Category Archives: Future of Online Video

On NBC Today Show… this morning. maybe.

Greetings boys, girls and willvideoforfooders!
I’m your substitute, I mean “GuestOfNalts (.)” today 🙂

As you know this self proclamied viral video genius, Kevin ‘Nalts’ Nalty, started talking to himself early on, as we see in several of his more delightful films: here, here, here, here, here, here, here, here, AND here!

WHEEW!

Kevin has developed a number of personalities, alter egos and of course clones over the years. This is me here in my pre-natal state along with my other clone brothers and sisters. And here is the first generation of a Nalts’ Clone. As you might have guessed he didn’t quite make it. Unfortunately, he was unable to grasp the finer points and magic of editing and fell into a very tragic incident involving a can, the local trash collector and the very large trash collector’s truck. Since, much progress has been made and as you can rightly read I am one of the current generation ‘CloneofNatls’. However, we do prefer being called ‘Spawnsof Nalts’. We have advanced far more than the initial copy, even though we still titter on lame.

As a copy and a real live SpawnofNalts it is my position to make sure that anything Nalts does or thinks when indisposed makes its way to the beautiful eyes of his darling readers, fans, lurkers and all the rest of you, ASAP!

Tomorrow (July 9), on NBC’s Today show in a segment called “Frustrated Fliers.” The interview was shot in NYC yesterday and prompted by “USAIR Sucks” and not “Crawling Through Airport.” See if you can spot the original Nalts at the airport. If not, enjoy these little vignettes to make up for the possibility of a brown out we predicted in NYC. If you missed it because you just couldn’t drag your lazy ass out of bed before 11am, you know who you are, and barring some possible genetic or technical malfunction, me and all the other SpawnsofNalts will try our best to accommodate Today the day after yesterday or sooner right here!

Oh, and bring a clothes pin!

Nalts at the airport Today!

Be glad smell-a-vision never took off!

END TRANSMISSION

The Secrets of Viral Video (draft presentation)

As I mentioned previously, I’m presenting “The Secrets of Viral Video Marketing” at a Yahoo! event called “Big Screen, Little Screen.” It’s this Wednesday,  July 9 in Toronto, Canada.

Want to review the deck and provide any suggestions? Obviously it won’t be self explanatory, but I thought I’d give you loyal WVFF readers a sneak preview. Here’s the Powerpoint deck in Flash via Slideshare.net.

Any suggestions?

Oh- and thanks to David Bridges for designing the Nalts flavicon (that little icon on the left of the browser window before the WVFF URL). Thanks also to Jan for installing the little booger!

Kevin is a poopie head

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discuss!

Viacom’s Top-Ten Rejected Claims on Google

Viacom Knows What You Did Last Summer.

Holy shit. According to this Wired article, a judge ruled yesterday (Wednesday, July 2, 2008) that Google will have to turn over every record of every video watched by YouTube users, including users’ names and IP addresses, to Viacom. The order also requires Google to turn over copies of all videos that it has taken down for any reason.

Viacom is suing Google for allowing clips of its copyright videos to appear on YouTube, and wants the data to prove that infringing material is more popular than user-created videos, which could be used to increase Google’s liability if it is found guilty of contributory infringement.

Google argued that turning over the data would invade its users’ privacy, but the judge’s ruling (see pdf of ruling) described that argument as “speculative” and ordered Google to turn over the logs on a set of four tera-byte hard drives. The Electronic Frontier Foundation has already reacted, calling the order a violation of the Video Privacy Protection act that “threatens to expose deeply private information.”

