Hayley Tsukayama also wrote a Post article about minorities reaching more individuals than popular television shows:
…Almost most each of (Kevin Wu’s comedy) shows command at least 2 million views — rivaling the nightly TV audiences of Jon Stewart and Stephen Colbert.
A disproportionate share of YouTube’s top personalities are minorities, writes Tsukayama. Yet the popular shows on mainstream television have stars are largely white. “These minority-produced, home-grown shows are drawing massive audiences — the top one has 5.2 million subscribers — enough to attract the attention of major advertisers.”
Ryan Higa (above) is a Japanese American comedian and that top YouTuber mentioned by Tsukayama. Higa has the second among all YouTube channels, with videos viewed 1.1 billion times.
Michelle Phan, the Vietnamese American beauty guru, is 20th among YouTube’s most popular channels, has become a spokeswoman for Lancome.
And here’s the clincher:
Nearly 80 percent of minorities regularly watch online videos, compared with less than 70 percent of whites, the Pew Internet & American Life Project says.
I picked up the Feb. 6 Time Magazine (another recent issue of Time provided a nice summary of YouTube recently), and what did I find? A review by Lev Grossman of John Green’s new book titled “The Fault in Our Stars.”
It’s nice to see a YouTube weblebrity get some coverage in a national magazine, and the review was quite favorable. “In fact it is damn near genius,” Grossman writes. “It has been years since this jaded critic has shed tears over a novel, but I will cop to crying over this one.” The young-adult story is about two teenagers who have cancer, and their battle.
The title is based on the twist of Shakespeare reference, “The fault, dear Brutus, is not in our stars.” That’s now effectively doubled my Brutus quotes. Et tu?
This is part two of a series featuring direct advice from YouTube “stars” about what keeps them going. In part one (click to read), we heard from Brittani Louise Taylor, Rhett and Link, and Charles Trippy.
Now let’s thank four more of the most prolific and prominent YouTube creators: Michael Buckley, Venetian Princess, MysteryGuitarman and Happyslip. They’ve shared — in their own words — what keeps the “fire burning in their bellies.” I believe they’re all profiled in Beyond Viral (I frankly haven’t read it), but this is new perspective on how they’ve continued to stay fresh. We can learn a lot from these people who aren’t just early sprinters, but marathon runners of this medium.
First and foremost, JOY. I know that is a gay answer! HA! But I still LOVE YouTube as much as I did when I became a “YouTube Star” back in 2007. Obviously, YouTube is very different now but I still love it so much and take great JOY in making videos and engaging the community. I am grateful every day that this is the life I am fortunate enough to lead. I LOVE MAKING VIDEOS! I LOVE YOUTUBE! This is the greatest career you could ever have!
b. MY SCHEDULE AND FORMAT:
YES! This is a big one that keeps me going! I think being on a SCHEDULE and having a set FORMAT has made it easier for me to stay on track. I never stop and think “Oh what should I make a video about?” – which I imagine would be stressful if I didn’t have a set format. Some people might tire of this but for me I thrive with the structure and consistency of it. My format is not ideal in 2011 YouTube and maybe someday I will tweak it but I enjoy it.
So yeah- that is a big part of what keeps me going. Having a schedule but then being able to flexible with it when I need to be is a luxury that I do not take for granted.
c. I LIKE MY VIDEOS AND FIND ME FUNNY! HA!
This is going to sound like a strange answer and it’s a personal one- that maybe I shouldn’t share- and may sound dumb – but – I think I am very funny. So when I think “What keeps me going?” – I think about how much I enjoy writing What the Buck. I love love love writing and making jokes and filming it and when I watch it back- I think it is very funny. (Which reminds me of 2006 when I would have a video up with 60 views and 4 comments – I didn’t care if anyone was watching –I watched it 60 times and thought it was hilarious!) So I am very motivated to come up with funny jokes and see if I can deliver them in a humorous way. I think you have to like your own videos or you are screwed.
d. LOOKING FORWARD:
I don’t look back. I don’t sit around and think “Oh I wish YouTube was small like it was in 2007” or “I wish I was the big fish I was back in 2008” which I find a lot of YouTubers who lose their motivation find themselves reflecting back to “when they were popular”. I just look forward and remained focused on creating my content. I am never threatened by other people becoming successful on YouTube. I am happy if my success inspired anyone and I am inspired daily by so many people on the site!
e. THE MONEY:
Getting paid to do something you love is the cherry on top!
