-pro, but you don’t know that you can make dramatic improvements to your lighting without spending a fortune. Got a coffee can? A milk-bottle jug, or a ? Want to make an affordable light tent to give your photos or video that catalog-like professional look? Check out Darren Rowse’s “DIY Lighting Hacks for Digital Photographers” at Digital Photography School.
[/caption]Bleach Bypass: There’s a very cool video software effect that comes with some editing packages called the “bleach bypass” (also called skipped bleach or silver retention) look that I used in this Fringe parody. It creates bold colors and a really cinematic look. I constantly search how-to videos before applying this effect, and often mistake “bleach bypass” with “bleach bypass” for reasons that are obvious at least to me. Here’s a nice how-to on creating bleach/beach bypass using Final Cut Pro. I typically use Final Cut Express to fetch this effect, but only after I’ve edited the video using my antiquated iMovie 6.
Software You Didn’t Know You Needed:Rocketboom has a post about video-making software that I visit every once in a while to remind myself the name of software that I probably already own but can’t find.
Videomaker’s Forum: Lots of smart vid production die-hards peruse the Videomaker forum (see home, which has search) to provide great answers to the curious. As an example, here’s on about HDSLRs.
Shirtless Apprentice: While this For Your Imagination show was cancelled in 2008, its archive of production tips are somewhat evergreen, and the format is fun and simple.
Many YouTubers and quasi-professional video creators are using traditional SLR cameras as their primary videocamera. Sxephil, for instance, was using a Canon 5D when he showed how he establishes his home studio. Now that the video quality rivals many high-end video cameras, we’re able to enjoy the beautiful effect that decent SLR lenses provide — like that depth-of-field look you see in WheezyWaiter and MysteryGuitarMan videos. Let’s call these HDSLRs.
With help from a variety of sources (Videomaker, Amazon, B&H, PCMag, Cnet and the cameras used by top YouTubers) I’ve compiled some of the winners on this Amazon videocamera store, and it’s an affiliate program that makes me almost nothing except when stalkerofnalts told me he was buying expensive new gear, and let me generate Amazon affiliate links for his products). At least I can provide people with this link when they ask for my advice.
Now back to the poor-man effects. There’s a lot more to professional-looking video than a decent camera, and some of the most important factors are lighting, camera movements, audio and a really good lense. That being said, the latest issue of Videomaker (Sept. 2011) has an article by Kyle Cassidy titled “Home Grown Video Gear.” The same author wrote a nice piece last year titled “Making Your Video Look More Like Film.” The top-three tips are thanks to Kyle.
Now the Top-10 Creative Budget DIY (do it yourself) Production Tips and Tricks to Create Film-Like Special Effects
1. Very Steady Car Tripod Using Bag of Rice: I do a lot of video vlogs, and I find a bunched-up shirt works as well as any fancy device. It keeps the camera from sliding and falling over, and it’s also easy to adjust (just scrunch more shirt under the front to tilt the camera up). Kyle’s technique is even better. A bag of rice! Isn’t that brilliant? It’s easy to adjust, can work well on the window to keep your camera steady on a zoom, and it might even buffer some of the shake from the car.
2. Underwater Housing With Partially-Immersed Fish Tank: Turn your existing camera into an underwater one without the fancy, cost-prohibitive custom-housings. Simply use a small fish tank that’s partially immersed in the water. Now you’ve got the ability to adjust the camera (focus, zoom, turn on and off) and it stays dry. Brilliant! Kyle suggests covering it with a towel to avoid flashes, and I’d recommend putting it on top of something like that rice bag below it. Then if a careless move causes the tank to go under, you’ve got the camera away before the tank fills.
3. Jib or Crane Shot Using Telescoping Painter’s Pole. I’ve used a pool net to produce a camera-in-sky and sweeping horizontal “crane” effect (see a 5-year-old flying Charlie in Super Baby). Brushing the camera above and through branches provides a breezy feel. I also mounted the video camera on a flag pole for Google Maps Butt crack (approaching 1 million views). I even attached a Flipcam to a bunch of helium balloons (see video, and behind-the-scenes). This would have been a lot easier once I purchased my super-light car-key hidden camera, but the quality is rather poor. But Kyle suggests a telescoping painter’s pole, which range from $5 to $90 for a telescoping one (see Home Depot). I just picked up this inexpensive telescoping pole from Amazon for $20 and change (free shipping since I’m on Prime). While on a motorcycle, we got some nice footage using a tripod as a crane.
4. Hello, Do-It-Yourself Dolly: A gently moving horizontal-slide of a camera (slider, dolly) can create a powerful effect (see example), especially when there are objects near and far to show perspective. While drooling over the $800 Cinevate Atlas 10 FLT, I went about searching for homemade Dolly tracks. I once bought a steadicam that worked pretty well, and was constructed with weights and plumbing equipment. Courtesy of LifeHacker, I found a guy with a how-to video on Veoh where J.G. Pasterjack created a dolly with skateboard wheels, and it can run on a flat surface or along a 2-by-4 board. Knowing I’d burn too much time and probably screw it up, I asked to be on his waiting list. He’s since created MoveYourCameraCheap.com, and is having trouble keeping up with demand on eBay.