The judge, in fairness, denied Viacom’s request for:

  1. YouTube’s source code, and the code for identifying repeat copyright infringement uploads
  2. Copies of all videos marked private and Google’s advertising database schema
  3. Chad Hurley and Steven Chen’s nuts on a silver platter
  4. Viacom CEO Philippe Dauman’s son Philippe Douman Jr (who works for Google) taking over as CEO for YouTube.
  5. The letter G removed from the alphabet.
  6. The internet being turned off until said disputes are settled
  7. A return to 1990 when big media had a profitable business model.
  8. Perpetualy indemnification from taxes by Viacom, its employees and any individual or company selected by the Viacom board.
  9. Eleven virgins for each Viacom senior executive.
  10. Viacom Day to replace 4th of July holiday.

Three Golden Rules of Online-Video Creation

Nalts is Moses (not God)For years I’ve written countless words about “do this” and “don’t do this” related to online video creation. Some of this applies to amateurs or pros, and some to advertisers and brands. Today’s advice pertains to three “Golden Rules”, and it’s important for all of us- but especially creators.

Let’s look at the Three Biggest Mistakes made by online video creators (and that does include “viral campaigns”):

  1. Emphasizing quality over cost.
  2. Believing good content will get seen.
  3. Caring about what the audience thinks.

Now you skeptics just mentally formulated the three following counterpoints while reading the Big 3 Mistakes above. I’m right, aren’t I?

  1. Higher production value generally means the content is better
  2. The social aspect of the web means good stuff rises and bad stuff dies
  3. The most savvy creators listens to audiences and predicts them, thus creating content that’s more popular.

The good news is that your counterpoints are indeed accurate. The bad news is that if you live by them, you’re going to be broke, frustrated and unsatisfied in your work. I promise. And a promise is a promise. So today, Uncle Nalts will serve up the 3 Golden Rules that shall guide you on your path to online-video sustainability. They’re subject to change as the market matures, but who cares?  If you succeed you’ll find your own reasons to explain it. And if you fail, you won’t soon return to this post because it will piss you off.

Golden Rule #1: At all costs, manage costs. There STILL isn’t a safe online-video monetization model (advertising, purchase, rent) for the majority of video content online. This is actually good news for amateurs like me, because we’ll sustain while better creators come and go — studios simply can’t justify a team of writers, producers, directors, actors, editors on the hopes of finding an audience (that day will come perhaps). I certainly am not the best video creator, but I’m probably one of the most profitable. I write, shoot, edit, and act… So I don’t have costs beyond my excesive time (which I justify by joy, not an hourly wage) and the nominal amount I spend on equipment and variable fees. Most of the people in my videos are acting for fun like I do, and occasionally I’ll pay them with bribes and gift cards.

Golden Rule #2: Good Content is Not Popular. It’s time you separate your notions of what’s good and what’s popular. You couldn’t have predicted 10 years ago that a cup of coffee would cost more than a gallon of gasoline — and that you’d bitch about gas prices while sucking down your overpriced moca frapolati venti with vanilla sprinkles. Good isn’t popular, and popular isn’t good. Does that mean you strive for popularity? Nope. That’s like trying to change the direction a boat is taking by hoping the wake shifts direction. But don’t lose hope here! Nalts doesn’t drop crap on your desk without telling you how to clean it. The lesson is that you’re responsible for getting your videos seen if you want your videos to be seen. I’ll bet you’ve been obsessing on what you do before you hit upload, and subconciously starving everything that happens after that (as if it’s beneath you). Don’t pimp and spam it (I know some video creators that should be Amway reps), but invest in some gentle efforts to get the video to a relevant audience. If the video is about cheese, did you remember to send it the cheese blogger? He’s got an audience of cheese lovers, and not much else to write about.

