Tag Archives: success

More Tips on YouTube Marathon

What’s it take to sustain as a YouTube weblebrity? Going viral is a sprint, but staying vibrant is a marathon.

  1. In part one we heard from BrittaniLouiseTaylor about passion, RhettandLink about the power of two, and CharlesTrippy about community.
  2. In part two we heard from Michael Buckley, VenetianPrincess, MysteryGuitarman and Happyslip.
Hank Green, with his brother John, are the Vlogbrothers and more.

As VidCon2011 approaches, it’s time for some thoughts from Hank Green, one of the event’s founders… inspired by something beyond the fame and money, the Green brothers have sustained long beyond their 15 minutes.

Says Hank: “I actually just wrote an article on motivation and success. I think everyone is motivated by different things, but the trick is actually believing in it, either because you think a little more money, a little more fame, a little more recognition really will make you a happier / more satisfied / more important person.

I’ve had different motivations throughout the process, from getting views to getting subscribers, to being recognized by other youtubers, to being recognized by YouTube, to feeling obligated to our community, to feeling like we actually have an opportunity to do good things, to feeling like we have an opportunity to do big things, to actually believing in what we do as a force for cultural change.

All of those things motivate in different ways and they all overlap. I we didn’t have all of them, I don’t know if we could do it.

Only because we have all of those different bits of motivation, it doesn’t seem like a big deal to spend eight hours a day developing ideas for videos, interacting with our community, or whatever else we’re up to at the moment. I pour pretty much all of my creative juices into our videos now (or on projects that relate to our videos.) And that’s only OK because I actually believe in it. If I didn’t have all of those various sources of motivation, I’d go get a real job.”

Hank, my friend… you do have a real job.

How to Be Popular on Facebook

Trying to become more popular on Facebook, or promote your Facebook channel, brand or page?

This short “how-to” instructional video contains everything you need to know about having a robust, quality base of friends on Facebook and other forms of social media. It was created by the accomplished author of “The Stupidest Article on Social Media Ever” so you know it’s advice worth following.

The trick here is to be totally transparent about your intent (to make loads of friends), yet not appear desperate. Appearing desperate in social media, my friends, is a turn-off. Hold your head up high, and people will be attracted to your charisma, leadership and wisdom.

Done watching? Get your ass over to Facebook and “like” this damned page, then send a friend request to Kevin “Nalts” Nalty because there’s a friggin’ cap at 5,000.

Why Web Stars Can’t Act, and Why It Doesn’t Matter

A recent HBOLabs series titled “Hooking Up” has surprised people in two ways: those who expected TV/film-like acting performances from web stars have been disappointed. Those who expected another web series to be ignored were wrong.The show has had nearly 50K subscribers, and hundreds of thousands of views per episode (less for the vlogs).

So this proved that a web series that accesses the fame of known creators in 2008 and 2009 will draw larger audiences than with trained actors. Indeed by TV/film standards, web stars shouldn’t even be called actors.

Each medium creates its own stars… and some survive the transition from stage to radio to television to film and now internet video. But Hooking Up is a reminder of two indisputable facts about web stars:

  1. We are not the world’s finest script actors.
  2. We can (even me sometimes) attract sizable audiences (especially by web video standards).

The series would have floundered like many others had it not tapped into the vibrant audiences of its top stars. Kids that would watch Ishtar 2 as longs as KevJumba and LonelyGirl15 were in it.

Let this be a reminder that to be a popular video creator, there are a number of skillsets required that are far more diverse than acting. If a video creator is brilliant at a few, but lacks a balance, than he/she has far less odds of success than the one with decent skills across the board.

  1. Ability to connect with the audience as if each viewer is a friend.
  2. A unique and interesting approach to videos.
  3. Good looks (I make up in other areas).
  4. The commitment to interact with the audience in comments and e-mails.
  5. Editing skills. I have the power to turn horrendous acting into B-movie acting via this alone.
  6. Street smarts on what audiences want. This means watching a lot of video.
  7. Low costs. Big productions bleed.
  8. Acting.
  9. Self promotion and networking (among creators and industry folks).
  10. Most importantly, unwavering persistence,  thick skin, and the ability to reenvent.

I’ll bet on a web personality that has most of these, and can’t act before a brilliant actor that’s too shy to interact with other creators or audiences.

