I use “we” in a collective sense, since I probably wouldn’t be in my 5th or 6th year of publishing without you. Yeah I’m pretty sure without your intellectual comments I’d grow weary. And I’m certain that if I didn’t see some of the mindless and humorous ones I’d have long since regressed to a newsletter only my mama reads.
Have a glass of champagne, or celebrate in whatever way you see fit. Heck, while you’re here… how will you celebrate your victory?
“Getting plucked from the slush pile was always a long shot—in large part, editors and Hollywood development executives say, because most unsolicited material has gone unsolicited for good reason.”
Now there’s a new fear. “Film and television producers won’t read anything not certified by an agent because producers are afraid of being accused of stealing ideas and material. Most book publishers have stopped accepting book proposals that are not submitted by agents.”
“The Web was supposed to be a great democratizer of media,” writes Katherine Rosman. “Anyone with a Flip and Final Cut Pro could be a filmmaker; anyone with a blog a memoirist. But rather than empowering unknown artists, the Web is often considered by talent-seeking executives to be an unnavigable morass.”
Rosman suggests you find an agent or enter contests. I’d argue that the web is still a vibrant place for talent to find an audience, and would look no farther than the top YouTubers. Are they moving to television and films? No. Are they gaining audiences and making money? Yes. Dozens and hundreds.
So maybe being at the top of the slush pile is better than being “plucked” from it?