“For the videos, I try to focus on what entertains me, what entertains my family and friends around me. That is what I started with and I suppose it is a niche that will always have a loyal following. The audience definitely varies in demographics and most are not tweenies who live on their computers ready to devour their new subscriptions. Without that first huge burst of viewers that descend upon a new upload, the videos don’t make the homepage and therefore the snowball that used to accumulate so fast and large just accumulates at a slower pace.
So some of the reasons that keep me going:
I would make videos or entertain people even if I weren’t paid.
I remind myself constantly that my value doesn’t come from YouTube #s or income that is coming in.
I try to focus on what makes my content unique rather than try to make similar videos to other popular creators. (at the same time, I try to throw in some non-filipino vids which are just subjects that inspire me or make me laugh)
I only pay so much attention to comments on the videos, and definitely don’t read them if I’m in a bad or fragile mood haha.”
Joe Penna has been making videos since the dawn of YouTube (he wrote my theme song when he was living on Ramon Noodles), but he vanished for a while and returned with a parade of hits. How has he endured as one of the most-subscribed YouTubers?
“It’s tough to keep going. Back in 2010, when my channel was growing rapidly, I went through various phases. I had a phase where I played music with random objects, where I did a bunch of different music looping videos, a bunch of crowd-sourced videos, etc.
Nowadays, for example, if I post a stop motion videos there will be at least one comment with dozens of thumbs up saying “you’re boring! stop making stop motion videos!” If I post something different, I’ll get at least one comment with dozens of thumbs up saying, “you’ve changed! the reason I subscribed is for the stop motion video!“
I think what keeps me going is that the feedback I get is almost always overwhelmingly positive. I just chalk it up to me having a channel where it’s not the same format every single time. There have always been and there will always be the vocal minority who won’t think my latest video is up to par with whichever video they found me, or who won’t agree with something new I’ve started.
That’s why I’m on YouTube. To experiment. To create something new. You can come along for the ride, if you so wish. If not, good riddance.
Her song parodies have been seen more than 330 million times, and she’s one of the most-subscribed female YouTube musicians. But she took a break and rebounded.
“Last year I took a hiatus from YouTube, and pretty much all other internet platforms. I was dealing with family medical issues, I bought a house that ended up being a nightmare, and then I got hit with those copyright claims on my videos which really took the fun out of making videos for me. I was so upset about it, because now I would have to totally rethink all my material and a lot of the video content I had already shot for parodies were now useless. So I took a long time off. From June 2010 – February 2011, I didn’t make any big videos. I’d do a small crappy video here and there, but my full-on productions were now out the door. I was too bummed out which made me lose my creative spark and I needed to step away. Because of my viewers, I managed to stay up there on the charts as top female for about two years.
It took 4 months of no videos to finally push me down the charts, which I knew was inevitable. In all honesty, numbers never really meant that much to me. Sure, it was exciting to get a lot of views. But all I really cared about was a) having fun and b) having people that would watch my videos. The whole “beating Miley Cyrus” thing was a campaign I did for fun because I knew my viewer demographic was into her. When I got hit last year with all of the difficult stuff on YouTube and in real life, I lost all of my drive. I needed to take time away from YouTube and rethink everything. Coming back to it this year, I have a completely different view of it. Of course, YouTube changed ALOT since I left too. The most viewed and subscribed lists are not as significant as they used to be. The lists are now all buried and very hard to find while navigating the site.
Another thing I noticed is that everyone and his brother does parodies now. I think I was one of the first YouTubers doing music video spoofs. Now it’s like 3 hours after a new music video comes out, there are already 20 parodies on YouTube. It wasn’t like that before, which played to my advantage. Now I’m just another spoof channel, and the one-woman-show thing that used to appeal to people is now not as cool as full-on casts with production crews. I’m a big fan of Key of Awsome myself, so I can totally understand. It just goes to show how YouTube keeps evolving.
