Tag Archives: interactive

Busted: I Know What You Videotaped Last Summer

Busted. I’ve got 50/50 odds that you’re one of those people that secretly videotapes others. So I don’t want ANY more shit about my prank antics, okay?

Harris Interactive polled more than 2,000 adults and found that 50% of Americans would use a Smart phone to make a secret video (note wording is “would” not “did”). So what would we videotape?

• 23% – people in embarrassing outfits
• 20% – athletes at a sporting event
• 15% – someone tripping/falling
• 10% – sexy waitress at a restaurant
• 9% – shirtless hunk mowing the neighbor’s lawn
• 7% – cheerleaders
• 7% – boss or coworker sneaking a second doughnut
• 6% – disgusting grooming habits
• 5% – couple kissing or making out
• 8%- other

New Storytelling Dimensions: HBO Imagine Raises Bar for Seven Echo & New Advertainment Models

Why is it that online video, while at least 3 years old, offers very little beyond traditional video that happens to be shorter and amateur driven? Certainly the lack of scripting gives us the sense we’re invited guests in the creator’s home, and we develop para social relationships because we can interact with them.

However very little, with the exception of “choose your own ending” has taken full advantage of the medium… until HBO Imagination.

Somebody call 911. Shawty's fire burnin' on the museum floor.
Somebody call 911. Shawty's fire burnin' on the museum floor.

While the site is slow, complex, and confusing, I give it 5 stars for pushing the medium to new levels. I’m at the beginning of my own journey, and I have a lot more to “unlock.” But I was impressed that I could watch an art heist from four different angles… trying desperately to be in the right place at the right time. If you’re inclined to wait for the slow startup time, please comment with what you thought was impressive (or not).

I’ve seen the criticism that it’s a one-trick pony; that I’m not likely to return. But that’s because it occurs on an island instead of embedded into places online where I spend time. Like YouTube (although it was a YouTube ad that finally took me there, after hearing about it several times).

As online-video gives storytellers new devices to allow the audience to explore various paths, the traditional online-advertising executions have some “catching up” to do. They need to explore storytelling and engagement like HBO Imagine, and not rely on typical “awareness to interest to conversion to purchase.”

Seven Echo

SevenEcho is one such company. I’ve had the opportunity to spend time with founder and CEO David J. Russek through a mutual friend, and his vision is unsurpassed in helping entertainers and large advertisers weave mutually beneficial programs. The viewer can receive a customized ad based on product preference, and advertisers can embed their images in a show… then Seven Echo can swap them for another advertiser seamlessly. We meet at the home of Oscar Hammerstein and discuss our vision for this medium in the years ahead, and we both learn (although I learn more).

Ultimately, however, the distribution partners need to recognize the value to their audiences and sponsors. Many of these devices are not allowed on the #1 online-video sharing site, which is still relying on revenue from InVideo ads, banners, and homepage takeovers.

Imagine for a moment an entertainment experience customized to your region or story-telling preferences. Like a sexy blond as your hero? We’ll drop that in. Want happy endings only? Set that preference. Suddenly one story (albeit with lots of “branches”) is your personalized experience, and it’s ad supported because the ads are seamlessly integrated into the story.

This is the kind of initiative that should excite hungry entertainment companies and progressive advertising agencies with a desire to push the creative envelope and give their clients engaging rich-media experiences… instead of a traditional media insertion.

Zombies are Coming. Stay Inside or Go for the Car?

interactive zombie movieIf you’ve watched a few horror movies, and screamed “don’t go outside to check things out, you idiot!” then you might find this short interactive zombie film worth some time. It’s got some gore, though. So I warned you.

It’s called Survive the Outbreak, and you’ll make choices almost every minute — each leaving you dead or alive. So it’s hard to watch passively, and you find yourself feeling far more stressed than watching Dawn of the Dead after 8 Miller Lights.

