It used to be when I needed a graphic, song, voiceover, technology help… I’d have to beg and borrow. It was a lot of work, and often made me feel guilty (even though viewers have been awesome about creating assets for me).
Now I’ve discovered Fiverr. which is almost a black market of talented artists, designers, technologists, writers and those with even more interesting skills.
I’m not sure they’re unemployed, and maybe for most this is a hobby that makes money.
Already I’ve commissioned a new banner for the blog (see bottom of post), a goofy Odd Holidays jingle for videos I’m doing about odd holidays, a cartoonization of one of my photos, and a motion-text intro for The Unlicensed Therapist (a new web series I’m doing). I’m even getting a logo for that show… three of them precisely. Are the voicovers pro? Not necessarily, but certainly worth more than $5. Heck I even paid $5 for stress removal, but haven’t found out what’s coming yet.
For $5. Amazing, huh? I almost wish they had a slightly higher price point to attract even more talent and enhance scope of assignments. You can have photos of finger puppets holding your logo, or have your brand eaten by a pet. It’s a load of fun, and a brilliant way to help video creators get decent work for very little investment (which is important given the uncertainty that a web series will “take off”).
Here’s a teaser of “Your Unlicensed Therapist,” but this one is a bit flat. The others will be more edgy, and I’m now recruiting local YouTubers to be in an episode.
More and more YouTubers are tossing their videocameras for HD-SLR cameras, and producing film-like quality. Here are free low-budget tips to create a film effects and other special-effects… without expensive equipment or professional experience.
How can we provide film-like effects and special effects using modestly priced gear? For instance:
What are the best ways to shoot video using a digital SLR camera, and make it look like cinema film?
What $2 item in your kitchen provides a perfect way to keep your camera still in a car?
How can a pet’s home let you shoot underwater, using your existing camera without an expensive add-on?
When can a painter’s tool get you a crane/jib shot?
How can you make a person vanish or defy gravity by crawling on a wall?
What’s the easiest way to clone yourself in a video?
Many YouTubers and quasi-professional video creators are using traditional SLR cameras as their primary videocamera. Sxephil, for instance, was using a Canon 5D when he showed how he establishes his home studio. Now that the video quality rivals many high-end video cameras, we’re able to enjoy the beautiful effect that decent SLR lenses provide — like that depth-of-field look you see in WheezyWaiter and MysteryGuitarMan videos. Let’s call these HDSLRs.
With help from a variety of sources (Videomaker, Amazon, B&H, PCMag, Cnet and the cameras used by top YouTubers) I’ve compiled some of the winners on this Amazon videocamera store, and it’s an affiliate program that makes me almost nothing except when stalkerofnalts told me he was buying expensive new gear, and let me generate Amazon affiliate links for his products). At least I can provide people with this link when they ask for my advice.
Now back to the poor-man effects. There’s a lot more to professional-looking video than a decent camera, and some of the most important factors are lighting, camera movements, audio and a really good lense. That being said, the latest issue of Videomaker (Sept. 2011) has an article by Kyle Cassidy titled “Home Grown Video Gear.” The same author wrote a nice piece last year titled “Making Your Video Look More Like Film.” The top-three tips are thanks to Kyle.
Now the Top-10 Creative Budget DIY (do it yourself) Production Tips and Tricks to Create Film-Like Special Effects
1. Very Steady Car Tripod Using Bag of Rice: I do a lot of video vlogs, and I find a bunched-up shirt works as well as any fancy device. It keeps the camera from sliding and falling over, and it’s also easy to adjust (just scrunch more shirt under the front to tilt the camera up). Kyle’s technique is even better. A bag of rice! Isn’t that brilliant? It’s easy to adjust, can work well on the window to keep your camera steady on a zoom, and it might even buffer some of the shake from the car.