Here’s what’s interesting, though. I believe these requirements will change as larger players enter the arena. Remember 2 years ago you just had to be an interesting vlogger that caught the attention of a popular vlogger. So the rules are changing.

2009 will still require all of these skills, but in years ahead we may well see that larger productions will find these skills in a few people, allowing the “best in breed” instead of the “full service personality.”

Confidentially (which is why I’m only telling the 19 of you that read this blog) I didn’t care much for my own acting on Hooking Up, but I have two things that saved me. My appearance on The Retarded Policeman (which is Emmy-Award winning) and the fact that some of the Hooking Up acting was so bad I’m Shakespearean by contrast.

How Much is that Viral Video in the Window?

(This is a guest column by Erik Bratt, director of marketing communications for ProQuo. ProQuo helps consumers eliminate junk mail, and recently hired xlntads.com.

(a new-media promotion firm with whom I work occasionally) to solicit quality video entries that help ProQuo describe its value proposition in unique and entertaining ways.

Can you really buy a viral video?

by Erik Bratt, ProQuot
Conventional wisdom says no. By its very definition, a viral video is something that can’t be bought or made, forced or manipulated. A viral video – a viral anything – just ‘happens,’ striking some type of cultural nerve that prompts people to send it around.

Levi’s ad, levi ads doing model flips featuring male models doing back-flips (literally) into their jeans. The video, which racked nearly 4 million views on YouTube alone last time I checked, never mentions Levi by name, but it wasn’t hard to guess the driving force (Male models? Jeans?). I offer a more modest case in point: Our own video contest. Eager to spread the word about our service for stopping junk mail and managing catalogs (plug: www.proquo.com), we decided to launch a viral video contest earlier this spring in hopes of creating momentum for our free offering.

To get this done, we partnered with XLNTAds.com, a Philadelphia-based company that facilitates a community of 5,000 eager and talented semi-professional videographers. This was our first good decision. XLNTAds.com knows how to run a contest, and their members are fired up about creating great content. We were also fortune to have great subject matter – who can’t work with junk mail as topic? The contest rules were simple: keep it clean, make it funny, and focus on junk mail, not ProQuo. Because we are not as big of a brand as Levi, we also asked that they at least include our URL somewhere in their video.

The carrot? $1,500 for each of the top 10 videos. The contest “assignment” was posted on April 1. One month later we had more than 160 entries. Deciding on the top 10 videos was not easy, requiring several viewing sessions and at least one company viewing party (with blind voting). We finally picked our 10 winners and created a special page for visitors to interact with them: www.proquo.com/videocontest.

So, we had our funny videos, but what about the viral part? Instead of scrambling to post these videos ourselves, or buying space on different networks, we worked with XLNTAds.com to provide incentives to the winning creators to ‘viral-ize’ the videos on their own. We offered a tiered award structure for the creators who had the most number of views across multiple video platforms.

For the money, this was our second good decision.

We’ve been pleasantly surprised at the number of places our videos have popped up – on dozens of different video platforms, in blogs, and on web sites. At last count, we had more than 160K views on just those 10 videos (many of the runner-ups also got posted). We never could have achieved that many views on our own without paying for placements

So did we succeed in creating or buying a viral video? Not really.

We didn’t get on the front of YouTube (which requires at least 50K views) or any other video platform. We didn’t pop up in tens of thousands of emails within the span of few days saying, ‘dude, check this video out!”

What we did accomplish was to generate a large number of video views, as well as traffic and registrations to our site (made trackable from URLs placed high up in some of the video descriptions). We also provided entertaining content for our site visitors and registered users, whom we encouraged to help rate the videos

Another bonus was our engagement with the videographers themselves. We were touched by the effort that so many people and their friends put into the videos. In the end, that type of engagement and goodwill may be worth more than any viral video.

Editorial note (back to Nalts): This is a good case study, and shows a few key points: 

  • ProQuo could have tried doing this itself, but it would have been far more expensive and out of its core competency.
  • The value to ProQuo is being assessed comprehensively- as opposed to the views and clicks.
  • By leveraging xlntads creators with built audiences, Proquo had a way to reach far more potential consumers than they could have ever reached on its own.
  • Finally- with time, someone searching Proquo will find these creative executions instead of a video blog by someone who wasn’t keen on the offering. So for search engines alone, it might be justified.