Golden Rule #3: Screw The Audience. I’m serious. This is really, really hard to do. There are times where you’re hypercharged by the feedback and audience interaction. It’s validating, it helps hone your storytelling, and it’s instant gratification. But almost no online-video creator is at risk of losing touch with their audience — the medium consumes them. Rather, most popular creators lose their steam because they focus on feeding the audience instead of instinct. What began as a fun outlet becomes an obligation. Experimentation becomes repetition of a formula that seems to work (Zipster08 and SMPFilms have, interestingly, spun off LocoMama and a Sparta the Cat channel the same week — these were recurring bits that grew and sustained much of their audiences, but fatigued others). By focusing on the audience above all, desperation and frustration sets in. The remedy for artistic sustainability is caring less. Get back to doing what’s fun and ignoring the “you’ve lost your edge” cold-prikly comments but also the “that’s the best video you’ve done” warm fuzzies. Every video creator I know (and I know a lot of you) pays too much attention to feedback, and I’m quite confident it’s the root cause of death spirals (including my own). For you advertisers, I’d adapt this rule as follows: don’t follow the formula because it’s already been done. The best judge of future viral failure is past viral success.

Moses has spoken.

Metacafe Gives Viewers Wikipedia-Like Editing Control of Videos

It’s maddening when a creator tricks viewers with misleading thumbnails, titles, tags and descriptions. Until now, we’ve counted on the website’s search engine to solve that problem. But even YouTube’s Google-like sophistication still opens the door to tricks by Viral Video Villians.

Google learns from its users, and I imagine the YouTube search engine quietly gives primacy to videos that meet criteria we never see… such as open rate, duration of average view, related videos, and other metrics that YouTube can track to determine if the video is perceived as relevant or “good.”

Metacafe — without the funding or mother Google to help — has created a clever alternative. It’s giving edit rights to the viewer in true Wiki style. Just as anyone can edit a Wikipedia entry, Metacafe viewers can now edit the title, tags, description and even flag misleading thumbnails or duplicates (I flagged a “Farting in Public” ripoff just now). This is hard to explain, and a video is worth a million views. Watch Sherry in the video here to see how it works. I love this demo and not just because I make a surprise cameo.

I hope Metacafe doesn’t allow its creators to switch the hosts of it’s Metacafe Unfiltered series? Imagine how much better you could make this interview with KipKay, who has made more than $100,000 in advertising revenue on the website.

This begs a lot of questions. I can report a misleading thumbnail (the image you see representing a video before you play it), for instance, but I suspect human intervention is required, and perhaps that requires a few people reporting it. I can edit someone else’s video description, which introduces some risks of abuse initially (for instance, I could add my name to popular video tags but I’m sure it would erode a trust score and have little benefit to me). Ultimately the community will police the community, and that’s theoretically better and less expensive than editors or complex algorithms.


Wikicafe Beta: Hate Typos?The best bloopers are a click away

 

10 Famous People That Are Less Popular Than Me (Nalts)

In a move so brilliantly self promotional that I myself am in awe, TubeMogul ranked the top 40 most-viewed users. This is a delicious marketing tactic because (a) we popularity whores cannot resist bragging rights on this, and (b) if you want to pull a “whose your daddy” on me, you have to use TubeMogul. Now I’ve been a TubeMogul fan before TubeMogul existed. I was spending hours a day uploading to multiple sites, and hating every second of it. When my YouTube views took off, I stopped uploading routinely to the wealth of other sites that got paltry views but provide access to long-tail viewing. TubeMogul solves this for me. If I get no views on yourstupidvideosite.com, at least I don’t have to manually upload or confront that sad fact daily.

So here’s the list of famous people that aren’t yet as popular as me. Wowza.

  1. HBOTubemogul nalts
  2. Rocketboom
  3. CBS Interactive
  4. National Lampoon
  5. PBS
  6. Billboard.com
  7. Warner Bros
  8. Fox
  9. Nike
  10. Sony Pictures

I boast playfully about my popularity in this video (which also addresses recent allegations that I abuse animals for video entertainment). Mind you that TubeMogul is measuring creator stats  based on videos that flow to YouTube and other popular sites via Tubemogul’s upload tool (which captures downstream data as well). The larger media properties have two arms tied behind their back on this ranking.. First, they may choose to upload directly to some sites and circumvent Tubemogul.com. Second, many of them are selective about distribution. Does HBO want to provide content to a website that is a potential competitor and doesn’t share advertising revenue?