2. Underwater Housing With Partially-Immersed Fish Tank: Turn your existing camera into an underwater one without the fancy, cost-prohibitive custom-housings. Simply use a small fish tank that’s partially immersed in the water. Now you’ve got the ability to adjust the camera (focus, zoom, turn on and off) and it stays dry. Brilliant! Kyle suggests covering it with a towel to avoid flashes, and I’d recommend putting it on top of something like that rice bag below it. Then if a careless move causes the tank to go under, you’ve got the camera away before the tank fills.
4. Hello, Do-It-Yourself Dolly: A gently moving horizontal-slide of a camera (slider, dolly) can create a powerful effect (see example), especially when there are objects near and far to show perspective. While drooling over the $800 Cinevate Atlas 10 FLT, I went about searching for homemade Dolly tracks. I once bought a steadicam that worked pretty well, and was constructed with weights and plumbing equipment. Courtesy of LifeHacker, I found a guy with a how-to video on Veoh where J.G. Pasterjack created a dolly with skateboard wheels, and it can run on a flat surface or along a 2-by-4 board. Knowing I’d burn too much time and probably screw it up, I asked to be on his waiting list. He’s since created MoveYourCameraCheap.com, and is having trouble keeping up with demand on eBay.
5. Disappear or Defy Gravity With Wall-Decorated Floor: Your floor makes a good wall, can give the effect that people, objects or pets are climbing on the wall. See “lovey” the kitten crawling up a door, which was laid on the ground. This 2006 “Gravity Wall” video with my kids is a bit more obvious. To disappear, a) mount a camera perfectly still on a tripod or surface, b) simply shoot the background/setting alone and be sure lighting doesn’t change noticeably, c) videotape yourself (or person/object you wish to vanish), then d) use a “dissolve” effect when editing between the two clips (which diminishes subtle changes in the video). For instance, I provided a shock ending that made it look like a garbage truck ran over me inside a garbage can — seen in this fairly popolar “Garbage Can Prank” video. I used it in one of my first kid videos (Katie turned invisible in this video shot maybe 5 years ago and uploaded in April) and more recently in this Dr. Who sponsored video, with some added glow via Iggy35.
6. Poor-Man’s Green Screen: Green screen allows you to replace a plain green background with a video or photo of your choosing. There are two ways to create a cheap green screen. First, you can use green posters or a dollar-store plastic table cloth. Second, you can use a painted wall that’s close to green. Most video-editing software with “green screen” functionality can “knock out” a background even if it’s not pure green. You just want to: a) ensure that you’re not wearing any colors that are close, b) light the wall separately to avoid shadows, and c) avoid wrinkles or seams that will invariably catch shadows. I have a cloth green screen, but that’s because I use green-screen to make it appear that I fall down steps. Cloth is critical to that effect.
7. Clone Yourself With Matte Effect: The Matte effect, where you overlay a portion of one video over another, is somewhat painstaking. But it can give you the ability to hire the cheapest support cast you’ll find: yourself. Here I cloned myself by shooting two scenes of myself and overlaying the clean Nalts over a video of my clone surfacing from mud. It’s something that requires a higher-end editing tool like Final Cut Express… but worth it.
9. Sundry Techniques for Leveling Camera, Hiding Wires & Creating Soft Effect: Kipkay is a prolific video creator that shares many of his production tricks and hacks, and this rapid fire “volume one” video is loaded with clever Magiver-like techniques. KipKay’s second Howcast video provides some less sexy but handy tips — such as using bread clips to mark cables.
10. Set your HDSLR to Resemble Film: Lastly and most importantly, there are a load of ways to get your HDSLR to give you a film-like quality… there’s even a book devoted to the subject (DSLR Cinema), which is on my wishlist. I’ve embedded a fantastic instructional video by Drumat5280 who has other videos like “DSLR settings.” He jokes that he’s an expert because he and his wife watch videos weekly. The important items include avoiding zoom, setting your camera to highest resolution (1080i) or higher, mic carefully, and set camera to 24 frames per second (which creates the film look and smaller file size). He encourages you to use a “shallow depth of field” which encourages viewer to focus on that which your camera focuses. VideoUniversity has a nice piece on little nuggets like avoiding auto-white balance and any setting that is called an “enhancement” (which is almost as bad as the cursed “digital zooms,” which pixelate the video by cropping only a portion of the screen). And Techwaffle has a how-to video that shows you how to auto-focus and use your computer to control your camera (at least with the Canon 5D).
