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Top YouTube Stars Convene “The Station”: A Modern Brat Pack & YouTube YouTopia?

The Station

It’s the hottest thing on YouTube since Susan Boyle did the “Evolution of Dance.” But you won’t find it covered on television, there’s no press release, and virtually no online or print articles written about it.

A collection of YouTube “stars” have joined forces on a single channel (thestation), and it was almost instantly propelled it to one of YouTube’s most-subscribed channels… even before it had a single video posted. TheStation, now one of the 25 most-subscribed channels, was  parked in June, 2006. But the activity began in mid July 2009 (see TheStation’s Twitter account), when the individual stars began to promote the TheStation on their own channels.

TheStation’s debut video was posted July 21, 2009 (a zombie teaser). Here’s the Zombie debut (see on YouTube), and above (see video box) is a cleaner version with synched audio). Zombie’s sell, of course….

That tells us TheStation isn’t just a creative consortium but a potential online-video marketing machine. In fact, TheStation is shaping up to be an online-video version of the “brat pack.”

“Stars” include Shane Dawson (ShaneDawsonTV), PhillyD (sxephil), and DaveDays — three of the most-subscribed YouTubers. ShayCarl, one of the fastest-rising YouTube creators, moved his family to Venice Beach, California earlier in 2009… living just blocks from Donovan.

LisaNova (Lisa Donovan) and “Danny Diamond” (thediamondfactory, aka “Dan Zappin”) are the hubs at the center of the spokes (see “Zappin Productions“). The long-time duo are romantic partners or business colleagues depending on your source (although LisaNova is to DaveDays as Demi Moore to Ashton Kutcher).

Girls2Watch reports that the business behind TheStation is “Maker Studios,” with a goal to make “create quality consistent programming with their core talent which will attract both a huge online audience as well as advertisers who want to get into the Youtube space.” (via BuckNews). No sign of a Maker Studios, LLC., but Donovan’s listed as the agent for Zappin (California Secretary of State).

TheStation YouTube StarsDonovan and Diamond have loaned their apartments to various online-video weblerities, assembling what I like to call a “YouTube YouTopia” in Venice Beach. Davedays moved from Pennsylvania to California (despite my parental-like caution), and has been offering his musical talent to the motley crew. DaveDays is best known for his Barbie video, and collection of Miley Cyrus homages). Sxephil, also known as Philip DeFranco, moved from Atlanta this summer to join the gang in Venice Beach (with help from friend ShayCarl).

The channel has been getting positive reactions to its first 9 videos, and maintains a better view-per-subscriber ratio than the stars themselves. This ratio (recent view-counts divided by total subscribers to the channel) is a YouTube sign of health. Of course there’s a recency bias, where new channels have healthier rankings because its subscribers are active or new… as opposed to those subscribers from abandoned accounts. TubeMogul reports that the group surpassed Michael Jackson’s collection. Initial videos were designed to appeal to existing fans of the individuals (see NewTeeVee article), packed with inside jokes. iJustine’s death is a rofler… click this link to watch her get eaten by Zombies.

Where’s this going? Now we’re in speculation mode. For starters, it’s clearly a smart creative and professional move for the individuals… especially the lesser known stars who now win by association. The “combo-pack” performance model has proven to work in comedy, music and film (Oceans 11)… so why not web?

I asked Diamond/Zappin his vision for TheStation while visiting Venice Beach this summer, and he was somewhat vague or abstract. Initially, it’s about pooling creative talent and gaing efficiencies from production… a web studio approach (ala Next New Network or Revision3) but with already popular stars and shows. We’ll see TheStation lure brands (hungry for its eyeballs) to finance the operations (Diamond has helped LisaNova and others secure marketing sponsorships), which means it’s more than a creative collaboration.