I find several things interesting about it:

  • It’s well produced. If you live long enough, you’ll see some cinematic beauties– like overturned cars lit with eerie lighting effects.
  • It truly branches constantly. Typically these things branch briefly, and then the paths return so the creators don’t have hundreds of options to shoot. This is why I tried to stay in the house, assuming that budget would require us indoors (not to mention that I liked my odds inside).
  • While some of the acting was B grade at best, the effects, music and cinematography was unexpectedly professional.
  • I’d like to see more of these, and especially appreciate that the plot was brief (at least the way I survived, which took only about 5 deaths and do-overs.

SEM Plus Video = Gold in ‘Dem Hills

Pay attention now, online-video and advertising peeps. This lil’ blog post is going to be on the final exam. It might even spawn a trade article and a new business.

  • Paid Search Video Gold DiggerSearch engine marketing (SEM) is big business today, with agencies charging retainers to help websites rank high on search engines (increasing qualified traffic) and help manage paid advertising. Paid search (text ads on Google, Yahoo and MSN) already is annually around a $10 billion industry. Maybe more, maybe less.
  • Online video will likely be a billion plus industryin 2009 and growing at a rate of between 50-70 percent annually for the foreseeable future (see roundup of online-video industry projections).

Would you like Uncle Nalts to tell you where the gold is in ‘dem hills?

Kay, first let’s get into our time machine and go back 7-8 years. Around 2000, Nalts got nervous about the impending bubble burst and took shelter with Big 5 Consulting (KPMG). Turns out the Big 5 was no better poised than Internet marketing agencies and eventually Nalts would camp-out on client side so he could see his kids grow up. But that’s besides the point. Nalts got some good training on consultative selling and how to solve problems for C-level (that’s CEO, CIO, CFO) folks. Seems the VITO (very important top executive) loses sleep sometimes, and if you can help him/her sleep better they don’t mind giving you money. They sleep better when they can measure a marketing spend especially in a tight economy.

Hi. I\'m full of shit. I\'m going to manage your paid search campaignBut I’m getting ahead of myself… before Uncle Nalts left his interactive agency (Qwest), he pitched The Big Guy on building a paid-search practice. Brand teams were happy to spend $300-$500 thousand dollars on a big ass website, but it was equally important getting customers to actually visit those big-ass websites. Eventually the interactive agencies figured this out, but not before screwing it up with big-mouth idiots who promised to handle paid-search campaigns like “day traders”… and then ran off to the next pitch and left the campaign unoptimized and in autopilot. I can smell these people before they enter our building.

Even today agencies suck at SEM with a few exceptions, and most acquired their way there. Of course as a Product Director, I’m reluctant to hire a specialist SEM firm because they’ll only get into a pissing war with my interactive agency and media buyer. My peers at other companies consolidate paid-search spending even though the media spend is bid-based (so you don’t exactly garner spending/scale efficiencies except on campaign and analytic fees). So I hire an independent consultant to fill giant gap between my brand team, internal groups (promotions/Internet), agencies and analytics.

The best way to predict *some* of video’s future is to look at the past.Online video will follow the route of the SEM field in 2008-2011. Sure other things will grow and die along the way (from Hulu and eFoof to Revver and Vloggerheads).

But trust me that online video will eventually be managed the way we manage all other promotional content and media:

  1. Brands spend a fortune telling their story and making persuasive content (and sometimes even serve customers along the way). This stuff will become less important with time unless it is engaging and, dare I say, entertaining.
  2. We work like hell to get high organic (unpaid) placements on The Orb called Google- that means optimizing our content and getting it distributed on credible third parties. In video, of course, this translates to tagging, seeding, moving quickly, and leveraging popular amateurs– even little Uncle Nalts gets about 1.6 MM uniques per month on his videos.
  3. Finally, we buy ads on Google for relevant keywords- I’ll speak for myself but there’s NO OTHER SPEND that’s directly as measurable as paid search. It’s bending over the rest of the marketing mix and has it squeeling like a pig. Its only weakness  is scale, but I like the pay-for-performance accountability.