What’d a miss? Any tips you’ve learned and are willing to share? Even little things help — like how to use a laptop as a tele-prompt (something discussed in the valuable Videomaker forum). Finally, I’d be remiss not to mention Film Riot, a Revision3 show that is loaded with amateur-ready tips that produce very cool and otherwise-costly effects. Check it out.
A friend of mine snapped most of the photos I’m using for my sites, publishing and conferences. I recently uploaded the hundreds he gave me digitally into my iPhoto, and they now rotate and dance across my AppleTV screen saver like some weird self-indulgent ego parade. My wife told me last night that she was forced to watch them while I was in Canada, and she didn’t say that in a happy tone.
Thanks, Joe Shields for the lovely photos and the opportunity to annoy my wife.
I’ve got two or three plastic bins in my basement, packed with hundreds VHS tapes. Among a lot of junk (Simpsons episodes, SNL reruns) lies some of the first video shorts I’ve made… um… two decades ago. So I spent hours this morning researching ways to convert them, and it comes down to a few complex choices with big tradeoffs:
Ship your tape to a service provider (I found AMB Media Services via a Google text ad). For the price of $5 to $9, you can transfer VHS, VHS-C, Mini-DV, or Hi-8/8mm tapes. If you only have a few tapes, and want a low-maintenance solution (because your VHS still blinks 12:00), this is your best option. But when you add the shipping (about $9), converting a few tapes will cost more than buying a device. Some pharmacy and photo shops offer this service, and maybe shipping is less expensive.
Use a camcorder with an analog input. Then you can connect your ol’ VHS to your camcorder and record it digitally. Next, you simply convert your digital tape to your computer as you would any new footage. Unfortunately my high-end Canon HV20 doesn’t have analog in. But I used an earlier camcorder to convert and upload “Woodblock Doll,” “Mint and Treats,” and “Attack of the Killer Slinky.”
DVD/VHS Combination Units. Wired’s “Gadget Review” compares a number of other solutions, that include simple consumer decks that have both DVD and VHS. Some of these allow you to dub a VHS to a DVD… but this appears oddly complicated. Further, you’ll need software to “rip” that DVD signal to something you can edit, compress and upload. This ‘DVD/VHS combo option leaves you with a full DVD copy of your tape without all the editing and manual work.
So what’s the bottom line? I’d go with a service (online or at a local store) if you just have a few tapes. But if you have six or more then it’s much more affordable to get a device. While writing this post, I bought the Pinnacle Dazzle DVD Recorder ($44 at Amazon.com). Then I realized that it had a few bad reviews on Amazon, and… oh… it’s not Mac compatible. D’oh. So now maybe I’ll spring for the Sony VRDMC5. Or maybe I’ll tell wifeofnalts it’s on my birthday-wish list. The black box is convenient but it’s another darned device that has limited functionality beyond this purpose.
Here’s my description of “the perfect device,” but I doubt it exists:
It costs less than $200, and has a VHS deck and a DVD burner.
The DVD is playable on a regular DVD player, but it also automatically chunks the video into segments that can be viewed via thumbnails. Or you can set it to chunk in 5/10-minute increments.
You’d store the entire DVD as a safeguard against the deteriorating VHS tapes (although obviously burned DVD are far from permanent archives). Still, I suppose we’d actually watch our wedding tape more than once a decade if it was on DVD.
But the DVD would also allow for easy exporting in the form of Quicktime, .mov or .mp4 files… so that you don’t need to use software to “rip” the entire DVD, convert, edit and upload. Too many steps!
Would appreciate any feedback if this device does exist. I’d love to dust off some of the videos in the basement, like these vintage Nalts clips (see “more” for details).