Category Archives: viral videologist

Top Ten Stupidest Moments of Online Video in 2007

It’s time for the first annual WillVideoforFood.com’s Top 10 Stupidest Moments of Online Video in 2007. This list is my first draft, so I invite and encourage moments I’ve no doubt missed.

I haven’t kept a notepad besides my bed all year, and I try to suppress these moments. That said, I did review hundreds of blog entries and perform countless Google searches to compile this starter list. Feel free to use all or parts of this post on your blog or website- link appreciated.

  1. Chris Crocker becomes a viral sensation after this weeping video defending Britney Spears. It gets 13 million views, but Crocker fails to post another video in the three months since. Lesson: It’s not the one-hit wonder, it’s about consistency. To his credit, he’s another video amateur that is “working on a TV show,” he’s been spotted at Social, and he did make Time Magazine’s top 10 list of viral videos.
  2. YouAre.tv gives up, and embarrasses itself while trying to hype its own auction (with a paltry 2,000 visitors per day) on eBay. To add insult to injury, it sends an “exclusive” report to New Tee Vee, but accidentally sends it to The Silicon Valley Insider (who promptly publishes the entire desperate e-mail from You Are Media CEO David K. Dundas). Lesson: Don’t start another video site, and check e-mail when you leak exclusives.
  3. top 10 stupid moments of online videoSneeeer: Techcrunch publishes “The Secret Strategies Behind Many Viral Videos,” which leads to a dramatic backlash among online-video enthusiasts, bloggers and the video community. I parked “ViralVideoVillain.com” for TechCrunch contributing author Michael Ackerman Greenberg. TechCrunch does a “follow up.” Lesson: There are appropriate ways to market your videos, and cheats don’t need a soap box.
  4. Oprah makes her debut on YouTube by taking over the homepage with online-video clichés (dog on skateboard, cats doing tricks), then creating a YouTube channel that looks more like a network PR site. Lesson: Too many for this post. See previous post about what Oprah might have learned.
  5. JewTube launches in the summer, and Google later challenges the name (based on copyright infringement of YouTube). Lesson: Niche sites are smart. But build your own brand.
  6. The Daily Reel dies after morphing from “Entertainment Weekly for online video” to a video podcast series to a video-hosting site to a video-enthusiast community site to a site thats’ now frozen in time like some parts of New Orleans years after Katrina. Lesson: Pick a core competency and stick with it.
  7. ZeFrank killed his popular online-video show in March, just as his fame was developing. He quietly returned to blip.tv recently, but not on his ZeFrank “The Show” page. NewTeeVee writer Chris Albrecht called his return video “anemic” with a “spark missing.” There were rumors of a television deal, and blip.tv issued this press release when he closed The Show. We won’t comment, as we have a documented history of being jealous of ZeFrank (as “caught on tape” with this Dove Evolution parody). Lesson: Stick with what you do well. And I’m not saying there’s a “Famous Amos” thing happening here, but why else wouldn’t ZeFrank populate his show page in addition to blip.tv?
  8. The New York Times calls YouTube “celebrities” hot property. Umm… I’m kinda a big deal on YouTube, but someone show me how the YouTube thing has changed more than a couple lives. Lesson: The “overnight” success of online-video amateurs is a bit exaggerated.
  9. Experts project that television advertising budgets will pour online. Experts project 3/4 of a billion dollars in online video for 2007. Even so, that’s a small portion of the 3-8 billion expected to go into online advertising in total this year. No word yet as to how the year’s shaping up (but eMarketers upped its estimate in August). I didn’t get my share of 3/4 billion, though. Did you? Lesson: Take advertising projections and divide by 10.
  10. Viacom demands YouTube remove all of its content and tries to build an “old media consortium” to compete with YouTube (Viacom, News Corp and NBC ). Writers who are on strike find this move, in hindsight, quite ironic (see recent video by Daily Show writers). Naturally, media executives come to Viacom’s defense. Lesson: as I mentioned in March, that old “the enemy of my enemy is my friend” consortium thing never quite works out (see ComScore reports of online-video share). Still, you can’t blame someone from crying fowl about having their stuff stolen and monetized by someone else online. Unless they’re a writer, of course.