Thanks, Erik, for sharing your story!

Three Golden Rules of Online-Video Creation

Nalts is Moses (not God)For years I’ve written countless words about “do this” and “don’t do this” related to online video creation. Some of this applies to amateurs or pros, and some to advertisers and brands. Today’s advice pertains to three “Golden Rules”, and it’s important for all of us- but especially creators.

Let’s look at the Three Biggest Mistakes made by online video creators (and that does include “viral campaigns”):

  1. Emphasizing quality over cost.
  2. Believing good content will get seen.
  3. Caring about what the audience thinks.

Now you skeptics just mentally formulated the three following counterpoints while reading the Big 3 Mistakes above. I’m right, aren’t I?

  1. Higher production value generally means the content is better
  2. The social aspect of the web means good stuff rises and bad stuff dies
  3. The most savvy creators listens to audiences and predicts them, thus creating content that’s more popular.

The good news is that your counterpoints are indeed accurate. The bad news is that if you live by them, you’re going to be broke, frustrated and unsatisfied in your work. I promise. And a promise is a promise. So today, Uncle Nalts will serve up the 3 Golden Rules that shall guide you on your path to online-video sustainability. They’re subject to change as the market matures, but who cares?  If you succeed you’ll find your own reasons to explain it. And if you fail, you won’t soon return to this post because it will piss you off.

Golden Rule #1: At all costs, manage costs. There STILL isn’t a safe online-video monetization model (advertising, purchase, rent) for the majority of video content online. This is actually good news for amateurs like me, because we’ll sustain while better creators come and go — studios simply can’t justify a team of writers, producers, directors, actors, editors on the hopes of finding an audience (that day will come perhaps). I certainly am not the best video creator, but I’m probably one of the most profitable. I write, shoot, edit, and act… So I don’t have costs beyond my excesive time (which I justify by joy, not an hourly wage) and the nominal amount I spend on equipment and variable fees. Most of the people in my videos are acting for fun like I do, and occasionally I’ll pay them with bribes and gift cards.

Golden Rule #2: Good Content is Not Popular. It’s time you separate your notions of what’s good and what’s popular. You couldn’t have predicted 10 years ago that a cup of coffee would cost more than a gallon of gasoline — and that you’d bitch about gas prices while sucking down your overpriced moca frapolati venti with vanilla sprinkles. Good isn’t popular, and popular isn’t good. Does that mean you strive for popularity? Nope. That’s like trying to change the direction a boat is taking by hoping the wake shifts direction. But don’t lose hope here! Nalts doesn’t drop crap on your desk without telling you how to clean it. The lesson is that you’re responsible for getting your videos seen if you want your videos to be seen. I’ll bet you’ve been obsessing on what you do before you hit upload, and subconciously starving everything that happens after that (as if it’s beneath you). Don’t pimp and spam it (I know some video creators that should be Amway reps), but invest in some gentle efforts to get the video to a relevant audience. If the video is about cheese, did you remember to send it the cheese blogger? He’s got an audience of cheese lovers, and not much else to write about.

Golden Rule #3: Screw The Audience. I’m serious. This is really, really hard to do. There are times where you’re hypercharged by the feedback and audience interaction. It’s validating, it helps hone your storytelling, and it’s instant gratification. But almost no online-video creator is at risk of losing touch with their audience — the medium consumes them. Rather, most popular creators lose their steam because they focus on feeding the audience instead of instinct. What began as a fun outlet becomes an obligation. Experimentation becomes repetition of a formula that seems to work (Zipster08 and SMPFilms have, interestingly, spun off LocoMama and a Sparta the Cat channel the same week — these were recurring bits that grew and sustained much of their audiences, but fatigued others). By focusing on the audience above all, desperation and frustration sets in. The remedy for artistic sustainability is caring less. Get back to doing what’s fun and ignoring the “you’ve lost your edge” cold-prikly comments but also the “that’s the best video you’ve done” warm fuzzies. Every video creator I know (and I know a lot of you) pays too much attention to feedback, and I’m quite confident it’s the root cause of death spirals (including my own). For you advertisers, I’d adapt this rule as follows: don’t follow the formula because it’s already been done. The best judge of future viral failure is past viral success.

Moses has spoken.