Interesting stuff, and the ego role I play in this video is really just a mask worn by a child who fears for the end of a nice era.. one where amateurs with low production costs can, even for a moment, rival larger media plays.

P.S. This post was edited this morning once Ambien wore off. You really shouldn’t blog on Ambien.

Nalts discusses animal abuse and Tubemogul

Video Sponsorship Trends: “Cashing In” or “Selling Out”

I like this “Viral Video: Cashing In or Selling Out” by Jennifer Hollett (Canadian Globe & Mail), and not just because I’m featured in it. It’s actually a well-balanced view of the issues surrounding paid sponsorship and product placement.

dixie chicks sellout like charles trippyAs you may know, there are two different ways to make money via online video. You can share in the percent of ad proceeds based on the publisher (Revver, Metacafe, and now YouTube’s Partner Program). This is easier, but low margin. And you’re at the mercy of the publisher. Currently it would appear YouTube is selling fewer InVideo ads associated with amateur content, and I’m seeing more Google Adsense copy ads or display only. InVideo ads are far, far more profitable to YouTube and creators — selling at about $20 per thousand impressions. Advertisers get much more exposure, since the ads peek up at the bottom and are interactive (a far cry better than banners that we tend to tune out). The second way a creator can profit is by working directly with brands to feature products and services for a fair fee.

If you read this blog regularly, you’ll recognize my POV on this article (worth a scan). I satirize “selling out,” but I actually think you can find a balance between helping an advertiser and entertaining. I even contend that promotion need not come at the expense of the entertainment and vice versa. That said, I do respect the opinion of Kalle Lasn, editor in chief of Adbusters magazine and author of Culture Jam. Kalle, according to the piece, feels product placement on YouTube is a sad development. Lasn says there are already between 3,000 – 5,000 marketing messages coming into the average North American brain everyday. “I don’t think we really need 5001,” he says.

The article highlights (oh I hate that word) Brandfame, which helps facilitate the interaction between creators and sponsors. I’ve also met with Placevine, which represents a number of different brands interested in tapping creators. This article references a video I made called “Viral Video Broker,” where I spoofed this industry almost two years ago exactly. (Another one of those videos I wish I had shot with a better camera, but at least I was somewhat ahead of my time… the voices were, of course, people in my offices at J&J not real weblebrities).

fortune teller

Watch for five trends in this area in 2008:

  1. Creators are going to cross the line by pushing the advertising too hard, and alienating their viewers. It will feel right for them and their sponsors, but ultimately make for a jaded bunch of viewers.
  2. Brandfame and Placevine are the signs of an emerging cottage industry that will become more vital than the labor intensive machines helping broker product placement in television and films. Online video will give brands more inventory (it’s not called the “short tail” folks), access to niche audiences, and — here’s why the legacy firms will struggle — easier scalability. You’d better make it easy for brands and creators, and take a fair portion but not excessive. Product sponsorship is the only way many brands will penetrate the vital medium of online video, because it’s a fairly ad resistant one. In the “lean forward” generation of online-video, we’ll only watch your advertising if it’s interesting or if you force us. I’d content the sustainability of the latter is weak, and you’d have trouble arguing otherwise. Enter TiVo bloink sound, or the sick delight we take shutting a browser window that “serves” a pre-roll advertising with all the tact of a bad-breathed vacuum cleaner salesman. As David Spade said as a flight attendant on SNL, “Buh bye. “
  3. The online-video sites will struggle in this area. Currently mama Google doesn’t profit if I cut my own deals with Mentos (except when Mentos flighted my video as a 30-second ad). But it’s not an area of high concern since YouTube needs to focus on scalable revenue. What happens, however, if creators join forces and agree to sell prerolls embedded in the video file… a Toyota ad pops up gently in the intros or before the “Next New Network” bumper at the end of a clip? Does YouTube take issue with this advertising that they facilitate but don’t profit on? Or is it analogous to a producer selling his show, but retaining rights to a fixed amount of the ad space (I’ve heard Ryan Seacrest does this with his show).
  4. There will be no trend four. Trend four is often wrong, which itself is a growing trend.
  5. The backlash associated with hidden sponsorship is far from over. I wish there was a law that required film makers to disclose any paid advertisers, even though I know much of the “product placement” is offered free by directors. Federal Express, for instance, does not often pay to have its boxes appear in a film. The directors want the film to feel authentic, and seek permission not pay from FedEx to avoid needing to distract viewers with a Garbagepatch Kids-like bastardization of FedEx (FoodEx). In the end, however, I feel like the video creator owes me, as the viewer, disclosure. If you’re getting paid to hold a Mountain Dew, more power to you. Just let me know, so I don’t feel like you’re being sneaky every time your camera pans a mall and I see logos.