The station, however, will face four non-trivial challenges:

  1. Collective YouTube channels are difficult to maintain. Shane Dawson is reportedly already backing off. When the initial honeymoon period passes,  collective efforts (from 5awesomegirls, guys and gays to 7awesomekids) struggle to keep the channels vibrant. The geographic proximity of TheStation will help, but many of its stars owe their success to being a “one-man band,” and may have difficulty adapting to an ensemble. Bambamkaboosh, a collaboration between Sxephil and Shaycarl, rocketed to most-subscribed, but has languished. Donovan lasted just four weeks on MadTV. (thought I thought she was pretty darn funny in this Ellen Degeneres MadTv skit).
  2. Some YouTube “stars” lack acting chops. Some are successful at “vlogging” to their audiences, some can sing, but not all YouTube stars can act in a sketch comedy. Sxephil had mixed reviews on his performance on HBOLab’s “Hooking Up,” but certainly carried his weight in “Porn Star.”  We’ll let you be the judge of who can act in this TheStation debut video. I’ll just say it ranges from awesome funny to awkward. Likewise, LisaNova is probably one of the best sketch comedians on YouTube (this is one of my all-time favorite video here with her as “Ashley Moorehouse” in Orange County — co-stared by Jenna Elfman, of “Accidentally on Purpose”)… but Donovan didn’t last long as a vlogger. They’re different art forms, if you don’t mind me calling them that. Check out this chair-fall by YouTube’s Daxflame (once a most-subscribed channel, but somewhat dormant of late).
  3. Money introduces conflict. As the YouTube advertising revenue and other marketing sponsorships draw potential profit to TheStation, the individuals will struggle to ensure revenue is shared appropriately (which is arbitrary at best). The bigger stars may have difficulty balancing the full-time job of maintaining their own channels (with some enjoying 6-figure incomes) and the time they contribute to TheStation, which will provide them with less direct financial return for their time. What the group lacks in business-management experience, however, it makes up for in creative talent, new-marketing prowess and energy.
  4. Holier than tho? The stars run the risk of being perceived by the community as “elitist” (see this whining vlog as example). Although to be fair, members of this team have a history of brilliantly satirizing elitist behavior on YouTube (see this satire of AsOne, where Diamond spoof Sxephil’s appearance in an SMPFilms promotion of Philadelphia “AsOne” event that never occurred). And hey- it’s all “water under the bridge,” because TheStation folks all hit SMPFilm’s wedding last week. Congratulations, Cory. This post counts as my wedding gift.

Cautions aside, the people involved with TheStation have rare knowledge on how to grow and keep an online audience. They’ll benefit by sharing each other’s audiences, and from the creative chemistry that may develop in their YouTube YouTopia. And it’s a guilty pleasure, but I’ll admit I really like some of the writing and acting in this debut video. And check out this funny DaveDays music-video with a cameo by CharlesTrippy. Good stuff. Even better: the out takes and behind the scenes… available on TheStation2.

Even with some inevitable creative and financial feuding ahead, The Station ensemble is proving that the whole is indeed bigger than the sum of (most of) its parts.

No seriously. Click here to watch iJustine get killed again. How can you not crack up at that. Hey- no bashing from iJustine fans. I’m among you.

“YouTubes In the Crowd” May Go to Googles at the Internets

I’m so glad that CarriBugbee shared this on The Twitter.

Here’s a video clip  that sets things straight about the Internets and technology vernacular.

Rachel Maddow’s correspondent Kent Jones shows how Montana Senator Max Bacchus referred to lots of “YouTubes in the Crowd.” A double whammy because he pluralized YouTubes, and presumably was thinking not about the website but the “motion-picture devices” recording things. You know those talkee recordings have sound now?

Visit msnbc.com for Breaking News, World News, and News about the Economy

Appear Better Informed About Darfur in 3 Minutes: The Onion Makes Me Cry

Darfur. We both know how serious it is, but we’re not sure exactly why or where it is.

The Onion (helping you seem more informed”) has produced this fantastic parody of news analysis. It’s called “How Can We Let Darfur Know How Much We’re Doing For Them.”

picture-10.pngI’ve never laughed as much in preparing a post for this silly blog- in fact cried laughing (to use a bad pun). The Onion, I hope you know, is a website/print publication that has made the single finest transition to online-video content. The Onion News Network is as well written as the website I used to eagerly anticipate each Wednesday (in fact, it was literally the only website besides Google that I checked routinely in the early part of this century). But the acting is what cinches this. The acting is better than amateur online-video content, and most of television.