5. Disappear or Defy Gravity With Wall-Decorated Floor: Your floor makes a good wall, can give the effect that people, objects or pets are climbing on the wall. See “lovey” the kitten crawling up a door, which was laid on the ground. This 2006 “Gravity Wall” video with my kids is a bit more obvious. To disappear, a) mount a camera perfectly still on a tripod or surface, b) simply shoot the background/setting alone and be sure lighting doesn’t change noticeably, c) videotape yourself (or person/object you wish to vanish), then d) use a “dissolve” effect when editing between the two clips (which diminishes subtle changes in the video). For instance, I provided a shock ending that made it look like a garbage truck ran over me inside a garbage can — seen in this fairly popolar “Garbage Can Prank” video. I used it in one of my first kid videos (Katie turned invisible in this video shot maybe 5 years ago and uploaded in April) and more recently in this Dr. Who sponsored video, with some added glow via Iggy35.
6. Poor-Man’s Green Screen: Green screen allows you to replace a plain green background with a video or photo of your choosing. There are two ways to create a cheap green screen. First, you can use green posters or a dollar-store plastic table cloth. Second, you can use a painted wall that’s close to green. Most video-editing software with “green screen” functionality can “knock out” a background even if it’s not pure green. You just want to: a) ensure that you’re not wearing any colors that are close, b) light the wall separately to avoid shadows, and c) avoid wrinkles or seams that will invariably catch shadows. I have a cloth green screen, but that’s because I use green-screen to make it appear that I fall down steps. Cloth is critical to that effect.
7. Clone Yourself With Matte Effect: The Matte effect, where you overlay a portion of one video over another, is somewhat painstaking. But it can give you the ability to hire the cheapest support cast you’ll find: yourself. Here I cloned myself by shooting two scenes of myself and overlaying the clean Nalts over a video of my clone surfacing from mud. It’s something that requires a higher-end editing tool like Final Cut Express… but worth it.
8. Get Nutty and Grosse: If you’re not inclined to use special-effect software, here are some how-to homemade special effects that require little knowledge or effort (MightyCouch). The knife-tossing how-to is especially good, and you can even simulate the knife landing precariously by tying it into a string and pulling it away… then playing that clip backwards. Here’s a how-to video that shows more gory special effect tricks, including a bloody explosion using a condom full of fake blood.
9. Sundry Techniques for Leveling Camera, Hiding Wires & Creating Soft Effect: Kipkay is a prolific video creator that shares many of his production tricks and hacks, and this rapid fire “volume one” video is loaded with clever Magiver-like techniques. KipKay’s second Howcast video provides some less sexy but handy tips — such as using bread clips to mark cables.
10. Set your HDSLR to Resemble Film: Lastly and most importantly, there are a load of ways to get your HDSLR to give you a film-like quality… there’s even a book devoted to the subject (DSLR Cinema), which is on my wishlist. I’ve embedded a fantastic instructional video by Drumat5280 who has other videos like “DSLR settings.” He jokes that he’s an expert because he and his wife watch videos weekly. The important items include avoiding zoom, setting your camera to highest resolution (1080i) or higher, mic carefully, and set camera to 24 frames per second (which creates the film look and smaller file size). He encourages you to use a “shallow depth of field” which encourages viewer to focus on that which your camera focuses. VideoUniversity has a nice piece on little nuggets like avoiding auto-white balance and any setting that is called an “enhancement” (which is almost as bad as the cursed “digital zooms,” which pixelate the video by cropping only a portion of the screen). And Techwaffle has a how-to video that shows you how to auto-focus and use your computer to control your camera (at least with the Canon 5D).
What’d a miss? Any tips you’ve learned and are willing to share? Even little things help — like how to use a laptop as a tele-prompt (something discussed in the valuable Videomaker forum). Finally, I’d be remiss not to mention Film Riot, a Revision3 show that is loaded with amateur-ready tips that produce very cool and otherwise-costly effects. Check it out.
If you’re already a member of Amazon Prime (free trial here) or Netflix (free trial here), you’ll get better use out of these limited but generous “all you can eat” video collections, although some devices (Wii, Xbox) allow you to search Netflix’s entire collection instead of just your manually populated “Instant Que.” I have just about every web-to-TV box available, and Roku’s my favorite. I use TiVo most often, because it’s my bedroom replacement to Verizon’s crappy Motorla units. And if I’m on a YouTube binge, I do like the simplicity of AppleTV.
Roku wins because it’s incredibly easy to navigate, and the remote is as simple as AppleTV with barely any buttons. I also admit to digging the new fabric tag that pokes out the remote, making it even more unique.