I now approach the site with a new perspective. Youtube has become almost too big to think of it as a community anymore. I see it now like each channel has it’s own viewer base and I just focus on creating content for my audience. I have learned that if I am enjoying what I am creating, the majority of my viewers will pick up on that and enjoy watching it. If I push something out just for the sake of putting a video up, it’s going to show. Again, numbers never motivated me to create. But at the same time, my pay is dependent on those numbers. So I try not to think about that. I find that if I just do the videos that make me happy, they will do well enough to continue paying the bills. And I’ll still be able to say I love my job.
Here are some things I do differently now that keep me going:
I only allow myself to read the first page of comments. Usually they are from subscribers and are positive, so they leave me feeling positive about the video when I close out & leave the computer.
I post videos that I know I would enjoy watching. I’m not going to post something just because it tends to my demographic.
I don’t watch as many YouTube videos as I used to. It’s inspiring to watch other tubers do their thing, but watching too much YouTube can be unhealthy. (And talking about it too much can annoy friends and family lol).
I’ve discovered vlogging. I have a different channel (Skydiamondz) where I post vlogs a few times a week of my real life. It’s a nice way for me to make videos that don’t take a hundred hours to make. I shoot it on my iphone, edit for like 10 minutes, and poof it’s uploaded and viewers get a glance into my life without the all the lights and glitter they see in my parodies. It’s a different kind of experience for me.
I’m active on twitter and facebook, it’s a great way to connect with my viewers in a different environment. I can post video-related topics on my facebook page and get instant feedback from them.
The other thing that is important to mention is that I’ve been making videos since I was 8 years old. Making the costumes, experimenting with special effects, the whole shebang. So with or without YouTube- I’d still be doing this on some level. I’m just blessed to now actually have a lot more than 4 people to watch. 🙂
Big thanks to these four… if it’s one thing more impressive than enduring new-age talent it’s the folks willing to share their tips.
I’ve written plenty about how to become a YouTube star (see free eBook v2 and “Beyond Viral“), but today’s post is the first of a series about the persistence of some top YouTube talent. It’s one thing to break through the clutter and develop a following, but quite another thing to maintain it… the latter takes consistency, adaptability, time, ability to spot trends, endurance, patience, loads of work, and thick skin.
Yesterday I sent a note to about 20 top YouTube stars… focusing mostly on the independent acts who didn’t have a large fan base until YouTube (that excluded offline “real” stars, musicians, and production companies). If you’re interested in my e-mail to them, select “more” below.
The key question I asked them is simply, “what keeps you going.”
Now I’d like to share 3 of the early responses (part 1 of a series), and ask you WillVideoForFood readers the same question in a different way. What do YOU think separates the leading YouTube creators from the rest of us? Is it talent, consistency, interaction with fan base, variety, adaptability, omni-presence? Or is the underlying currency, as Producer Fred Seibert observed to me, “narcissism”? I don’t think Fred meant that word to carry the negative baggage, rather he presented it as a base characteristic of enduring entertainers… it’s what allows them to overcome the many barriers and exert uncompromising effort.
“What keeps me going? Simple, passion!! I am an actress, and I get to cast myself and play whatever role I want. My creativity is not dependent on knowing the right person, being at the right place at the right time, I am in control of my destiny. You have to stay positive and keep the passion that you had when you first started making videos. Being on Youtube is like being in a relationship, you have to put work into maintaining it and keeping your interest. You hit patches where you are like “Uhhhh what video should I do next.” Most of the time I have some crazy idea, but if I have to do something last minute because I have had a busy week, I do it last minute. I am determined to have a new video every Saturday and Sunday, if it means me staying up all night that is what I’ll do! Numbers shouldn’t matter, Youtube is always changing and things will go up and down. You have to do it foryou. At the end of the day, did you like the video? Are you happy with it? That is all that matters!