The 11 Mistakes I Make With My Videos

Suddenly I realize… my videos aren’t really a show. It’s 550 random videos. Sometimes they have a theme for a short period, but I make most of the 11 mistakes Blip.tv describes in “How to Produce an Online Video Show.

dunce.gifThe regular text is from the post, and the italics are my voice…

  1. Who? Who is this for for? Know who your core audience is before you start. Oh, right. Niche audience. Still working on that. Adolescent kids. Soccer moms. Friends of Judy. I want ’em all.
  2. What? What did they say? Ouch! Turn it down. Audio needs to enable the viewer to pay attention to the content of the show. Use external mics. Okay- I’ve purchased 4 mikes. A wireless lav, two external camera-mounted mikes, and a wired lav that doesn’t fit into my camera jack. But they’re such a pain, and it’s tragic when they’re accidentally off or out of batteries. 
  3. When? Wasn’t that show once a week for a while? But lately, not so much. Well until recently I’ve been pretty much daily. But I’m kinda busy with the blog lately. 
  4. Why? That’s not a show! It’s a bunch of videos. We love your cat, but your cat is not a show. Guilty as charged. A bunch of random videos.
  5. Wobble? Earthquake! Or maybe it’s French Avant Guarde film? Use a tripod, any tripod. Sorry- I’m too lazy and I pride myself on using Kleenex, t-shirts, couches and chairs. 
  6. Branding? It’s a good thing I don’t know what this show is called… and there’s no catchy theme music stuck in my head. I’m okay here. I try not to abuse the intro, though. It gets old quick. 
  7. Clones? Hum-mm, lets see, all the thumbnails are identical, so that must mean all the shows are identical! I do work hard on the thumbnail. But if you do a driving blog, the thumbnails do start looking the same.
  8. Yuck! Hey, I’ve been teleported back to 1998 and postage sized video for dial-up Internet connections, cool! I’m just uploading my videos to lots of sites. I really have no expectation that people will view them via my blog or website. I do like that I can catch Smosh videos in higher resolution at their website, but that seems like a lot of work for a guy that can barely figure out how to post a site.
  9. Composition? Hey look, it’s a video by amateurs. Compose using the rule of thirds and look space. Rarely center. Pros do it. If you do it, you’ll look like a pro. When I’m trying, I do get composition right. But the problem is that I don’t have a cameraman. If I’m in the shot, I’ve got to sit the camera down or trust a random person. 
  10. RSS? What if I could just subscribe to this show and get it whenever it uploads a new episode? Yeah- I’ve got those. They’re in the “subscribe” tab above. I cleaned them up this morning and hope they work. 
  11. De-interlace? Use the De-Interlace filter. Or, if you can, shoot in “Progressive” mode. Oh, CharlesTrippy is always “de-interlace, de-interlace, de-interlace.” I tried it once and it seemed to look worse. 

Dear Stupid Marketer and Your Clueless Agency

nalts advertising age“Dear Stupid Marketer and Your Clueless Agency” was my original title for this article in Advertising Age. Fortunately I tamed it down given the audience. But hopefully a few folks will read it and overcome the myriad of myths about online video and marketing.

If I can just change one clueless agency or stupid marketer, it’s all worth it.

Using Online Video to Promote Business: BS in WSJ

viral video image magnifying glassToday’s Wall Street Journal has an article by Raymund Flandez called “Lights, Camera, Sales: How to Use Video to Expand Your Business in a YouTube World.” It’s positioned on the front page as “Small Business: How to Use Video to Grow.”

I’ve got some issues with the piece, and not just because Flandez didn’t interview The Viral Video Genius. The article lists some nice case studies — from Blendec’s popular “Will it Blend” series (which drove sales up 500% to $40 million) to a clever “Free Range Root Beer” campaign by All Natural Main Root. I hadn’t heard of this series, yet the late-night breakin by root-beer activists is clever and only mildly over acted. But…

But there are a few things in the WSJ article that make my BS alarmgo off. Buckle up, readers, this is an must-read WillVideoForFood post.

  • moes logoThe WSJ reports that Moe’s Southwest Grill did a video contest where it received 40 submissions and got 211K visitors. That’s not bad vital signs for a video contest, although I’d guess the cost per lead was exponentially  more than it would cost to run a decent paid-search campaign– given the fixed costs of promoting and running the contest. Hopefully the video entries were viewed in other places beyond the contest site (a vital element to the performance of a campaign unless it’s a strict “lead generation” or transactional direct-response play).
  • When I read that Moe’s “email marketing database also grew to 200,000,” I can’t help but wonder if it was 195,000 before the contest. Something tells me just a few thousand of the 211K visitors signed up for e-mails (maybe 5 percent) from Moe’s Grill. I can’t recall if providing your e-mail was a prerequisite to voting, but that’s the only way the conversion was higher (and are those good email leads or sock accounts for someone who wanted to jack up votes for their friends’ video?). The contest site, like many of its kind, appears RIP right now (this is why we outsource contests, marketers): http://www.moes.com/burritosforlife. Here’s a link to a rap entry to the Moe’s contest.
  • The Kelsey Group surveyed 501 adults in February and reports that 59% had viewed a video ad on the Internet. Technical foul! That question leaves way too much room for interpretation— was it a preroll ad or an entertaining promotional video like those highlighted in the WSJ article?