Long-Tail Celebrities Won’t Get Famous and May Not Care

Here’s an excerpt of a wonderful post on Cracked.com titled “YouTubers That Will Never Be Famous.” It’s an opportunity for me to “clear the air” about being a self-proclaimed “weblebrity” (which is, you see, rather distinct from being a celebrity). LONG post, here, folks but this one is jam-packed with delicious goodness.

The internet is a big place, but there can only be so many Tay Zondays and LonelyGirl15s. Not everyone can become a crossover internet celebrity, and behind every one of these superstars there are a thousand others just like them, posting video after video and hoping one of them sticks. The following users represent only a fraction of a percentage of the YouTube users currently clogging up the internet tubes with absolute garbage – if you can think of others that deserve to be shamed, feel free to add them in the comments below. Or don’t, actually – additional exposure will only encourage them.

Let’s start by explaining that securing weblebrity status facilitates all the dysfunction of being a real celebrity, but none of the perks. You see, you receive hundreds of messages a day from viewers critiquing your work (probably more than many movie stars). The positive comments give you false self esteem, and the negative ones crush you like a lemon wedge. Eventually you develop thick skin, stop posting, or decide to find your self worth in a more healthy place (like at the bottom of a nice glass of vodka stired by a Xanax).

But, friends, there are at least 5 perks:

  1. We get constructive feedback about what people like and don’t like about our mindless short-form entertainment (so in theory we learn). People look forward to our stuff, and that’s encouraging. Remember that three years ago we bored dinner guests with our videos.
  2. We have a lot of fun. Shooting videos, editing them, collaborating, meeting fellow creators.
  3. Some of us actually get paid by YouTube based on a percent of the revenue it makes from selling ads around our garbage.
  4. We don’t really clog up the Internet. You see, there’s plenty of bandwidth around. It’s kinda like saying someone is wasting your sunshine (there’s an unlimited supply last I checked). Your tan doesn’t come at my expense… unless I have to look at your digusting, peeling skin.
  5. We don’t answer to anyone except our audiences. No producers to tell us to “dial it down,” or sponsors forcing awkward insertions. No “review team” or fear of cancellation.

Now let’s look at VisibleMode. Do I watch him daily? Nope. Does he watch me? Probably not, except when I happened to pick him for the YouTube Secret Santa (I sent him a mug so he could sell out like me).

VisibleMode is one of the top YouTubers in Canada, and Cracked.com’s pick for someone who won’t get famous. Obviously it would be even more interesting to see a Cracked.com list of the few YouTubers that actually might get famous (a harder list to write, and a shorter one).