Watch each of these actors and realize how easy it is to believe that they’re real analysts and you’re not supposed to be laughing- the cadence, the off-camera glances, the “pile on” comments, and the timing. Folks if you’re watching, I’d kill for a cameo. No charge, and I’ll get their with 24-hours notice. 

The onion logoAccording to Wikipedia, (but watch out because The Onion reminds us Wikipedia is prone to error), The Onion launched The Onion News Network, a daily web video broadcast that had been in production since mid-2006. An early story featured an illegal immigrant taking an executive’s $800,000 a year job for $600,000 a year. The Onion has reportedly invested about $1 million in the production and has hired 15 new staffers to focus on the production of this video broadcast.[11] Carol Kolb, former editor-in-chief of The Onion, is the head writer.

In a Wikinews interview in November 2007, Onion President Sean Mills said the ONN has been a huge hit.

“We get over a million downloads a week, which makes it one of the more successful produced-for-the-Internet videos,” said Mills. “If we’re not the most successful, we’re one of the most.”

TheOnion has a YouTube account (with an atypical banner that allows viewers to drop directly into its podcasts, website or RSS) since March 2006, but its videos are all relatively new to YouTube (past several months). As of this post, I have about 35,000 subscribers on YouTube, and The Onion has about 13,000. I’m willing to bet that the network has twice as many subscribers as me by the summer.

I’ve often said that quasi professional content is on the rise, but this isn’t fair to call “quasi.” The only reason this content isn’t a better version of SNL is because there’s not enough of it, and perhaps it appeals to a smaller segment of the SNL audience with primarily news parody. Then again- it works for Jon Stewart.

See: FDA recalls pot pies because they’re hungry and the plight of lost hikers.

Yes, Jenna. There is a YouTube.

Jenna from YouTube asks the questions (in the comments from a recent post). The humble viral video genius gives the answers…

Hey Nalts, I have some questions about the history of video blogging and the history of Nalts (you).

  1. Did the guys who made YouTube intend for it to be used as a video blogging site? Chad and Stephen created YouTube in the requisite “Internet startup garage” because they saw a need for simple sharing of videos (instead of e-mailing large attachments). Vlogging came later. Those two don’t even vlog, at least publicly.
  2. Have you ever been to a YouTube gathering? Are you kidding, Jenna? Those are like Star Trek conferences. Never.
  3. What do you think are the genre antecedents to video blogging? Do you think it came out of reality TV? Actually I think it’s “anti reality TV.” People were sick of manufactured reality, and entranced by the notion of real people interacting with audiences in an almost real-time setting. The early vloggers were stars who weren’t.
  4. Can you write a post where you watch your first two videos and then your last two videos and reflect on how your style has changed and why? Wow. First time I’ve thought about that. Initially I was just posting goofy stuff with the kids like “Scary Santa.” The kinda thing that might end up on America’s Funniest Video. The second was “Gum Tree,” which was more carefully edited and still makes me smile. A bit later came “Speed Racer,” which might be worth a sequel now that the movie is coming out! My most recent video, “Rusty’s Song” was more crafted for spreading (nostalgia, cultural references, cute dog, annoying song). The most recent popular video I’ve done was a parody on Mac Air’s commercial, and it did fairly well (about 400K views on YouTube alone) for a video that was never featured. Maybe I’m trying to hard now.
  5. Where do you live? Between NYC and Philadelphia. But I’m from New Orleans and we still have a family place in Sweet Alabama.
  6. Do you use StickAm? I tried to use it but I don’t understand how to do it. I have used it, but I can’t take it except in short doses and usually when I’ve had a few drinks. It’s hard to get used to… check out my “Stickam is Crack” video and the responses for some thoughts.

P.S. In business school (Babson) we studied in Prague with some people from Millsaps College in Mississippi, where your profile says you attend. That made me laugh because there was a guy from Millsaps that used to say the name of his school with the funniest Southern accent. And one of my classmates (who died a few years later of cystic fibrosis) did a belly aching impersonation of him… “I’m doin’ some indeeepdendent reeesurch for meeeel ssshaaapps” he’d say. You hadda be there.