There’s a big difference between vaguely recalling a Toyota video preroll ad that tortured me as I an anticipated an SNL clip, versus buying a painting on eBay because the artist posted videos of herself creating the piece (Valentina Trevino).

visit our lame site instead of youtube (mock highway sign)

  • Finally, the WSJ reports that the Kelsey Group claims 59% of adults answered “yes” to viewing a “video ad,” 43 percent “checked out a website.” A professor once told me that statistics are like hookers — you can get them to do or say anything you want. That number simply means that almost half of folks who once saw an ad once checked out a website… at some point in their lonely life. People- rest assured that this is the most misleading statistic of online video, and sets brands up for horrific disappointment. Your online video “ads” will not get many people to check out your website. Sorry. If you get more than a few percent you should be delighted. If your campaign hinges on a view-to-visit ratio (especially if you’re selling something with small margins), then your ROI will simply depend on keeping your production costs down to barely nothing or getting the video miraculously viewed 10 million times.
  • Yes, there’s “lights, camera, sales.” But there’s a lotsitting between “the lights and camera” and “sales.” For every Blendtec there are countless failed online-video campaigns that were over-baked and lost in the shuffle.

Ahh. I feel better now that I’ve done the standard “arrogant blogger throws mud at WSJ writer who didn’t interview him” drill. Now it’s time for some basic reminders, and this should be required reading for anyone that got googly eyed from reading the WSJ article:

KEY VIRAL VIDEO REMINDERS

  1. your online video lives hereYou gotta throw a lot of spaghetti on the wall and watch what sticks. It’s still hard to say what people like about online videos (although funny, short, visceral and “big finish” are important ingredients). I’ve done more than 500 online videos and still can’t predict what will sail or sink. For every “Vals Art Diary” there are thousands of overproduced (and sometimes even clever) marketing videos that are buried in the bowls of YouTube. For every “Farting in Public” (which just cracked 4 million views) there’s a “Prisoner of Best Buy” (a video I shot this morning, but is doomed to never be seen beyond 20K times because I actually like it). So what’s that mean? Experiment.
  2. To get a decent ROI, you need to keep your costs down. Otherwise you’re going to have a tough time capturing measurable value that offsets a $50-$500K pilot. You can dip your toe in the water for just thousands simply by partnering with known “weblebrities” who often promote products and services for a small fee, and already have an established audience. A few grand with a weblebrity gets you a video, their halo effect, and nearly guaranteed views of 10-100K. That same amount will get you an afternoon of a large agency fees.
  3. If you decide you want to produce your own content, be prepared to market the heck out of it. The viral video is just the germ- you still need to help spread the virus on airplanes, door knobs and at Chuck-E-Cheese. And don’t trust that “interactive guy” at the ad agency or PR firm to promote your baby. Find someone that has driven lots of views, and put that experience to work.
  4. When you measure return, consider the total video views beyond your site. Only a few percent will veer off the YouTube highway to visit your promotional rest stop unless there’s food and bathrooms. To bridge the gap, lure viewers with additional entertainment or value, or at least a unique URL. Those viewing MrComplicated (see background on CNN Money) were obviously far more likely to visit MrComplicated.com than Clear-Point.com (the sponsor’s site).
  5. eefoof is deadBe sure to decide the objective of the campaign and remember that objective when it’s time to assess performance. I’ve seen too many companies begin with a goal to get e-mail addresses, for instance, and then get giddy about total views and the homepage feature on Eefoof (yes, Marquis, it’s finally dead- I checked). Similarly, some brands plunge into online video simply for the public relations value, and then lament low views. Who cares about visits to your stupid brochureware site if you got the views and press (even if it’s consumer-generated media) you were after? People don’t need to lick a Coke billboard to be compelled to buy colored sugar water with red wrappers instead of blue. Dang I’m full of metaphors today. Is anyone writing this stuff down?

For those of you with short attention span, I’ve summarized this post in this visual of a video virus magnified 2 billion times:

viral video image magnifying glass

Sidebar: Flandez interviews David Meerman Scott, author of “The New Rules of Marketing and PR” in this interesting video that features an obnoxious preroll. I hadn’t heard of Scott, but was pleased to discover his books and blog.

Uploading Videos to Multiple Sites (TubeMogul)

Tubemogul video sites logosTubeMogul now facilitates simple uploading to multiple videos sites that include such recent additions as StupidVideo and Crackle. This image shows the collection of sites that now accept videos via TubeMogul.

There are other sites through which you can upload multiple videos, but TubeMogul saves your username and passwords, and tracks metrics. The site apparently is going to also track other performance metrics, which will allow creators to monitor performance and advertisers to provide simple reports for their clients.