So now I’ll get to my point, which Cracked might have overlooked. VisibleMode may not soon be in a b-grade film or even an extra in a television commercial. Heck even Michael Buckley (one of the fastest growing, and television-ready weblebrities) may fade like many stars. But VM tells me today he’s had 6,760,748 cummaltive views of his videos. If Google sold those InVideo ads surrounding his videos at $20 per thousand ($20 CPM is the list price), VisibleMode would have hypothetically taken a portion of more than $135,000 that advertisers would pay YouTube/Google. Let me say it again. Even if most of the ads weren’t sold, the CPM wasn’t $20, and VisibleMode only got a small portion, he’d be making decent take-home per month. Will it last? I’m the wrong guy to ask, because I would have bought Revver stock. But I’ll bet he’s enjoying the ride and not too worried about missing a red-carpet event in LA.

The sustainability of YouTube and weblebrities, of course, hinges on advertisers garnering an ROI on the ads that surround this content. They’re fairly targeted and hard to ignore. And they’re in the context of content you’ve chosen to view. So the branding benefit should be worthwhile (a cent or two an impression) even if the direct-response may underwhelm more transactional brands. 

So assuming marketers sell products (or believe they are) via YouTube promotion, the advertising revenue will flow. A shake-down of creators will naturally occur, but the audience of YouTube is growing in depth and frequency, and media consumption continues to fragment. There’s a volume of valuable ad inventory lurking in the long tail, folks…. so...

  • Weblebrities might enjoy a decent side income without ever becoming “famous.”
  • Viewers will have a greater selection of garbage to fit their unique tastes- some cheesy stuff blended with unique, unscripted and short entertainment.
  • YouTube/Google will make some money as well-backed middleman. Heck maybe they’ll buy Cracked.com.
  • Advertisers should enjoy a decent ROI in an emerging medium that’s bound to resemble future television buys more than current television ads will.

Nalts may or may not appear on SNL, but he’s having fun while this lasts. I just wish Cracked would have picked me for someone who’d never get famous. Hey- I know. I’ll do a sunburn video. Worked for ShayCarl.  

The Attack of the Killer How-To Video Sites

Lately it’s “The Attack of the Killer How-To Videos Sites.” We’ve already seen ExpertVillage, Instructables, AOL’s How To, VideoJug, and of course YouTube’s How-To section.

While uploading on TubeMogul.com this morning, I noticed three more sites that have surfaced. Most of these models depend exclusively on advertising revenue. While that’s a nice interim model for targeted buys, I do see the potential for sites and creators to post modest fees for instructional videos.

If it was “iTunes” easy to buy a “how to” video, you’d probably pay a modest fee for “just-in-time” learning. Anything to avoid the instructional manual, attending a class or hiring a pro. Here are some examples:

  1. Sclipo.com Although it’s got a laughable web 2.0 name and brand, Slipo is somewhat unique. It’s more fo a social learning network for teaching through video & webcam. People can meet others of common interests, and engage in live, personalized webcam classes (members can schedule appointments, charge fees, and re-watch their live classes later for additional practice).
  2. HowCast.com HowCast is probably “the one to watch,” since it has recently signed distribution agreements with Blip.tv, Metacafe and Bebo. Those join a collection of distribution agreements with Myspace, YouTube, Verizon FiOS TV, Joost, and ROO. It doesn’t hurt that it’s founded by veterans from YouTube and 3 from Google. Howcast provides advertising revenue-sharing income for user-generated content and professional video.
  3. 5min.com 5 Minute is a place to find “short video solutions for practical questions,” and a place for people to share their knowledge. The idea behind 5min, of course, is to focus solutions that can be visually explained in no more than 5 minutes.

And if you don’t like what you see, find a free Web 2.0 platform and aggregate your own “how to” videos around some ridiculously niche topic. Or just create your very own revenue-producing “How To” video using Revver (see a video I made back in Sept. 2006). Better buy one of these coin counters (see video) to help sort your pennies.

While you’re at it, please create a “how to” video on attracting weary advertisers.

Pete Cashmore reviews some of the best “how to” video sites at Mashable.com, including SuTree.com (a site that aggregates them but isn’t working as of this writing).