Thanks for asking! I think the reason is three-fold, and in no particular order. The first reason is that once web video became our primary source of income (and I’m talking almost ALL of our income from 2007-2010), we developed a business model based on fairly consistent content. So our time and energy were all focused on making videos.
The second reason is that we keep having new ideas. We keep coming up with stuff that we want to create. A related reason is that our success isn’t based on one genre. We’ve tried a lot, and a fair amount has worked. The last reason is the fact that there are two of us. We are much less likely to quit because we can motivate one another. Thanks! -Rhett
Hey man!! Hows it going on your end?! Ive been watching your unclenalts videos and I am like “dude, when did the kids get so old!!” insane! (your fam is the original tards! haha). What keeps me going? Yah, you kind of nailed it with your points but I think there are a few reasons that keep me motivated.
I’d say the community plays a HUGE part – just when I get discouraged or frustrated I go back and read the comments and it seems to pop me back in place, you know? I also think about the future and I love the fact that i’ll have these videos/days documented. We’ve been lucky enough to pretty much film Alli and I’s entire relationship (we started like 5 monthsor less after dating) so to have that means a lot to us. Also, I don’t want to say it’s really motivation but the fact that Youtube/Google pays it’s creators keeps me motivated because I can invest all of my time in it and still make a life for myself and my family 🙂 Don’t get me wrong, it’s not easy I know you posted daily (sometimes twice) for a very long time so I know you can relate. I think above all the community is the #1 source of encouragement and motivation for me…. -Charles Trippy
Coming soon: Responses I’ve already received from YouTube’s most-subscribed: WheezyWaiter, Michael Buckley, VenetianPrincess, Hank Green, KipKay, Edbassmaster.
To see my note to these peeps, click more. And don’t forget to comment yourself: what do YOU think it takes?
Put on your thinking caps, kids. Lots of wisdom in here. Most of it is additive to Beyond Viral, but go buy that damned book if you haven’t. And if you have read Beyond Viral, please provide a gratuitous complement below even if it’s fake. Hey I’m not expecting to outsell Hunger Games, but my goal is to at least keep pace with Garfield’s “Get Seen.” Is that too much for a girl to ask?
While it’s true that YouTube does spawn occasional “overnight sensations,” it’s about the same odds as getting struck by lightening while scratching a winning lotto ticket. Furthermore, only a tiny portion of those “viral” hits take their creators beyond the one-hit wonders. About 85% of Booba1234’s views come from one video: “David After the Dentist.” In fact I’m guessing the username “Booba1234” would have a .02% aided awareness even with the ubiquity of that one clip… a meme.
Even the “rockstars” of new media.. almost never break into traditional media (name an exception?). Most of YouTube’s most-subscribed are virtually unknown beyond YouTube (you won’t find them on Yahoo Video, AOL Video, MSN and certainly not Hulu.
And, most interestingly, the only the fiercely committed and adaptive webstars even endure even on YouTube. Their life cycles are getting shorter, and today’s hotties are tomorrow’s castaways (even though YouTube has kindly built floors on their monthly views so they won’t starve).
Put in better terms (and I’ll credit this to a wise YouTube insider): the online-video weblebrity survival is like a marathon race. The gap widens between the front-runners and the bloated masses. (In that analogy, I’m the sweaty red-faced guy panting at mile marker 4).
Example: In 2007 we all shared tips freely, but now in 2010 and 2011 when one of us “cracks the code” (begging viewers to comment can jolt a video’s popularity and “spotlight” treatment) the insight is less likely to be shared among fellow creators. Understandable given the increasing competition and financial stakes. That’s part of the benefit of formal or informal coalitions (Next New Networks, The Station). People in these tend to more willingly share learnings. This week NNN is running a series of prank videos that will all “point” to each other, thus raising the collective views. With luck, these videos might even be “clustered” by YouTube’s algorithm in the same way that many videos are, which is of paramount importance to their enduring views over time. For example, search for any of these categories: cute kids, laughing kids, funny animals, pranks, fails. You’ll find that YouTube accurately predicts what you’re after, and serves you up relevant videos in that genre. And you’ll find the same videos whenever you do this, and whether you’re logged in or not. Being a “YouTube Partner” caught in those “swirls” of popular categories means, quite frankly, an annuity of advertising income.