“The Industry Standard” of Online Video RIP: The Daily Reel

The Daily Reel’s chroniclesWell I think The Daily Reel has finally flatlined. For a while, it was old news and old ads. Now I can’t get a signal. A moment of silence for the website that was The Industry Standard of Online Video. Well at least some of its daily videos still exist, even if the last one was October 20.

Based on this Google News Archive, one might say it “jumped the shark” September last year, so it’s probably best that we bury the body before it begins to smell.

The Thrill of Fake YouTube Battles: What The Buck vs. Nalts

whatthenaltsprofilepic.jpgI learned some time ago that online video viewers aren’t the most discerning bunch. When Charles Trippy and I created a fake feud, many viewers fell “hook, line and sinker” for the drama (in which we pretended to give out each other’s cell phone numbers, which were actually numbers to the “rejection hotline.”) Here’s my video and here’s his, and the responses and comments will show how vigilant the “fans” of one YouTuber get to protect the honor of their weblebrity (here’s one example). We thought people would be more skeptical, and eventually I had to to this satire spoofing his overzealous fans. Trippy also came clean, and he’s since updated his video title to reveal the joke.

whatthenaltsbannersmall.jpgHistory repeats itself this week. Recently I decided to claim that I’m the writer behind the popular What The Buck Show. It began with some banners, and I’d like to thank Gage Skidmore (the creator of the Nalts logo) for his recent banner collection displayed here (He’s also created a delightful Nalts cartoon you can see by selecting “more below,” although I look a bit doughy if I’m keeping it real).

what the buck michael buckleyYesterday evening my e-mail starting filling with hate mail. It seems Michael Buckley, one of the most popular YouTubers, posted a dramatic video on his Peron75 channel that chastises me for lying. It’s rather convincing, and Michael has a knack for Tammy Fay-like tears. I must confess there was part of me that thought he was serious. His fans not only believed he was upset by me, but many sent horrid comments, videos and e-mail that urge me to die.

Nothing I haven’t seen before. It’s the price of being one of YouTube’s most annoying creators ™. Nonetheless, here’s my spoof response, where I take fake claim to scripting his fake video attack. We’ll see if Michael is compelled to “clear the air” in his What The Buck blog, but frankly I prefer the confusion. Who wouldn’t rather be despised than forgotten?

So what have we learned here? Don’t believe it when YouTubers pretend to feud. It’s all part of promotional drama, and clearly another example of how far some YouTubers will go to hitch their star to my wagon.

wtb-nalts-banner.jpg Continue reading The Thrill of Fake YouTube Battles: What The Buck vs. Nalts

The Daily Reel (TDR) Goes RIP?

I’m always the last guy to realize someone got laid off. Or someone took a new job. Or the company I worked for shut down 6 months ago, which explains the lack of paycheck and the movers trying to box my computer.

The Daily Reel Goes DarkSo it shouldn’t surprise me that months after The Daily Reel (TDR) apparently died, I’m starting to realize it. No message on the company blog. No new headlines on the homepage. Ads promote an event that happened in October. Heck I free, freelanced for them and I don’t remember getting a memo.

Everything just frozen in time like some of the homes in New Orleans even two years after Katrina. Can’t they hire a temp to turn the lights out?

Halfway through this post, I decided to do a Google News search. New TeeVee writer Liz Gannes was a full 5 days ahead of me in noticing TDR’s dormancy.

I have been tracking some of the alumnae, who are diplomatic about their former employer but extatic about their new gigs:

This reminds me a little of a video spoof I did about online video called Chapter11TV (someone has since squatted the domain name, which used to host a fake site).

The major lesson? Know what you want to be when you grow up. TDR, to me, started as an Entertainment Weekly of online video. Then it started hosting video podcasts, which I thought was complementary. What confused me is when the site invited creators to post their own videos (as opposed to using Revver or another provider). Eventually it was trying to become a community for online video enthusiasts, which gave it an identity crisis and made it, to a degree, competition with some of the sites it was covering. Its final act was facilitating a conference in October.

There were some smart folks involved, so I’m guessing the demise was a result of investor impatience and desperation. Sorry for the folks that set up Reeled In accounts at my urging. Want to do a pool for how long before the site has a 404?