Now Uncle Nalts was going to hoard these powerful insights, but he’s sharing them here on his blog for the low, low price of nothing. Nalts will even confess that this is the space in which he wants to play (not marketing drugs until he retires).

You gotta do what you love, which for me is entertaining and marketing via emerging media. How fun to help brands get their good content seen via existing video sites and search engines, then supplant that “organic” play with targeted advertising buys (ideally at a cost-per-click and keyword targeting level). Okay it doesn’t sound as fun as blowing bubbles or eating Captain Crunch, but it’s fun to me. And if the video content sucks, then let’s create new videos without exhaustive, bloated production shoots. Even more good news: you don’t have to spend $250K MM on YouTube to get paid (promoted) views.

If you’re interested in financing a startup around this, just send me cash. I think I need about $500K, but no pesky venture capitalists please. You VCs creep me out, even if you’re still investing in video like drunken sailers.

Honestly, here’s why I don’t mind sharing this powerful insight (which some of you will find obvious now that I’ve said it, and others will be only mildly amused because the significance is lost on them). Because few are poised to tackle this issue yet. How many have experience with the mix of marketing, Internet advertising, and video? And the magic is in the implementation unless you’re the fat, smelly guy who pitches “SEM dashboard” full time.

The agencies will make a mess of this. I think it goes without saying that large full-serve “integrated” agencies (don’t laugh when I say integrated please) will wait until 2012 until they trip over this space by accident. Picture the dinosaurs that used to chew their tails raw before they even felt the pain. 

Even the interactive agencies will make a mess of it. Remember when the interactive firms tried to get into paid search and search engine marketing in the early 2000’s? It was embarassing. And most interactive agency people don’t know online video, much less know what a social media and online-video marketing plan might look like. Heck a woman at an agency last week told me she hadn’t heard of Twitter (but YouTube sounded familiar). And of course information management is still using terms like “portal” while PR firms spew about “blog and social media strategy,” and wouldn’t know a viral video if it urinated on their leg or licked them on the face.

While the agencies are ignoring it or screwing it up, a few bright people will build up an offering that helps brands place content organically (and seed it), and conduct efficient media spends to promote the content.  Again- I think the magical stool has three legs: marketing, digital advertising and online video. Yeah- like my old Drunk Uncle Jim used to say- when there’s a gold rush, sell shovels.

After all… it’s hard to sleep when your videos, like $500K bad-ass websites, are “billboards in the back yard.”  

Billboard in backyard

One Small Step for Video Ad Standards. One Giant Leap for Creators and Brands.

One of the factors that has limited the growth of online-video advertising is the production and traffic work. Mike Shields of Mediaweek reports that the Interactive Advertising Bureau this week introduced a set of guidelines to standartize online-video advertising and make the medium “easier for advertisers to buy.”

The new guidelines cover three basic forms of online video ad formats: linear ads — interruptive video spots which are typically of the pre-roll variety, non-linear ads — which include the increasingly popular ‘overlay’ ad units, and companion ads — bannerlike ads that appear alongside video as it plays on the Web.

The guidelines, writes Shields, are the product of work conducted by the IAB’s Digital Video Committee, which is composed of 145 leading media companies, including Google, Yahoo and Microsoft. “This is a historic day,” IAB president and CEO Randall Rothenberg said, likening the announcement to a similar set of landmark guidelines put in place for banner advertising in the late 1990s. IAB senior vp David Doty said he thinks leadership and marketing, predicted “seismic shifts” would occur in the online ad business as a result of their adoption.

So while the viewer in me isn’t too excited to see the new “interruptive video spots,” the creator and marketer in me looks forward to the possibility that this may unlock some of the potential of this medium.

In related news, tech writer Leah Messinger writes about other sites beyond YouTube that offer advertising models brands can consider.