My thought was that the total number of online viewers would always grow, such that more competition (especially from commercial content) would not erode the amateur fan base. However New York Times’ Alex Mindlin points out something interesting and important from the last comScore report: the sheer numbers of online-video viewers has not grown much at all in the past years. The growth has largely been due to more consumption by a fairly static number of viewers. This will change as web-connected television becomes a reality, but the laggards will not binge on as many YouTube amateur shorts, I think. They’ll gravitate toward well-produced 30 minute shows and 2 hours films.
So the reality is that the “new amateur rich” are getting richer (many far surpassing $100K annual incomes), but the barriers to entry are increasing and I wonder about the endurance of this medium… just like Indie performers at the dawn of the Internet, are they a “fad”? Sure we’ll always still see rising new stars, and that makes it look easy. But beyond the select “most-viewed” webstars, the mid-tier content (even those with 200-700K subscribers) is seeing a significant drop in views on recent videos. Part of this can be explained by YouTube’s algorithm generously rewarding vintage clips… most of my 4-6 million views a month comes from about 5 of my 1000 videos.
And here’s the interesting and somewhat confusing factor. While I am thrilled about the stability that algorithm provides to me as a creator (keeping my recurring daily/monthly views fairly consistent), it is understandable but interesting that “vintage trumps new” videos. Why? The shelf life for social media and amateur content, with a handfull of exceptions, is organically short. As Daisy Whitney reports (crediting Steve Rubel), social media content decays quickly. If a video, tweet or Facebook post is going to get a lot of views and engagement, it’s usually within the first couple days, and we’ve seen that in numerous studies like this dated but important Tubemogul report.
My most-viewed videos (like Scary Maze, i are Cute Kitten, Farting in Public, and America’s Funniest Bloopers represent about 30% of my total 200 million views. My recent videos, by contrast, are more in the 10-30,000 view range despite having 240,000 subscribers. While I can’t control how YouTube serves up videos, these facts remind me that I need to post more regularly since subscriptions drives views less than habit. Let me say that again because it’s very, very important: habit makes someone “current,” and if content isn’t refreshed predictably then the audience wanders away.
Interestingly, my sponsored videos sometimes continue to get views too. My Fox television show promotions for Fringe, Lie to Me and Glee have continued surpass millions and millions combined, alone topping the Hitviews original campaign goals (which also involved dozens of other creators). These videos, presumably, are either showing up in searches — or more likely via YouTube’s “related videos” spotlights. I just realized this by chance, and it speaks to an important value proposition of webstar videos: they go beyond a campaign period, despite the obsession we have with “fresh” content.
Our Fresh-Baked Obsession: It’s true that almost all of the “viral” videos on Unruly’s “Viral Video Chart” are “fresh baked” (posted within the past week) and that makes perfect sense. When’s the last time you started your visit to Netflix, “On Demand,” or (for you old folks) Blockbuster by browsing the classics? I don’t need to convince you that there are classics you’ve never seen that are going to be far, far better than what’s on the “new releases” shelf. You know that. But you’re drawn to “new” as if it subconsciously means “better.” That’s a human reaction that has two sources: first it’s based on the “prehistoric” brain (as opposed to our newer “executive brain” where “fresh” equals safer. Fresh meat, fresh grains, fresh vegetables. Second, I think it’s because absorbing “fresh” content keeps us “current” and “topical,” and provides a social glue. We can all bond in a collective groan about how much “Friday” sucked and how cute that new baby is when she rips up paper.
Screw it. I’m over thinking. I’m gonna go watch a baby giggle while ripping paper.
Sony and Panasonic invented a video format called “AVCHD” and I would like now to proclaim it dead. I remember years ago hearing about great new cameras that were “functionally obsolescent” for Mac users. The way they stored video footage required a whole separate conversion process (pre-editing) that was painful.