If you’re overwhelmed by the steps required to starting on these devices, here’s the dealeo. In most cases (Hulu as an exception) you don’t even need to pay a monthly fee for additional content, like the library of Revision3 channels.
The idiot’s guide to getting started on web-TV for $99 and about 5 minutes of your precious time.
Plug in an ethernet cord from your modem or router (or use one of these wireless internet adapters, which sends internet via electricity).
Connect the Roku to your television via those red, white yellow cords or the fat one called an HDMI cable (audio and video)
Turn on Roku and follow brief instructions
Gorge on free content, and if you have Roku or Amazon, simply generate an approval code then tap that into your account to verify the box is yours and not some nosey neighbor pouching your account.
Write me and tell me how I’ve opened your eyes to the impossible.
I’ve written plenty about how to become a YouTube star (see free eBook v2 and “Beyond Viral“), but today’s post is the first of a series about the persistence of some top YouTube talent. It’s one thing to break through the clutter and develop a following, but quite another thing to maintain it… the latter takes consistency, adaptability, time, ability to spot trends, endurance, patience, loads of work, and thick skin.
Yesterday I sent a note to about 20 top YouTube stars… focusing mostly on the independent acts who didn’t have a large fan base until YouTube (that excluded offline “real” stars, musicians, and production companies). If you’re interested in my e-mail to them, select “more” below.
The key question I asked them is simply, “what keeps you going.”
Now I’d like to share 3 of the early responses (part 1 of a series), and ask you WillVideoForFood readers the same question in a different way. What do YOU think separates the leading YouTube creators from the rest of us? Is it talent, consistency, interaction with fan base, variety, adaptability, omni-presence? Or is the underlying currency, as Producer Fred Seibert observed to me, “narcissism”? I don’t think Fred meant that word to carry the negative baggage, rather he presented it as a base characteristic of enduring entertainers… it’s what allows them to overcome the many barriers and exert uncompromising effort.
“What keeps me going? Simple, passion!! I am an actress, and I get to cast myself and play whatever role I want. My creativity is not dependent on knowing the right person, being at the right place at the right time, I am in control of my destiny. You have to stay positive and keep the passion that you had when you first started making videos. Being on Youtube is like being in a relationship, you have to put work into maintaining it and keeping your interest. You hit patches where you are like “Uhhhh what video should I do next.” Most of the time I have some crazy idea, but if I have to do something last minute because I have had a busy week, I do it last minute. I am determined to have a new video every Saturday and Sunday, if it means me staying up all night that is what I’ll do! Numbers shouldn’t matter, Youtube is always changing and things will go up and down. You have to do it foryou. At the end of the day, did you like the video? Are you happy with it? That is all that matters!
Thanks for asking! I think the reason is three-fold, and in no particular order. The first reason is that once web video became our primary source of income (and I’m talking almost ALL of our income from 2007-2010), we developed a business model based on fairly consistent content. So our time and energy were all focused on making videos.
The second reason is that we keep having new ideas. We keep coming up with stuff that we want to create. A related reason is that our success isn’t based on one genre. We’ve tried a lot, and a fair amount has worked. The last reason is the fact that there are two of us. We are much less likely to quit because we can motivate one another. Thanks! -Rhett
Hey man!! Hows it going on your end?! Ive been watching your unclenalts videos and I am like “dude, when did the kids get so old!!” insane! (your fam is the original tards! haha). What keeps me going? Yah, you kind of nailed it with your points but I think there are a few reasons that keep me motivated.
I’d say the community plays a HUGE part – just when I get discouraged or frustrated I go back and read the comments and it seems to pop me back in place, you know? I also think about the future and I love the fact that i’ll have these videos/days documented. We’ve been lucky enough to pretty much film Alli and I’s entire relationship (we started like 5 monthsor less after dating) so to have that means a lot to us. Also, I don’t want to say it’s really motivation but the fact that Youtube/Google pays it’s creators keeps me motivated because I can invest all of my time in it and still make a life for myself and my family 🙂 Don’t get me wrong, it’s not easy I know you posted daily (sometimes twice) for a very long time so I know you can relate. I think above all the community is the #1 source of encouragement and motivation for me…. -Charles Trippy
Coming soon: Responses I’ve already received from YouTube’s most-subscribed: WheezyWaiter, Michael Buckley, VenetianPrincess, Hank Green, KipKay, Edbassmaster.
To see my note to these peeps, click more. And don’t forget to comment yourself: what do YOU think it takes?
Here’s a nice video montage about handling stress as teenagers… by GodRox and YouthQuestions. A ten-minute clip that reminds us of all the things we know but forget. I’m in there, but Ruth’s accent takes the cake.
Says the description: “Stress is something we all deal with, probably throughout most of our lives. Learning to handle it appropriately at a young age is very important. While you’re a teenager, there’s pressure from school, parents, friends, and work that can stress you out. When you grow up, a lot of those same things can continue to be stressful.”