I’m not getting kickbacks from TubeMogul to mention them, but I’ve covered the site several times because I can’t believe other creators aren’t using the free tool. It’s saved me time, and kept me uploading to sites that I otherwise might forget or skip because of the painful act of repetitive uploading. I wouldn’t be surprised if second-tier sites start paying TubeMogul just to gain access to its users video content. Certainly I’d prefer to see TubeMogul’s revenue come from the hosting sites instead of us video creators.

Interactive Agency “Eats Its Own Dogfood”

spunlogic viral video marketing naltsA lot of interactive agencies are now pitching clients on the value of online video to promote products and services. But how many of them are brave enough to throw themself in the mix?

At a recent “lunch and learn” for Atlanta-based “Spunlogic,” I spoke about online-video marketing to some major media and marketing companies. I’ve posted the presentation, titled “Online Video Marketing” publicly.

After the presentation, the Spunglogic founder helped me pull this prank video (Drunk Interviews) on some of the employees. Here are the outtakes.

T-Shirt Puzzle (shirtofnalts)

letters.jpg I bought a pack of letters yesterday and decided to make a t-shirt. But there weren’t enough of each letter to say much. So I invited YouTubers to help in a video that I planned to delete. I was only going to leave the video live for a few hours, but I fell asleep and woke up to 600 comments. Ultimately I went with “ShirtofNalts” and I’ve removed the original video here (unfortunately it doesn’t have all the comments).

The best suggestions are in this recap video, which features my new shirt and also asks for suggestions for a t-shirt that Spencer and I can wear to the mall to get strange reactions. And the runners-up for shirt captions are listed below in “more.”

Continue reading T-Shirt Puzzle (shirtofnalts)

Is Amateur Online-Video Under Siege by Hollywood and Madison Avenue?

“Viral videos are on their way out.
You’re the Chia Pet of 2007.”

That’s from an e-mail sent last night from my sister, who produces for a major television network on the west coast.

There seems to be a great skepticism about amateur video’s endurance when the competitive Huns from Hollywood and Madison-Avenue Mongolians are storming the castle. Can will Ferrell make better videos than Nalts? Surely. Is there a proliferation of horrible consumer-generated ads? Indisputably. But we’re overlooking something here.

kevinnalts_imediaconnection.jpgHere’s a Q&A I did with Xlntads Acting CEO Neil Perry for iMediaConnection. The title was “Agencies Can You Cope with Candid Camera.” Interestingly I’ve had several discussions with media in the past week about this “viral creators vs agencies” issue.

Those deep in the entrainment and marketing industries don’t want to believe that amateur online-video content is worthy of attention or has legs. Reporters (see this piece by Bob Garfield of AdAge as an example) seem to have deep doubts about the sustainability of amateur video creation to drive brands. I say “bolderdash” (what does that mean anyway?).

Please consider these questions:

  1. How long has it taken large agencies to understand paid search? A decade?
  2. Will the need for video content increase or decrease as new media evolves/
  3. As audiences fragment into social media and niche websites, what do you project as the production cost of building relevant content to not 3-4 segments but dozens? Can you afford $250K productions or would it be easier to leverage the knowledge and “permissions” of people in those social networks?
  4. On the entertainment side, does the entertainment machine (auditions, talent representatives, SAG, studios, production houses, etc.) ensure that the best talent rises to the forefront? Or is conceivable that there’s amazing talent lurking that doesn’t have interest in quitting their day job and moving to Hollywood? Does the democratization of online video (coupled with the low barriers to entry) mean we’ll have better entertainers in the next decade?

Think about what American Idol did to find hidden gems that would never have hit our ear drums. Is it possible that a major 2009 film star is, today, entertaining 50 subscribers with his webcam in Ohio, where he has no resources or knowledge to find an agent much less know whose ass to kiss to get a bit role on a sitcom that’s 2 weeks from cancellation?

So you can see that the window for amateur-created content is certainly not closing in the next 5-10 years. And I’ll argue (and this I have to credit to Garfield) that the “brass ring” will go to the niche agency that figures out how to harness the power of good video creators and help brands reach the long-tail.

Long term, Hollywood will find ways to get mine for amateur entertainment gold. And Eventually ad agencies will figure out not just how to repurpose broadcast ads into 30-second pre-rolls but how to create engaging video content that gets passed around (this is currently a rare skillset for large marketing agencies). But there’s more to this than that, and there are also two things the agencies lack. First, they don’t live in the viral video space full-time so they don’t know the rules of social networking. Second, unlike the LonelyGirl15 and HappySlips they don’t have embedded audiences. As online video grows, we’ll see prime video creators with regular audiences that rival television shows.

You can also read this Q&A on Politics & YouTube in Review.