Last night I recorded an evening “Christmas carol flash mob” using 5 different cameras to compare how they’d handle low light. The winner was my Panasonic Lumix, a neat little camera and video camera combo which happens to use AVCHD. Sadly, I’ve spent 5 hours and $40 of software trying to get the footage into a usable format, and to no avail. In an act of desperation I purchased the Tanbee AVCHD Video Converter. I should have known better since I couldn’t find a single review or rating for it.
Tanbee, like AVCHD (for a Mac user anyway) can best be described as “ass.” The trial provided an obnoxious watermark, the $40 version one crashed, and after waiting 3.5 hours for a file to convert… all I got was audio and slow motion footage that didn’t match. I can only imagine that Tanbee has put its technical resources not in product development but SEO strategy (to ensure no ratings were available on the first few pages of Google).
The software was impossibly slow.
The trial version produced a watermark in the center of the frame.
The converted footage had slow-motion video with normal audio (not matching)
It crashed several times. I had to re-register it each time.
Even the interface is stupid. It says press the + key to start, but not the big + key in the center. The little one on the left.
Sadly, the industry continues using AVCHD, which I can only assume is bearable for PC users. See a recent Kodak review that the AVCHD software may cause “editing and playing headaches.” I’d say that was being kind.
Again- I’m imagining there are Vegas, Pinnacle and other PC users who are happy with AVCHD, but I’d love to know if an Apple/Mac user has found a way to make this format even remotely functional. Failing that, watch my “boogerofnalts” eBay account for the listing of a perfectly working Panasonic DMC-ZS3.
In related “collab” news, it was nice to see DaveDays and “Key of Awesome’s” Mark Douglas playing guitar in the park. Shitty camera work by Ben Relles. Speaking of BarelyPolitical/NextNewNetworks, here’s its latest Batman video (Poison Ivy). Be the first to see it. At least Relles didn’t shoot it.
AdAge called out the biggest YouTube sellouts— those known for sponsored videos for top brands. Naturally my headline would have read “YouTube’s Most Prolific Sponsored Artists” had I been included in the list. For those of you whose nipples don’t get pointy when you hear words like “advertising, marketing, Mad Men, spot, creative brief, storyboards, USP, reach, frequency and single-minded proposition,” AdAge is kinda the Forbes for advertising junkies. It’s like Men’s Health except some straight people read it.
The actual article is titled “Meet YouTube’s Most In-Demand Brand Stars,” and it’s a nice representation of the booming webstar, perhaps the central point of “Beyond Viral,” an amazing new book by Wiley & Sons coming out Sept. 21. Despite some conspicuous misses and a few odd inclusions, the article points to some interesting nuggets like MysteryGuitarMan (MGM) preference for a blank creative brief… his videos have never been better, and each one squashes my own confidence more aggressively than the next.
I would have also liked to read a “who’s who” of the companies that link stars with brands (Hitviews, Mekanism, PlaceVine, Howcast, YouTube). That’s something you don’t see covered well, and it’d be fascinating to read about the total market for sponsored videos and the dominant players.
TubeMogul helped compile this list, and you can see the webstar’s vital signs on the TubeMogul marketplace. The stats seem to be out of synch with YouTube’s counter and other sites (TubeMogul has me at 145 million, while YouTube alone counts 161 million…. so my views on Yahoo Video and other sites must be negative 16 million). It could be that once I “private” a video (like those I’ve buried because I no longer like them), I lose Tubemogul credit for them.
Before I could go to bed sulking for being overlooked by AdAge and Tubemogul, I discovered author Irina Slutsky sent me a note about this a week or so. And yeah I missed it. Just like the two e-mail offers to appear on AnnoyingOrange, one of the hottest web series by DaneBoe.
ADHD online-video creator and marketer seeks minimum-wage e-mail account manager from India.
These peeps don’t seem to read my blog, but I consider more than a few of them as friends… Trippy (he’s been in my kids’ bed), Buckley (he spanked me), Penna (wrote the Nalts theme and couldn’t get into bars at early YouTube gathersings), and Shay (he was new, we collabed, then he became twice as big as me overnight… and also got a lot more viewers). Others are more like acquaintances like Justine (who keeps a safe distance, but I made her what she is) and Smosh. Speaking of Smosh, Ian and Anthony get props for the recent Butterfinger Snackers video (“Selling Out”) that spoofed the criticism they’ve taken lately for doing a few too many sponsored videos. Heh. I did a Butterfinger video in 2006, a year before I goofed on this whole sponsored-video space with this video, which mentions Smosh. I’m guessing the Smosh kids never saw this diddy…
It’s me 3 years ago mimicking the emergence YouTube “sell outs” and the personalities who might desperately broker brand/webstar love connections... you know, the entities connecting brands and web stars. Most YouTube webstars know more about engaging an audience than turning a brand strategy into effective and persuasive messaging… so they need help. There are some exception- like Rhett and Link, who could just as well be their own boutique creative agency, as reflected in the quality of their advertainment and the highly unusual ratio of branded to non-sponsored views. I almost like their sponsored videos better than their brand-deficient ones because like a pro athlete they make it look easy.
And, lest I miss mentioning my book (Beyond Viral) in a single post, you’ll find mention of almost all of these cats inside the low-cost pages… including featured sections on Rhett & Link, Charles Trippy, Shay Butler and others.
Hey what ever happened to Buckley? I think he ignored me like Caitlin Hill (thehill88) and iJustine. Maybe Buckley needs an e-mail intern… I wonder if there are any Indians with the name Mason?
How much money do YouTube stars make? TubeMogul used some ad-sharing revenue estimates and view counts to guestimate the annual income of YouTube partners like Shaycarl, Daneboe, and AnnoyingOrange. These estimates don’t capture the 5-30k these guys can earn from a sponsored video.
Posting from iPhone hence the terse post and lack of lovely image and fancy hyperlinks.
Walter Sabo, Hitviews founder and former radio maven, makes it more apparent why radio people seem to have adapted more naturally to online video than television people. At first I thought it was simply that the radio people saw their boat sinking sooner than television people (some who vary their whistling melodies and choose a new route past the graveyard to show they’re flexible).
Every radio spot he (Sabo’s father and store owner) bought was a live read by personalities. Every print ad was endorsed by a local celebrity. Every TV buy at least had live tags even though TV was too precious to offer live spokespeople. On the Internet he would have bought a webstar video visiting the business and talking about it. We all buy products from friends.
Indeed radio and today’s version of online video are arguably more alike than online video and television. Why? The talent carries the show. You may like the tunes best, but you can’t argue with the facts: when a radio star jumps stations, the audience often follows. Is it any coincidence that one of YouTube’s hottest properties is a former disc jockey (yeah the fat guy- Shaycarl). If Shay loved beets I’d eat ’em.
Online video is about a charismatic human and people who enjoy them… unscripted reality and a fairly intimate relationship (as one-to-many goes). Like radio personalities, online video folks don’t mind plugging a good sponsor. And that doesn’t work as naturally on the boob tube, except for during an occasional talk show (where’d that format come from again) or that radio-like television show we call American Idol.
I’m not entirely unbiased about Sabo’s poetry (see below graphic to find the “Hitviews Pro” series on JackMyers.com) because I have a working relationship and friendship with the radio and online-video media maven… Still, I do believe he’s the Billy May’s of online video. He cuts through a lot of the jargon and states inarguable truisms, and it’s especially charming when he quotes his dad. Get on his good side, and he’ll give you a bear hug, make you feel special, and drive two states to bring you cookies when you’re having back surgery. Get on his bad side, and he’ll pinch your brain. Either way you’ll find him more interesting than the average human, and check your pulse if you don’t find this article about why records in automobiles failed (it’s not why you’d think).
Since my blog’s been a bit slow lately, here are 5 great articles by Walter “Regis” Sabo and Caitlin “Cathy Lee” Hill. Perhaps the most fascinating aspect of Sabo is his blatant disregard for middlemen, especially media buyers. (Just once I want a media buyer to tell me how prejudice I am, and prove me wrong).